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1-16 of 16
Search Results for olivia
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Journal Article
Theater (1986) 17 (3): 100–103.
Published: 01 November 1986
...: the society of Duke
Orsino and Olivia, the sterility of its
mannered behavior and its self-induced
passions. The corollary Lamos found for
Shakespeare's characters, so in love with
being in love, lies in the leisure class of the
1920's and 30's (reflected primarily in the
music and costumes...
Journal Article
Theater (2011) 41 (1): 59–73.
Published: 01 February 2011
... we bEgin 17
the money they’ll be wanting bAck musicians we bEgin 18
oldest actor but I have not finished tElling leading lady- 19
olivia what do we bEgin...
Journal Article
Theater (1992) 23 (3): 4–5.
Published: 01 November 1992
..., National Hockey League, David Hockney, Buddy
ilon Brando, Marlin Fitzwater, Bill Watterson, Gary Larsen, Gary Trudeau, Pierre
+eOyI, Earle Gister, Duke Wayne, Wayne Newton, Olivia Newton John, John Cleese,
,h McCarthy, Charlie McCarthy & Edgar Bergen, Murphy Brown...
Journal Article
Theater (1986) 18 (1): 36–41.
Published: 01 February 1986
.... The upstage portion of the pieces and especially, the Millbrook sec-
vice - and humiliates - the owner of platform is hinged behind the second tion of L.S.D focused on the telling of
the hotel, Olivia (Nancy Reilly), as the trough so that it can be raised and the story. The nervous, almost sub-
Queen...
Journal Article
Theater (2001) 31 (2): 116–118.
Published: 01 May 2001
... muses might have augmented the piece’s strength: the
and narrates incidental passages from Melville, multiple layering resulting from having Nathan
at one point becoming Olivia Walsh, a glam- (in the present and past) perform Melville’s...
Journal Article
Theater (2017) 47 (1): 69–83.
Published: 01 February 2017
...Boris Charmatz; Tom Sellar © 2017 by Tom Sellar 2017 Boris Charmatz and
Dimitri Chamblas’s
À bras-le-corps,
Tate Modern, London,
2015. Photo:
Olivia Hemingway
“Dance Is Dangerous”
Boris Charmatz
Interviewed by Tom Sellar
tom sellar You started the Musée de la Danse...
Journal Article
Theater (1984) 15 (3): 37–48.
Published: 01 November 1984
... was broken, and Elvira was gone -
legged, and ridiculously unromantic, was La Violette fell to their knees and gazed up in not, however, because of any desire on her
42
Sganarelle; disguised as the “fine gentleman,” persuades Imth’Mathurine (Olivia Grigolli, left) and Charlotte (Gundi Ellert...
Journal Article
Theater (1988) 19 (3): 92–95.
Published: 01 November 1988
.... There was
Sheryl %ub as a refreshingly objective an implicit trust about his production,
comic character, a cross between a confidence that the play would bob
’ItuelfthNight’s Olivia...
Journal Article
Theater (2007) 37 (1): 9–37.
Published: 01 February 2007
... of
their imperfect perfection.
But there is yet another aspect
to the dominance of singing in
Marthaler’s stagings: “Whenever
actors start to sing, there is a clear
structure that goes beyond psycho-
25
logical acting.” One of Marthaler’s
favorite actresses, Olivia Grigolli...
Journal Article
Theater (1977) 8 (2_and_3): 104–111.
Published: 01 May 1977
... talents
Alexander’s The Tempering of Eugene O’NeiU, were not suited to Shakespeare: Booth and
Croswell Bowen’s The Curse of the Misbegotten, O’Neill had played together successfully. That
and Olivia Coolidge’sEugene O’NeiU gives us the O’Neill never played The Count of Monte Cristo...
Journal Article
Theater (2005) 35 (1): 98–101.
Published: 01 February 2005
... is their forthright duplicity. “I swear,
I am not that I play,” Viola says as Cesario. Every performer makes the same implicit
assertion, and we experience it with the same frisson the befuddled Olivia feels in the
presence of this alluring ambassador. We tend to be fascinated by anyone withhold-
ing...
Journal Article
Theater (2005) 35 (1): 102–108.
Published: 01 February 2005
... is their forthright duplicity. “I swear,
I am not that I play,” Viola says as Cesario. Every performer makes the same implicit
assertion, and we experience it with the same frisson the befuddled Olivia feels in the
presence of this alluring ambassador. We tend to be fascinated by anyone withhold-
ing...
Journal Article
Theater (2023) 53 (1): 42–57.
Published: 01 February 2023
... visions. So, after all that work, we created a participatory installation that improved artist Olivia Plender s Google Office installation an adaptation of the open-plan, recreational atmosphere of the Google headquarters, which she intended as a site for gathering and knowledge sharing. Mangled...
Journal Article
Theater (2019) 49 (3): 21–39.
Published: 01 November 2019
... a special pen in my notebooks: a .3 mm black ®neliner. People who know me, know they must neither touch my notebooks nor use my special pen. Olivia, my yoga instructor, knows this. I buy big rolls of newsprint, ®ll them with ideas and themes and then I fold them up and put them in a corner and don t look...
Journal Article
Theater (2021) 51 (3): 5–33.
Published: 01 November 2021
... imagine. 1 I wanted to imagine us whole. As I regarded the churning waters, someone yelled up from the edge, Dolphins, dolphins, see the dolphins! And sure enough, quick as lightning a pod burst past. Whenever I saw dolphins I thought of the photo of Olivia Newton-John swimming with them from her...
Journal Article
Theater (1979) 11 (1): 4–63.
Published: 01 February 1979
... - entrapped Olivia in the whirligig of misplaced affections.
Despite what might at first glance look like a pseudo-
Elizabethan background, historical realism was the farthest...