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Journal Article
Theater (2008) 38 (1): 53–75.
Published: 01 February 2008
...Rebecca Rugg © 2008 by Yale School of Drama/Yale Repertory Theatre 2008 Rebecca Rugg Radical Inclusion ’Til It Hurts Suzan-Lori Parks’s 365 Days/365 Plays November 1, A Pl a y f o r t h e Da y o f t h e De A D Downstage a Man and Woman in Halloween costumes with treat...
Journal Article
Theater (1990) 21 (3): 73–80.
Published: 01 November 1990
.../Uptown”festival last spring, Suzan- other men, and that this third time, she went out with a A Lori Parks’s “Greeks” shared a bill with a play white man, got pregnant, and had a white child.” by Jeff Jones. Like other artists in the three- “Sexist!” someone hissed...
Journal Article
Theater (2018) 48 (2): 21–31.
Published: 01 May 2018
...Albany Park Theater Project; Third Rail Projects; David Feiner Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 ...
Journal Article
Theater (2018) 48 (1): 5–19.
Published: 01 February 2018
Journal Article
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
...Suzan-Lori Parks Copyright © THEATER 1990 1990 The Death of the Last Black Man THE SECTIONS The black man moves his hands. in the Whole Entire World is QUEEN-THEN-PHARAOH scheduled to be staged at BACA...
Journal Article
Theater (1993) 24 (3): 88–115.
Published: 01 November 1993
...Suzan-Lori Parks Copyright © Theater 1993 1993 Imperceptible Mutabilities in the Third Kingdom Suzan-Lori Parks 88 Imperceptible Mutabilities in the Third Kingdom was jrst performed...
Journal Article
Theater (1999) 29 (2): 26–31.
Published: 01 May 1999
...Suzan-Lori Parks SUZAN-LORIPARKS TRADITIONAND THE INDIVIDUALTALENT Three traditions are at work simultaneously inside each one of us: The Great Tradition, the Personal Tradition, and the Tradition of the Next New Thing. These three...
Journal Article
Theater (2018) 48 (2): 3–19.
Published: 01 May 2018
...—site-specific one-on-one performances in Hamlin Park and an ensemble performance turned social dance at Links Hall—stage “two dreams of contemporary dance”: “One is the urge to dissolve the boundary between performer and audience; the other is to intensify that distinction.” Kramer probes...
Journal Article
Theater (1985) 16 (2): 58–61.
Published: 01 May 1985
... role in both, as chief writer on Steeltown, and as an important contributor to script revisions on 1985. Holden first began working with the Mime Troup in 1967 when her adaptation of Goldoni's L'amante militaire was performed over fifty times in the parks of San Francisco, and she was one...
Journal Article
Theater (1969) 2 (2): 58–84.
Published: 01 May 1969
..., with the following cast: Mike Kelly John P. Ryan SESENTI : You better watch him, Maurie, Maurie Flaherty .Thomas Barbour he's about ready to pass out. Rollie Parks. John Cazale Lou Sesenti Alfonso Rosati KELLY: He wasn't no friggin' politician, Harry Finley Philip Baker Hall...
Journal Article
Theater (2013) 43 (3): 25–35.
Published: 01 November 2013
...Michael Rohd © 2013 by Michael Rohd 2013 On the Table, Riverside parking lot in Oregon City, 2010. Photo: Courtesy of Sojourn Theatre Michael Rohd Artist’s Notebook Civic Participation Language In a field like theater, in a sector like the arts, words can act...
Journal Article
Theater (1993) 24 (3): 86–87.
Published: 01 November 1993
.... of Romanticism called lyric realism, where Onstage, this complex wordplay is echoed simile rather than metaphor rules, or in the in the interplay of sound, scenery, and action. guise of a North American magic realism, a Parks’s stage directions, embedded in the text...
Journal Article
Theater (2016) 46 (3): 115–121.
Published: 01 November 2016
.... It’s the first attraction of the park, the mobile park, the touring park,” says one of the men. “A stage?” she asks, “No, it’s not really a stage, it’s an installation.” A quar- tet removes the trailer’s side panel, revealing seven rock star wigs dangling from...
Journal Article
Theater (1993) 24 (1): 31–42.
Published: 01 February 1993
... Wellman, Suzan-Lori Parks, and David Greenspan. These four writers are energetically finding even more ways to reimag- ine the presence of time in drama. And despite the diversity of their concerns-openly political in the case of Shawn, or rhythmically experimental in the case of Parks-they share...
Journal Article
Theater (1998) 28 (3): 61–63.
Published: 01 November 1998
... of the Hasidim, preface.) Stories helped me to see how theater could respond to the extraordinary year 1968. In the spring, Martin Luther King, Jr., and Robert Kennedy had been assassinated. The Democratic National Convention was scheduled for August, in Chicago, where we lived in the Lincoln Park...
Journal Article
Theater (2002) 32 (2): 27–43.
Published: 01 May 2002
... ago, Spike Lee took a cue from Suzan-Lori Parks’s The America Play and brought it back in Bamboozled, which centers on the rise and fall of a fictional hit TV show, “Mantan’s New Millennium Minstrel Show.” Lee had collaborated with Parks on his film Girl 6; his nods to her in Bamboozled include...
Journal Article
Theater (2012) 42 (3): 69–87.
Published: 01 November 2012
... into the next station . . . recovering great black hope . . . Re-­definition (hip hop) (theater) (green) (sustainability) Rotation 1 . . . Living Word in the Park...
Journal Article
Theater (2005) 35 (3): 92–133.
Published: 01 November 2005
... on Long Island, their beaches—Jones Beach, Fire Island—as jane jacobs And to destroy your name . . . well as all the playgrounds and parks. Turned Central Park from...
Journal Article
Theater (1970) 3 (1_Film): 15–24.
Published: 01 November 1970
... and the autonomy of a world created by his camera rather than illustrated by it. This, I take it, is the sense of a detail which most critics of the film have overlooked but which seems to me essential. One of the first things we learn about Thomas and the reason why he finds himself in the park...
Journal Article
Theater (1994) 25 (1): 44–51.
Published: 01 February 1994
... several years, Suzan-Lori Parks has been creating a poetic American experimental the- ater not seen since Adrienne Kennedy’s plays first appeared in the 1960s, or for that matter, since Gertrude Stein herself. Directly influenced by Stein, Parks’s The Death ofthe Last Black...