...Dragan Klaić Copyright © Theater 1994 1994 Restaging Europe New Opera: Less Is More Dragan Klaik 7” There seems to be no end...

...Ben Katchor © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 BEN KATCHOR EXCERPTS FROM The Carbon Copy Building: A Comic Book Opera Musical theater meets the comics in The Carbon Copy Building, a revolutionary collabo• ration between comic-strip artist Ben Katchor...

... Music by Kurt Weill Libretto by Caspar Neher and Kurt Weill Translated by Jonathan Eaton Die Bürgschaft [The Pledge] An Opera in Three Acts...

...Timothy Wiles Copyright © THEATER 1978 1978 Opera in Bloomington Liberte, egalite, microtonalite Timothy Wiles Speaking at a conference last fall, Edward army against Austrian invaders (and 1,200 irony in using the' actual words...

...Laurence Shyer Copyright © THEATER 1979 1979 Opera in New York Billy Budd at the Met Laurence Shyer In the opening week of its ninety-fourth the artistic policy at the Met. Dexter's pur• and are soon lost as the work moves...

...Laurence Shyer Copyright © THEATER 1980 1980 Opera in Ne~ York One of the most compelling aspects of mances of his works were banned. Then, Georg Kaiser and Kurt Weill's musical three days later on May 5, newly appointed...

...Laurence Shyer Copyright © THEATER 1981 1981 A Night at the Opera: Richard Foreman Talks about Madame Adare Laurence Shyer a joint concert with Eileen Farrell (“Cantata,” 1973). So, when she...

.... opera - the Bayreuth Festspielhaus. And In a way, it is not surprising; although the Knights of the Grail put up a ChCreau, like Wagner himself, is by nature bloody fight, the invaders triumphed...

... Of Time - .- - .. Rustom Bharucha Commissioned by the City of Rotterdam, Philip Glass’s opera S~tyag~ahawas...

... of such U the annual Munich Opera Festival this past magnitude for orchestra and singers alike Lear at the summer were the performances of a pair of that the work has not been performed often modern German...

...Schuyler Chapin Copyright © by yale/theatre 1973 1973 An Interview: The Metropolitan Opera Schuyler Chapin 102 Editor's note: Men Rudolph Sing reti& after twnty-two years a5 General Manager of the Meimpolitan Opera, Goeran Gentele...

...Peter Herman Adler Copyright © by yale/theatre 1973 1973 An Interview: The NET Opera Theatre Peter Herman Adler 111 Twentieth century opera develwment has completely gotten away from the one form of musical theatre that was always more popular...

...Alan Rich Copyright © by yale/theatre 1973 1973 New York's little Opera Companies Alan Rich 118 During most weeks of the musical season, a New York operagoer can choose his entertainment from among an embarrassment of genuine...

...Robert Marx Copyright © by yale/theatre 1973 1973 Drama and the Opera libretto Robert Marx 123 Take care of the sounds, and the sense will take care of itself. With only a handful of exceptions it really does not matter...

...Joel Schechter Copyright © by yale/theatre 1976 1976 On Not Offending the Audience: Brecht at Lincoln Center Joel Schechter The Threepenny Opera By Bertolt Brecht Music by Kurt Weill Directed by Richard Foreman Translation by John Willett and Ralph Manheim Vivian...

...John McCaffrey Copyright © by yale/theatre 1973 1973 "Any of Mine Without Music to Help Them" : The Operas and Plays of Gertrude Stein John Maaffrey 27 Anticipating a visit to London in April of 1937 (to see a perfor- mance of Lord...

...C. Carr Holly Hughes began her career at New York's wow Cafe, that “home for wayward girls” featuring work by lesbians. There she developed her first play, The Well of Horniness (1983)—now a classic in certain circles. Hughes moved very quickly from that playful soap opera parody to experimental...

...Matthew Wilson Smith Smith considers Robert Lepage’s recent high-tech production of Wagner’s Ring cycle at New York’s Metropolitan Opera, as a digital-age extension of the modernist aspiration—incited by Wagner—to create the total work of art. © 2012 by Matthew Wilson Smith 2012 Das Rheingold...

... the historical precedents of extended theatrical events, such as those by City Dionysia, Japanese Noh theater, medieval mystery plays, and Wagnerian opera. Kalb considers changes in the theater industry and media culture over the last several decades that may have influenced this sudden proliferation. He also...

... is revealed. M. Lamar’s multimedia artworks combine elements of horror, homoeroticism, s/m, Negro spirituals, opera, religious iconography, and ritual to subvert oppressive representations of the black male body. His work evades representations of “capture, containment, and capitalization” by conjuring...