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ntgent
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Journal Article
Theater (2021) 51 (2): 84–95.
Published: 01 May 2021
... additionally summarize critiques of Rau’s practice from other thinkers and artists and Rau’s response to these critiques. © 2021 by Peter M. Boenisch and Lise Sofie Houe 2021 Milo Rau ntg ent Ghent Manifesto Lam Gods Orestes in Mosul postdramatic theater Milo Rau s Lam Gods, ntgent...
Journal Article
Theater (2021) 51 (2): 20–23.
Published: 01 May 2021
...Milo Rau © 2018 by Milo Rau 2018 ntgent, 2018. Photo: Michiel Devijver Milo Rau Ghent Manifesto The Ghent Manifesto was read during a livestreamed conference at ntgent on May 1, 2018, by the children from the second staging of Five Easy Pieces and simultaneously published on the theater s...
Journal Article
Theater (2021) 51 (2): 4–13.
Published: 01 May 2021
... Milo Rau s The New Gospel, ntgent, Matera, Italy, 2019. Film still: Thomas Eirich-Schneider Lily Climenhaga A Theat er of Do cumentat ion A Critical Introduction Milo Rau was born in 1977 in Bern, Switzerland, and grew up between the suburbs of Zurich and St. Gallen, Switzerland.1 He studied sociology...
Journal Article
Theater (2021) 51 (2): 74–83.
Published: 01 May 2021
... and professional actors Milo Rau s Lam bring into the production stories and anecdotes from their own lives as building blocks Gods, ntgent to compose their own character. Hence, the rehearsal process requires a lot of patience; Schouwburg, much time is spent having long talks with everyone involved...
Journal Article
Theater (2021) 51 (2): 14–19.
Published: 01 May 2021
...Milo Rau; Lily Climenhaga © 2009 by Milo Rau. Translation © 2021 by Lily Climenhaga 2021 ntgent, 2020. Photo: Michiel Devijver. Courtesy of ntgent Milo Rau Translated by Lily Climenhaga What Is Unst? What Is Unst was first published on February 20, 2009, as an article in the Swiss daily Die...
Journal Article
Theater (2021) 51 (2): 1–3.
Published: 01 May 2021
... Gudath 2 up front Gathered here are selections from Rau s own writing in translation, as well as newly commissioned critical articles examining the nuanced phases of his stage work to date. We are grateful to Kaatje De Geest, Carmen Hornbostel, and the staff at ntgent and iipm for their assistance...