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Theater (2014) 44 (2): 73–79.
Published: 01 May 2014
...Matthias Lilienthal; Tom Sellar © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Constanza Macras’s Hell on Earth, hau Berlin, 2008. Photo: Thomas Aurin “A Change Has Totally Taken Place” Matthias Lilienthal Interviewed by Tom Sellar tom sellar My first...
Theater (1996) 27 (1): 102–104.
Published: 01 February 1996
...Charles McNulty Staging Place: The Geography of Modern Drama by Una Chaudhuri 1995: University of Michigan Press Copyright © Theater 1996 1996 Books CHARLESMCNULTY place as problem - informs realist drama deeply...
Theater (1987) 18 (2): 66–68.
Published: 01 May 1987
...Ellen Levy Copyright © THEATER 1987 1987 IINSPIRATION IN ITS ROOTS: THE PLACE OF POETRY IN THE THEATER OF ILEE BREUER...
Theater (1987) 19 (1): 50–69.
Published: 01 February 1987
...Athol Fugard Copyright © THEATER 1987 1987 PLACE THE Yale Repertory Theater Copyright 1987 by Athol Fugard SCENE ONE All rights@ reserved. No part of this play may Lloyd Richards be reproduced...
Theater (1986) 18 (1): 70–73.
Published: 01 February 1986
...Mark Lord Copyright © THEATER 1986 1986 THE GOOD AND THE FAITHFUL AT THE PLACE OF THE SKULL:NOTES FOR A THEORY OF TRANSLATION...
Theater (2000) 30 (2): 169–173.
Published: 01 May 2000
... books Shawn-Marie Garrett These questions are intermittently ad- dressed in Performing America, most successfully No Place: when writers dig deep into history and make A Performance...
Theater (2007) 37 (3): 7–15.
Published: 01 November 2007
...Nicholas Ridout Yale School of Drama/Yale Repertory Theatre 2007 Tragedia Endogonidia, B.#03, Socìetas Raffaello Sanzio, Hebbel Theater, Berlin, 2003. Photo: Luca Del Pia Nicholas Ridout The Worst Sort of Places Our times and our lives are completely detached from any...
Theater (1978) 10 (1): 15–30.
Published: 01 February 1978
...• temperamentally capable of going off to a strange theater and duction and a series of new play readings which are more develop• fitting into that organization. And, of course, not all professional mental in nature. The plays we choose for the main season are companies are suitable places for such internships...
Theater (2019) 49 (2): 48–61.
Published: 01 May 2019
... and refraction that are an essential part of not only Louis’s narrative but of all narratives of sexual violence. Thomas places Im Herzen der Gewalt against the history of depicting violence on stage, with a particular focus on the famous 1980 production of Howard Brenton’s The Romans in Britain . By placing...
Theater (2019) 49 (3): 5–19.
Published: 01 November 2019
... them. Sack sees in Gunn’s work the creation of heterotopias, places that open out onto an elsewhere, toward realities that simultaneously exist outside of the world and connect its disparate cultural manifestations together, from identity to ethics, politics to performance. Nicola Gunn s In Spite...
Theater (2021) 51 (2): 4–13.
Published: 01 May 2021
... places the pieces into four distinct categories—reenactment, recollection, reactment, and reclassification—each of which allows for a kind of questioning of and engagement with history and the present. Milo Rau s The New Gospel, ntgent, Matera, Italy, 2019. Film still: Thomas Eirich-Schneider Lily...
Theater (2021) 51 (2): 38–47.
Published: 01 May 2021
...Helga Kraft Helen Kraft considers director Milo Rau as an influencer. Kraft places Rau within a subcategory of influencer identified by economist and psychologist Robert Cialdini as intellectuals who are “well-connected, create an impact, have active minds, and are trendsetters.” She argues...
Theater (1993) 24 (2): 67–75.
Published: 01 May 1993
.... Her characters do tend to drive each other to emotional extremes; they do put their sexuality up front. But they are basically trying to understand their own identities in a world where they don't have a place. In 1990, Hughes was touring in World Without End, a monologue inspired by the death of her...
Theater (2008) 38 (3): 5–21.
Published: 01 November 2008
... to fade quickly from public view. Houchin argues the swift proliferation of internet and cable communication has protracted these debates, placing even greater pressure on artists, producers, and regulatory agencies. Houchin explores the impact of censorship vis-à-vis four events, events that all revolve...
Theater (2009) 39 (1): 7–27.
Published: 01 February 2009
...Daniel Larlham In this profile, Daniel Larlham places controversial South African theater director Brett Bailey's recent works, including Ipi Zombi? , iMumbo Jumbo , and Big Dada , in the context of contemporary South African theater and politics. He describes Bailey's strategies of cultural...
Theater (2010) 40 (2): 67–73.
Published: 01 May 2010
...Karinne Keithley Karinne Keithley's essay introduces the script of Nature Theater of Oklahoma's Romeo and Juliet , placing it within a genealogy of American thought that begins with Emerson and Thoreau and continues through the artistic experiments of John Cage and of the Judson Dance Theatre. ©...
Theater (1984) 15 (3): 24–31.
Published: 01 November 1984
.... It haunted my conversation with Kroetz which took place in his Munich apartment, where he lives with Alexandra Weinert. Copyright © THEATER 1984 1984 Thinking in Public: An Interview with Franz Xaver Kroetz...
Theater (1981) 13 (1): 56–66.
Published: 01 February 1981
... at the Public Theater in New York. Serban talks about Chekhov and the two stagings in the following interview, which took place in New York City on April 2, 1981. Copyright © THEATER 1981 1981 Andrei Serban Directs Chekhov: The Sea Gull in New York and Japan Laurence Shyer...
Theater (1985) 17 (1): 57–62.
Published: 01 February 1985
...Nadine Honigberg Copyright © THEATER 1985 1985 The Women’s Project: An Interview with Julia Miles Nadine Honigberg This intnview took place last June in an Oft@ stacked with scripts, overlook...
Theater (2014) 44 (1): 57–65.
Published: 01 February 2014
... aftermath of Katrina, there was this barrage Nick Slie and Bruce France interviewed several of media that we felt were just oversimplify- community residents and then placed video and ing the stories that we were...