...Big Art Group Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Big Art Group Opacity System, installation, sound, and text by Caden Manson and Jemma Nelson Developed with the Digital Devising Lab at the Carnegie Mellon University School of Drama: Caitlin Ayer...

...Victoria Fortuna Takahiro Yamamoto s Opacity of Performance, Portland Art Museum, Portland, or, 2022. Photo: Jason Hill Productions and Events Victoria Fortuna Opacity in Motion Opacity of Performance Takahiro Yamamoto Portland Art Museum June 16 26, 2022 Performance and museums are arguably...

... and opacity, and it spoke to how surveillance in a Big Data society is pervasive to a point of its absorption. We’re Watching took place over the weekend of April 27 – 30, 2017, but it could also be seen as a one-­day “marathon,” and from morning...

.... Selections from these events appear in this special edition of Theater, including essays and documentary traces of the performances. Cho- reographer Will Rawls and poet Claudia Rankine collaborated on What Remains, an exploration of blackness and the gaze. In Opacity, Big Art Group contemplates inti...

...- his sexual imagination is the Victofian boar- impenetrables of the Court, and it became ary theory, and who is constantly vomiting ding school girl and the stableboy. The part of the opacity and impossibility of the while the revolutionized Lackeys, the same stableboy is that which is low...

... fully for his study. The book moves chapter by this dialectic is what Barish attempts to pre- the way the opacities of his subject have in- chapter through all the major periods of sent. sinuated themselves into his analysis. I am Western drama, from Greek...

..., the question of the acousmatic, to use the Michel Chion’s word for situations in which voices are separated from bodies — in a particular way: Beckett understands the peculiar opacity of the source of radio sound as a matter of a transmission from dark- ness.12 Rephrasing Beckett’s conception in this way...

.... The former looks at “the opacity of pain” via the work of performance artists Bob Flanagan and Sheree Rose. The latter focuses on a single illness, HIV/AIDS, and reads its representation across a series of wonderfully described episodes: a visit to Washing- ton’s Museum of Health and Science...

.... The former looks at “the opacity of pain” via the work of performance artists Bob Flanagan and Sheree Rose. The latter focuses on a single illness, HIV/AIDS, and reads its representation across a series of wonderfully described episodes: a visit to Washing- ton’s Museum of Health and Science...

.... The former looks at “the opacity of pain” via the work of performance artists Bob Flanagan and Sheree Rose. The latter focuses on a single illness, HIV/AIDS, and reads its representation across a series of wonderfully described episodes: a visit to Washing- ton’s Museum of Health and Science...

..., on the enslavement of Korean women, or the multiple images of “zero” that run like a leitmotif through the mise-en-scène) only contributes to the general opacity. More objectionable than the reductive use of Asian performance traditions...

... is sometimes L.A. performance artist, Guillermo Gomez- interrupted by efforts to stage her own writing Peña, demonstrates the value of this notion. “as a matter-producing action.” By “inscrib- The opacity of his silent, unframed elevator ing,” as she says, “my body’s presence in my performance, entitled...

...-producing action.” By “inscrib- The opacity of his silent, unframed elevator ing,” as she says, “my body’s presence in my performance, entitled The Loneliness of the writing,” Cheng wants to extend the concept Immigrant, is transformed by Cheng’s inser- of multicentricity to the critical act, so...

... is sometimes L.A. performance artist, Guillermo Gomez- interrupted by efforts to stage her own writing Peña, demonstrates the value of this notion. “as a matter-producing action.” By “inscrib- The opacity of his silent, unframed elevator ing,” as she says, “my body’s presence in my performance, entitled...

...-producing action.” By “inscrib- The opacity of his silent, unframed elevator ing,” as she says, “my body’s presence in my performance, entitled The Loneliness of the writing,” Cheng wants to extend the concept Immigrant, is transformed by Cheng’s inser- of multicentricity to the critical act, so...

...-producing action.” By “inscrib- The opacity of his silent, unframed elevator ing,” as she says, “my body’s presence in my performance, entitled The Loneliness of the writing,” Cheng wants to extend the concept Immigrant, is transformed by Cheng’s inser- of multicentricity to the critical act, so...