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Journal Article
Theater (1973) 4 (1): 73–79.
Published: 01 February 1973
...Frank Levy Copyright © by yale/theatre 1973 1973 Fugard's Boesrnan and Lena Physical and Metaphysical Exhaustion Frank Levy ". . . tell him you saw usVladimir That Athol Fugard's Boesman and Lena are colored people living in South Africa...
Journal Article
Theater (1987) 18 (3): 21–29.
Published: 01 November 1987
...John Towsen Copyright © THEATER 1987 1987 ZEN AND THE HEART OF PHYSICAL COMEDY: THE REVENGE OF IMURPHY’S LAW...
Journal Article
Theater (2008) 38 (3): 67–83.
Published: 01 November 2008
... disturbingly uncovers that, while official government censorship may be decreasing, partly to evade international scrutiny, shadowy interrogation, harassment, and even physical assault of artists are becoming more common. Yale School of Drama/Yale Repertory Theatre 2008 Rags and Garbage, Rooftop...
Journal Article
Theater (2010) 40 (1): 11–23.
Published: 01 February 2010
... ways in which gesture, choreography, and dance knowledge circulates by physical exchange among dancers performing internationally. She describes these choreographers' work as joining tradition with innovation toward an integrated, globalized world. © 2010 by Yale School of Drama/Yale Repertory...
Journal Article
Theater (2010) 40 (1): 57–65.
Published: 01 February 2010
... to working with movement, pres- 20 ence, relationships with audiences, and the stage as a medium for examining these 21 questions. In having to bridge different cultures, I became curious as to how physical, 22 emotional, even psychological, cultural standards are learned. I wanted to play...
Journal Article
Theater (1981) 13 (1): 6–11.
Published: 01 February 1981
... and and persuaded her to become his partner Valentin’s physical acting technique and significance of Valentin and Karlstadt, two years later. The two worked together the directors’ symbolic, jump-cut narrative. their films are rarely shown. (A renewed for the remainder of their lives...
Journal Article
Theater (1991) 22 (3): 58–62.
Published: 01 November 1991
... at the gratification of physical love the end, the event the Young in the present, and the Man heard taking place Second Friend, played by a outside during the first...
Journal Article
Theater (1973) 4 (1): 117–120.
Published: 01 February 1973
... is beside us and alive; plant, tree, water, horse, and all those things that don't change fashion every ten years. The first year is one of destroying preconceptions; of releasing in the student a physical, psychological and emotional openness, and of en- abling him to recognize life...
Journal Article
Theater (1990) 21 (1_and_2): 115–117.
Published: 01 February 1990
... of contemporary Scots and and success at their most non-traditional theater forms and vi- the uncomplicated bluntness of his pro- basic level of physical reality. Their sionary artists have been drawn to the national, socialist message leave Border displays of virtuosity are executed in a clown...
Journal Article
Theater (2007) 37 (1): 69–76.
Published: 01 February 2007
..., and in a produc- tion so physically austere that the movement of a finger sends ripples through the air, this constriction feels like the squeezing out of the last possibility of human trust. The virtuosity of Huppert’s acting is astonishing in the most literal sense, turning the audi- ence to stone...
Journal Article
Theater (2007) 37 (1): 77–84.
Published: 01 February 2007
..., and her feet remain resolutely planted forward throughout the duration of the performance. And yet, strong as she is, she is still sick. There is still vulnerability. When the man says to her, “I cannot hold your life in my hands,” her own hand clenches, and in a produc- tion so physically austere...
Journal Article
Theater (1988) 20 (1): 89–91.
Published: 01 February 1988
.... And people; how the curtains are closed and are not present physically: the play- that surface, seemingly so open to de- later opened: how the lights dim and wright and the character. The actor scription and replication through the darken over the audience. then come up is the only one occupying...
Journal Article
Theater (1991) 22 (2): 57–65.
Published: 01 May 1991
... training actors. He used industrial time-motion studies notes elsewhere in these pages, the Moscow Art Theater's ("raylorism") to break down a physical task into motions founder perpetuated by all means necessary, including which could be analyzed and perfected to maximize friendship with Stalin...
Journal Article
Theater (1972) 3 (3): 8–34.
Published: 01 November 1972
... that it is no longer paradoxical. “-Kierkegaard, Genius and A post le. There is a temptation to think of culture as continuous and progressive, to see works of art, for example, succeeding one another like animate bodies in the physical order, organically breeding their own more or less...
Journal Article
Theater (1968) 1 (2): 124–129.
Published: 01 May 1968
... in such pain, of death. The actor has been transformed, could be none other than Oedipus. physically, to the specifications of the words. Seneca's dramatic technique allows the actor and the director this The actors then become witnesses in sort of freedom in performance...
Journal Article
Theater (1992) 23 (3): 52–61.
Published: 01 November 1992
..., or would the playwright get lost in and a like number of scripts for Italian television and radio. the translation? And, trickiest of all, could he impose his He is a "street performer" who can boast of regularly personal vision and his broad physical style on the performing live for as many...
Journal Article
Theater (1978) 9 (3): 50–59.
Published: 01 November 1978
... that the angihu (the Balinese dance, which is noted for its insinuative fluidity; on the physical representation of the actor) is limited to 13 movements of other hand, he describes the “hieroglyphic” aspect of their the head, 7 of the eyebrows, 6 for the nose, 6 for the cheek, 7 for costumes...
Journal Article
Theater (1969) 2 (2): 124–129.
Published: 01 May 1969
.... The experience the chorus and the audience somehow communicated is the universal fear know that the child, borne in such pain, of death. The actor has been transformed, could be none other than Oedipus. physically, to the specifications of the words. Seneca's dramatic...
Journal Article
Theater (2012) 42 (1): 11–19.
Published: 01 February 2012
... members gazed up FotoUp Agency expectantly. Power structures elided, cause unseen, the women wordlessly disappeared. Nameless forest forces its audience-­participants through a physical experience of cross-­cultural exchange — a disorienting tour...
Journal Article
Theater (1990) 21 (1_and_2): 29–33.
Published: 01 February 1990
..., still tion of dying and coming to life? in the process of coming into being. 30 In Act One, we can see how these overturned moral norms are translated into a grotesque sense of physical reality. As Sverbilova points out...