...Laurence Senelick Copyright © THEATER 1987 1987 I MELODRAMATIC GESTURE IN CARTE-DE-VISITE PHOTOGRAPHS LAURENCE SENELICK he carte-de-visite...

... Copyright © THEATER 1980 1980 Fugard's Plays: A Portfolio of Photographs Terry Alexander and Mary Alice in Nongogo at the Manhattan Theatre Club, 1980...

... Copyright © THEATER 1978 1978 The Alfred Jarry Theater: A Portfolio of Photographs In 1926 Artaud founded the Alfred Jarry Theater in collaboration with Roger Vitrac and Robert Aron. The group published a booklet, The Alfred Jarry Theater and Public Hostility...

...Joel Schechter; Elise Thoron Copyright © THEATER 1991 1991 MEYERHOLD: PHOTOGRAPHS FROM THE EDGE JOEL SCHECHTER AND ELISE THORON hile Stanislavsky's methods...

...Ariel Sibert © 2020 by Ariel Sibert 2020 31 Stilled Lives A Photographic Retrospective Edited by Ariel Sibert The spontaneity of theater is sought in stilled lives. Joel Schechter, Theater 18, no. 4 (1987) From its inception, Theater magazine has served not only as an anthology of perfor...

... to works of art that I admired. Now I attach them to other things. - Susan Sontag, 1977 interview, Performing Arts Journal As befits a book imbued with the spirits contains no photographs.) Wilde once and rival those offered by the artwork; at of Walter Benjamin and Oscar...

... asking if I okay, but not up to the standard we had was filled with visions of tracking down would photograph a production. I achieved at our earlier photo calls. I was Redskins with Roy Rogers or zooming thought they were asking a favor, but stunned. I felt that Chris was sticking off...

... eliberate ambiguity;hermeticism; work. One, a sprawling investigation of out again. As if shuttered off from the Dthe feeling for the symbol as Edward Steichen’sportraits, the other, a world by the camera’seye the photograph catalyst (something which, while contained selection...

... a dozen or fewer the product. They are created under the office of the theater contacts their staff from amongst these shots for general auspices of an administrative compo- photographer. He is told to be there for distribution. These chosen nent of the management of the theater...

..., it is dif- ing of photography in recent years, the startling, new tableaux vivants.) ficult to separate politics and journalism special relationship between photogra- If the photograph is regarded as a from theater photography, too. News phy and theater that these critics - and small stage...

... it was difficult to say with any assurance what it was. For the film theorist, the radical change in subject matter marked a thematic change of great importance. Because the leading character is a photographer who attempts to interpret his own work, it appeared that the director had left...

... Copyright © by yale/theatre 1973 1973 drawings 6 R. Griinberg 102 105 photographs 46 Brian Astbury 74 photograph 51 William L. Smith...

...Ken Reynolds © 2013 by Ken Reynolds 2013 Richard III, directed by Yuri Butusov, Satirikon Theater, Moscow, 2007 Portfolio Ken Reynolds As Told to Tom Sellar The archive of my theatrical photographs features more than 250 productions, counted as of early 2012. At that time I...

... project from Brooklyn publishing collective Ugly Duckling Presse. Berrigan and Liftig’s text is accompanied by a hilariously campy photograph of, indeed, two young women with swaddled babies, one in mid-­bloody-­gulp. The photograph and the description, which explains that the performance “explored...

... is still active. She speaks in garbled sentences. Her ingrained habits manifest intermittently. She still remembers us, her children, but our names are often forgotten. Adorning the walls of her bedroom are photographs of her life; young Fadia leaning proudly against her vintage family car in 1960s Aramco...

..., strategies change. Before, ing himself in time: “What day is it? What’s the Spooner had tried unsuccessfully to incorporate time? Is it still night?. . . The same night?” He himself into Hirst’s life by manufacturing bio- begins to speak of the photographs in an old graphical details: now Hirst...

..., 1963 Through selection and cropping, the photographer creates, as the writer Susan Sontag noted in her seminal 1977 book On Photography, a new relationship between image and reality. “The earliest experience of art,” she wrote in an earlier essay, “Against Inter- pretation,” “must have been...

...Lily Haje; Nicholas Orvis; Ashley M. Thomas © 2021 by individual authors 2021 Emma Judkins in Anna Sperber s Again the Wolves, Old American Can Factory, Brooklyn, ny, October 2020. Photo: Maria Baranova From the photographer: When pop-­up performances started to come back, I was thinking how...

... Copyright 1968 by yale/theatre 1968 Photo credi ts: ACT photo graphs by Ganslen St ud ios Ergo and Mem orandum photograph s cou r• tesy of New Y ork Shakespeare Festiv al Vene tian Twins ph ot ograph s courtesy of Arthur Cantor, In c...

.... Although the exhibition featured material objects such as the items audiences used on Abramović’s body in Rhythm O (1974) and the bus Ulay drove in circles for Relation in Movement (1977), the majority of the gallery space was filled with screens and projections. In some instances, still photographs...