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oberon

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Journal Article
Theater (1982) 13 (3): 60–64.
Published: 01 November 1982
..., some cracked, some sans eyes, sans hair, sans arms. The Titania and Oberon they serve are king and queen of a world of melancholy stage tinsel. It is an effecting...
Journal Article
Theater (1973) 4 (3): 40–68.
Published: 01 November 1973
..." and, from the cast lists, children seem to have sung and acted the roles of Oberon, Titania, and Puck. The adaptation used only a few essentials of Shakespeare's lovers' and fairies' plots, with 44 Bottom, his friends, and his ass's head all omitted; Puck reported...
Journal Article
Theater (1986) 18 (1): 74–90.
Published: 01 February 1986
... the first to the climax of the events in the forests. This “night-rule” (III.ii.5) last act of the play. Emblem may be the most appropriate term, ends immediately after Bottom’s return to human shape. for Cupid is the most significant image in this discourse. This Oberon and Titania “vanish.” Theseus...
Journal Article
Theater (2002) 32 (1): 117–136.
Published: 01 February 2002
...- formance, which celebrates the golden wedding anniversary of Oberon and Tita- nia (borrowed from A Midsummer Night’s Dream...
Journal Article
Theater (2014) 44 (1): 78–85.
Published: 01 February 2014
.... 16. Ödön von Horváth, The Bellevue, English trans. Kenneth McLeish (London: Oberon, 1996). Some lines of the play seem to speak about the Holocaust, like this one: “There are millions we could get rid of. Overpopulation, ha!” (35, l. 23). 17. Ibid., 7. Europe was an important...
Journal Article
Theater (2014) 44 (1): 86–95.
Published: 01 February 2014
.... 16. Ödön von Horváth, The Bellevue, English trans. Kenneth McLeish (London: Oberon, 1996). Some lines of the play seem to speak about the Holocaust, like this one: “There are millions we could get rid of. Overpopulation, ha!” (35, l. 23). 17. Ibid., 7. Europe was an important...
Journal Article
Theater (2014) 44 (1): 96–102.
Published: 01 February 2014
.... 16. Ödön von Horváth, The Bellevue, English trans. Kenneth McLeish (London: Oberon, 1996). Some lines of the play seem to speak about the Holocaust, like this one: “There are millions we could get rid of. Overpopulation, ha!” (35, l. 23). 17. Ibid., 7. Europe was an important...
Journal Article
Theater (2013) 43 (1): 9–39.
Published: 01 February 2013
... in Verbatim Verbatim: Contemporary Documentary Theatre, ed. Will Hammond and Dan Steward (London: Oberon Books, 2008), 94. 17. Georg Büchner, Danton’s Death, Leonce and Lena, Woyzeck, trans. Victor Price (Oxford: Oxford University Press, 1988), xiv. 18. Michel Foucault, The Archaeology of Knowledge...