Search Results for official

... disturbingly uncovers that, while official government censorship may be decreasing, partly to evade international scrutiny, shadowy interrogation, harassment, and even physical assault of artists are becoming more common. Yale School of Drama/Yale Repertory Theatre 2008 Rags and Garbage, Rooftop...

... been chiefly responsible for this development and during the 1975–1976 season he first officially assumed the title. What follows is an edited record of an interview conducted in February 1978. Copyright © THEATER 1978 1978 Dramaturgy at A.C.T.: An Interview...

... argues “are not undergirded by any realistic or logical basis,” but instead use hollow dictums to intimidate artists into self-censorship, despite the Constitutional ban on official censorship. After publishing his critique of Medinsky’s “enchanting utopia,” Vyrypaev and his artistic home, Teatr.doc...

...- the play’s bureaucrats in current day Washington, D.C., served several very different poetry readings where one Senator Hums obstructs funding for a deserving near Mayakovsky’s statue in 1958. At the project. Mayakovsky himself suffered from official unveiling...

... language of inversion and contradic• its own and has never received any official sponsorship. tion, the Polish cabaret satirist - as a species of privileged court Such self-sufficiency, anomalous in a society where everything is clown...

..., making theater of Russian culture. It was hardly limited to its visual and enter- depressing and boring. Only classic plays produced on the tainment aspects. In the past, stage art had a very powerful Soviet stage - provided they did not infringe upon the official impact on the social...

... convinced that the official Grotowski, the kind and soft-spoken one, the one for export, the one you can take with you anywhere, is not worth talking about except in relation to the private one, the one smelling of ciga- rettes and the coal dust of Polish Silesia. The one who created Akropolis less...

... Tiparituri (DGPT This ment of life-threatening intimidation and was the official institution of censorship, of sheer terror, while the second is an organ whose existence spread from 1949 to 1977. This of artistic repression. This is what Norman archive contains an impressive body of docu- Manea...

... the official one; it was the basis of the Party s cultural politics. No form of avant-gardist art was suited to the Bolshevik s ideas, therefore Mey- erhold s directing was doomed from the beginning, even during the short period of October in the Theatre. I n 1920, a concerted effort to destroy hturism...

... at any time since the 1960s and early 1970s, when dis- sidents and members of officially sanctioned culture split over such developments as the arrest of Joseph Brodsky, the Soviet invasion of Czechoslovakia, and the expatriation of Alexander Solzhenitsyn. Following the freewheeling Boris Yeltsin...

... indictment that covered transgressions ranging from fetishism to mysticism to constructivism. RAPP was destroyed by Stalin s regime just as socialist realism was being declared the official state art form (1934). But RAPP and its ilk had already done irreparable harm to Meyerhold and others. There was yet...

... their living somewhere else. The studio was generally head- ed by a professional director whose artistic aspirations serv- ed as the unifying force for the entire group. The studio’s space and funding were provided by the organization with which the studio was officially affiliated. This could...

... knowing who the “revizor” is, or when he will arrive, local officials are frightened by his title alone; the word signals an inquiry into local conuption, and harsh exposure...

... to this enterprise." day: The office that had elicited this discussion was eventually en• The Literary Manager, an official answering to the Ger• man Dramaturg. His job should be to weed out new plays trusted to John Corbin, a graduate...

... it enjoyed in the anti-apartheid era. At present, in the second decade after the official end of apartheid in 1994, theater takes place in an environment dominated by a profit-driven leisure industry and by urban disloca- tion caused by apartheid and by post-apartheid geographies of wealth and poverty...

... three stylized but definite- for example, pigeonholed as the “two-hundredth anniversary of an ly soaring birds (the official bicenten- event” provides a model of lexical vacuity offering...

... the truth about the crimes. They court from burying pertinent information and "whitewashing" the were operating under the most unfavorable circumstances: the police. In the course of a lengthy series of inquiries and hearings, police and law courts had responded to the bombing by launching the "official...

... the place of concrete ac- who offers the most penetrating caveat: surveillance of official culture. But tivity, just as an ideology of “truth” “one cannot serve two masters at once Fistula’s arrival in Foustka’s study banishes empirical reality in official and deceive them both. One simply...

... bayonet and systetnaticaly cuts qgten but- cause of resistance in times of severe op- Kent Williams. Jewelly tons. pression. Poland’s greatest artists (Chopin, Howard Witt Official Grace Zabriskie .Actress GUARD: Ten? As usual? Slowacki...

... sug- duction became a scandal during the station in Berlin and appeared in the gestive gestures. To this, the text of ThC “Week of Fraternity,” when official com- various journals of Axel Springer‘s right- Znuestigution is the ultimate contradiction. memorations of -the victims of the fascist...