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Journal Article
Theorizing in MotionPoints of Contact in International Dance at Yale
Available to Purchase
Theater (2010) 40 (1): 11–23.
Published: 01 February 2010
...Emily Coates In this article, Emily Coates discusses the work of three choreographers—Opiyo Okach, Yasmeen Godder, and Yvonne Rainer—whose work was shown at Yale University's Festival of International Dance in 2008. She examines their work from both global and local perspectives, suggesting various...
Journal Article
Movement in the Age of Globalization: A Panel
Available to Purchase
Theater (2010) 40 (1): 39–45.
Published: 01 February 2010
...Yasmeen Godder; Opiyo Okach; Yvonne Rainer; Thomas F. DeFrantz © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 1
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Journal Article
Artist's JournalQuestions of Necessity: Notes on Border Border Express
Available to Purchase
Theater (2010) 40 (1): 67–73.
Published: 01 February 2010
...Opiyo Okach © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 1...
Journal Article
Stilled Lives: A Photographic Retrospective
Available to Purchase
Theater (2020) 50 (1): 31–61.
Published: 01 February 2020
... Okach, and akhe, introduced in special issues dedicated to new border- crossing performance movements. The last decade of Theater magazine has been one of proliferation: of perspectives and of performance modes. With a renewed interest in the coverage of dance- theater and other definitions of both...
Journal Article
Contributors
Available to Purchase
Theater (2010) 40 (1): np.
Published: 01 February 2010
...
opiyo okach divides his time between
in the dramaturgy and dramatic criticism
France and Kenya. He tours his work widely
program at the Yale School of Drama, and an
in Africa and Europe. He has encouraged...
Journal Article
Theater (2020) 50 (1): 1–11.
Published: 01 February 2020
... in the 2000s; and encounter Lola Arias, Guillermo Calderón, Opiyo Okach, or Toshiki Okada in recent years. Despite a nascent global network for touring, the internationalization of festivals, and information exchanges made possible by digi- tal technology, theater, as a field, remains stubbornly parochial...