Search Results for passage

... Copyright 1969 by yale/theatre 1969 Documents of passage The following documents chronicle the attempts and ultimate success of the Living Theatre to rescind the order of the Immigration and NaturalizBtion Service, which they received in August, a month before they appeared...

...Adrienne Kennedy © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 Adrienne Kennedy Paragraphs, Passages, and Pages That Changed My Life (Excerpt) When Adrienne Kennedy, a young aspiring writer from Cleveland, arrived in New York City...

... reads about. Ashbery envisions a watery flow of language, in which the experience of passage makes as strong an impression as the sights passed by. But something is arrested in Ashbery’s work: the poems represent time itself, and so hold it up for inspection, even as it continues moving. A reader...

... is reflected in the musical passage, e.g. a relatively low note on the word "depth," or a desolate sound to the phrase, "the truth, the pity and the truth ." Text Underlay: The exact placement of syllables of the text under specific notes so that the accent...

... and the presentation of scenes from the last days audience with a sudden revelation of the character, speaking the lines of Oedipus in of Christ on earth - the Last Supper, the nature of the event at hand. This is how the passages of dialogue. In musical passages, crucifixion - as a means making the lesson...

... of the manner in stead of giving us a dry narrative, which these sources were used, and of he puts us directly into the life certain significant passages in Buch- of a period; instead of giving us ner's correspondence, though unim- characteristics, he gives us char- portant...

.... The stage is still not mounted, but beautiful forms. And it is, of course, a phenomenal achievement instead a small wall is built on the ramp with bricks broken from by Marisa Fabbri, who presents the two-hour action monologue the ashlars, during the Pentheus passage. The action could...

..., same letters over and over again. than his plays - have met with little success here. Although the literary marketplace can doubtless endure the loss, the American theatre The subtleties of this passage, centered on the cannot. What is at stake is not the distinction of need to write, elude...

... her passage at the first from his shoulders and extend over four Wilson’s first choral scene. Three “might,” which she repeats in a whisper feet past his wrists, to which they are at- women slowly walk through the river, twenty-one times during a blackout in tached. Hudson speaks his text...

... of a sudden And everybody knew what everybody 134 I have an image that I'm making a con- scious passage into my toe. My toe is I know every day there has to be an hour touching the ground right now, it's mov- for me to lay down somewhere and go...

... gesture that illuminates the horror and honors the nameless. Unfortunately, these moments are stretched far too long; they cannot fill the interminable text passages. As in his adaptation of Ajax, Auletta’s range of language is no match for the poetic scope of Aeschylus’s grand lament...

... Laselva nificance of the rupture between Ronconi and Gombrowicz has only grown with the passage of time, and their correspondence in 1968 has since been published in Polish and English [see Theater 34, no. 3, 2004]. Tactfully, perhaps, Ronconi does not mention Operetta in an interview included...

... have been Passage, the afrofuturism steadily trained to recognize archetypal images of the future based mainly from hetero-­ Series, Irondale Eurocentric male perspectives. In its own way, Dery’s inquiry was another attempt to Center, Brooklyn, shine light on the presence of people of color...

... to leave play selection to their male colleagues.14 Chappuzeau mentions republican government again when discussing the duties of the orator. In the original manuscript of 1673, the passage reads as follows: As far as the orator is concerned . . . as he represents the state by speaking on behalf...

..., a cymbal, bongos, gourd the people." Then, about half-way peculiar energy, declares the track it must rattles, sticks, bells), and Shepard played through the piece, another passage occur• follow; the shorter work, therefore, is not these, rhythmically accompanying red, accompanied ritualistically...

... of rambunctious behavior to gen- fact that Mofo’s voice is really Teller cated version of the cups and balls rou- erate a randomly selected passage from speaking through a microphone. While tine, and watching the stunt performed the Bible. As Penn is soliciting numbers the audience laughs at the obvious...

..., building an irrefutable architecture of dates, places, armies, births, deaths, and the per- petual transfer of peoples from one location to another, all happening in or passing through the valleys of the Hindu Kush mountains. Here follows a typical passage: In the middle of the second century bc...

... lines of Oberon's famous speech describing Cupid's aim at "a fair vestal, throned by the west," breaking into song at, "Yet mark'd i where the bolt of Cupid fell." Another passage set to music in this production was Oberon's speech beginning, "But we...

... passages. Alice Dutcher, playing the role of Gertrude Stein as an early portrait photographer trying to cope with the antics of her "inside" twin who is busy cutting up before the camera, sings and dances her way through it all like a skilled vaudevillian...

... ones are a combination of quoted passages and her own condensations. The length of each entry does not reflect the length...