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Journal Article
Theater (1972) 3 (3): 56–67.
Published: 01 November 1972
...John Houseman Copyright © by yale/theater 1972 1972 Orson Welles and DANTON‘S DEATH by John Houseman (The following is an excerpt from Mr. Houseman’s memoir, Run-Through, which will be published by Simon and Schuster this spring. In the section immediately...
Journal Article
Theater (1974) 5 (3): 66–78.
Published: 01 November 1974
...Richard France Copyright © by yale/theater 1974 1974 The 'Voodoo' Macbeth of Orson Welles by Richard France In his recent book of memoirs, John Houseman outlined...
Journal Article
Theater (2017) 47 (2): 35–45.
Published: 01 May 2017
... feeling of different voices, some regular this puppet, Orson. When he performs with speech and some unconscious thought. There Orson, there is another voice that appears. are always layers to a narrative: how do you There is Lars’s voice, his puppet voice, and express these different layers...
Journal Article
Theater (1978) 9 (2): 155.
Published: 01 May 1978
.... Stanley Kauffmann, New Republic: “Vigorously written, pur- The Theater of Orson WeUes by Richard France, Bucknell University poseful, impassioned . . . A sound, enjoyable book.” Gary Press: Lewisberg, Pennsylvania, 1977(cloth) $18.00. Blake, Modern Drama: “Dramatic criticism...
Journal Article
Theater (1978) 9 (2): 155.
Published: 01 May 1978
.... Stanley Kauffmann, New Republic: “Vigorously written, pur- The Theater of Orson WeUes by Richard France, Bucknell University poseful, impassioned . . . A sound, enjoyable book.” Gary Press: Lewisberg, Pennsylvania, 1977(cloth) $18.00. Blake, Modern Drama: “Dramatic criticism...
Journal Article
Theater (2020) 50 (1): 13–29.
Published: 01 February 2020
... up just about every seat in the audience. Next came her production of Othello starring the fabulous African American Canada Lee as Banquo in Macbeth, directed by Orson Welles, Federal Theatre Project, New York, 1936. Courtesy of the Library of Congress, Music Division, Federal Theatre Project...
Journal Article
Theater (1997) 27 (2_and_3): 42–59.
Published: 01 May 1997
... . Arena . New York: Duell, Sloan and Pierce, 1940 . Fraden , Rena . Blueprints for a Black Federal Theatre, 1935–1939 . Cambridge and New York: Cambridge UP, 1994 . France , Richard . The Theatre of Orson Welles . Lewisburg, PA: Bucknell UP, 1977 . Hill , Abram , and John Silvera...
Journal Article
Theater (2002) 32 (3): 13–16.
Published: 01 November 2002
...; in Russia, by the later work of Nikolai Okhlopkov. In America, one could go as far back as Orson Welles’s fascist-dress Julius Caesar in the 1930s, and in England, Tyrone Guthrie’s socially charged Troilus and Cressida in the 1950s. One could even argue that reading social and political inferences...
Journal Article
Theater (2002) 32 (3): 16–19.
Published: 01 November 2002
... Hamlet produced immediately after the Twentieth Soviet Communist Party Congress; in Russia, by the later work of Nikolai Okhlopkov. In America, one could go as far back as Orson Welles’s fascist-dress Julius Caesar in the 1930s, and in England, Tyrone Guthrie’s socially charged Troilus and Cressida...
Journal Article
Theater (1987) 19 (1): 90–92.
Published: 01 February 1987
... more than it happened the community with his partner, Jules Irving. About Blau’s to Orson Welles, Marlon Brando. or John Barrymore. You post-Lincoln Center work with his exciting experimental don’t need to be a consipracy theorist to know that theater, Kraken, and his recent books about...
Journal Article
Theater (1988) 19 (3): 92–95.
Published: 01 November 1988
... Dekker loved to obsession. It is they who example, Orson Welles gained critical ’Ihrner (the Festival’sArtistic Director) dominate the action, they who play praise at the expense of the play; he showed a sensitive sureness with the tricks on the upper-class characters (in pared Shoemaker...
Journal Article
Theater (2002) 32 (1): 23–31.
Published: 01 February 2002
.... In discussing Orson Welles’s Othello, Tatspaugh first says, “Welles relies on visual effects to amplify the heavily cut text and to contribute to the presentation of ” the principal characters. Then she notes, “The sharp and moving visual images, which appeal primarily to the eye, undermine the tragic intent...
Journal Article
Theater (1969) 2 (3): 104–124.
Published: 01 November 1969
... a few weeks on a park bench in Paris with Stanislavski. Orson Welles became the boy wonder of the movies after spending a few brief boy wonder years on the stage-and then he lost the dazzle, and I suppose, the impulse. Eventually we had family farces, some verbally witty...
Journal Article
Theater (1977) 8 (2_and_3): 20–29.
Published: 01 May 1977
... should learn is the work that’sbeing done in the colleges. Not only that, everybody in their own college. There is a way to study directing. You analyze what Reinhardt did, what Stanislavski did, what Meyerhold did, what Vakhtangov did, what Orson Welles did, what Elia Kazan did, and so...
Journal Article
Theater (1998) 28 (3): 39–47.
Published: 01 November 1998
... it didn’t hurt if the occasional movie star, such as Katharine Hepburn, put herself into Rosalind’s tights or Portia’s robes. We were not above complaining, however, that the 60s were not half so glamorous as the 30s. We missed the Group Theater, we had been sorry to see Orson Welles off...
Journal Article
Theater (1993) 24 (3): 71–79.
Published: 01 November 1993
... Macbeth is made to new Japanese theater does magic on stage, cre- look tall and dark and strong and evil, like ating illusions with shadows. After all, it’s a Jeanette Nolan in Orson Welles’s film. But I’m play about light and dark, about people experi- not like that, not at all. I am very small, So...
Journal Article
Theater (2017) 47 (2): 23–33.
Published: 01 May 2017
... of minority actors might fortify how a stage play might be understood. In the 1920s and 1930s, original works (e.g., Eugene O’Neill’s Emperor Jones in 1920) and adaptations (as with Orson Welles’s so-­called Voodoo Macbeth in 1936) began to utilize what later came to be called conceptual casting...
Journal Article
Theater (2010) 40 (3): 43–53.
Published: 01 November 2010
... innocuous media 32 like radio also had dangerous potential — ­as when Orson Welles’s 1938 radio broadcast...
Journal Article
Theater (1976) 8 (1): 25–34.
Published: 01 February 1976
.... . . .” Professor Locke tions of African history, heavily romanticized. The may have had in mind two one-act plays, both pro- Federal Theatre Project used its Negro units to duced at Howard University in the twenties-The stage Orson Welled Haitian Macbeth. The Italian Death Dance (1923) by Thelma Duncan...
Journal Article
Theater (2006) 36 (2): 95–102.
Published: 01 May 2006
..., as Orson Welles once did, from stage to film Th ( e Beggar’s Opera with Olivier in 1952 and Margue- rite...