Search Results for performance documentation

...Shonni Enelow Emergency index 2011 edited by Gluzman Yelena Yankelevich Matvei 2012 : Ugly Duckling Presse © 2013 by Shonni Enelow 2013 Books Shonni Enelow The Literary Life of Performance Emergency index’s Performance Documentation Project Emergency index...

... process,” focusing on the archive’s futuristic value rather than its quality as a collection of past documents. In this allusive, poetic meditation on an ethos of “repair” as it relates to performance, archival processes, and the work of performance collective Goat Island, Manning illuminates how drawing...

...Evan Hill Reactivations: Performance and Its Documentation , by Auslander Philip , Ann Arbor : University of Michigan Press , 2018 Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices , edited by Giannachi Gabriella Westerman Jonah , New...

...Rustom Bharucha This is the second in a series of essays documenting the REQUEST CONCERT PROJECT conceived and directed by Rustom Bharucha and Manual Lutgenhorst. The project involves the adaptation and staging of Franz Xaver Kroetz's Request Concert in approximately nine Asian cities over a period...

... dichotomies invoked by investigations of performance documentation, moves our historical investigations beyond the binary of the live and recorded, beyond the question of authenticity and presence (perhaps beyond the liveness problem itself) to a model of performance history in which the goal is neither...

... proscenium. It stage events today, but printed photo- could be argued that Cindy Sherman graphs continue to be the most widely has revived this practice in her recent seen performance documentation. The self-portraits, although, as Adam accuracy and purposes of the documen- Versenyi’s...

... had missed. As I pressed for further information, he confessed that he had not actually seen the production in person. I was shocked, I tell you, shocked. Who is this person to think that a critic can talk about a performance viewed only in documentation? He had not even seen the show...

..., Infinite Conversation, trans. Susan Hanson, Theory and History of Literature 82 (Minneapolis: University of Minnesota Press, 1993). in>time Goat Island Chicago hancock & kelly retrospectives performance archive festivals performance documentation Augusto Corrieri Robert Walton Judith...

... of representation, the stage grants from private companies who stand to gain tremendous profits becomes a crucial arena for revealing this exploitation of women. from the later production of her performance documentation. In- Beyond merely staging the exploitation of women, the rise 01 creasingly...

... bodies are punished, sentenced to a life between the desire for separation and the impossible hope of reunion. The performance documents the alternations of lovers and their resistance, up until the point of their collapse, when they fade away. The exhausted body succumbs, and every movement, every...

... of how exhibiting performance documentation allows museums to become arbiters of experience in a way that far surpasses either the controlled drift of the gazer at paint- ings or the spectator at a performance piece in a more traditional venue. If you submit yourself to a piece of performance...

... ensemble Goat Island, whose archives I curated for a 2019 exhibition, ten years after the group s final performance. Even with the best documentation, the legibility and meaning of performance mate- rial will drift over time, and it is well understood that the document is often a poor surrogate. Arlette...

... documentation, Heathfield suggests that these resistant temporalities can be accessed whether or not artists and spectators engage the performance and/or one another in the same time and space.22 Other advocates locate the resistant capacities of durational performance in extended experiences...

... it with tears. Whether conjured through theat- rical wiles or restored as genuine emotion, these tears lent a false authenticity to what Abramović must, by doctrinal force, deem etiolated and secondary — ­that is, the dou- bling of performance through reenactment or documentation. Instead, in this moment...

.... Whether conjured through theat- rical wiles or restored as genuine emotion, these tears lent a false authenticity to what Abramović must, by doctrinal force, deem etiolated and secondary — ­that is, the dou- bling of performance through reenactment or documentation. Instead, in this moment...

... it with tears. Whether conjured through theat- rical wiles or restored as genuine emotion, these tears lent a false authenticity to what Abramović must, by doctrinal force, deem etiolated and secondary — ­that is, the dou- bling of performance through reenactment or documentation. Instead, in this moment...

... to most of us in theater and performance studies and is ably summarized by Thomas Postlewait in his Cambridge Introduction to Theatre Historiography: “By distinguishing between available documents and identifiable facts,” he writes, “historians proceed from ‘history-­as-­record,’ which exists...

..., shortly after Rau was named artistic director. 12 a theater of documentation 7. Dorcy Rugumba left Hate Radio and was replaced by fellow Rwandan actor Diogène Ntarindwa after the initial Berlin performances at Hebbel am Ufer (December 1 to 4, 2011), when the psychological effect of performing the role...

... the Studio Museum — took images from archival footage documenting seminal perfor- mances by artists including David Hammons and Adrian Piper and cast them in large sil- houettes against a white back- drop in the series of five short performances. He then endeav- ored to channel the intention...

... documentary performance: a forum ing “documents into monuments,”18 can apply just as well to documentary the- ater in which a playwright may select only those documents he or she finds most persuasive, eloquent, or conve- nient, disallowing counterhistories. As Stephen J. Bottoms suggests...