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Theater (2017) 47 (3): 19–35.
Published: 01 November 2017
...Carrie Mae Weems Copyright © 2017 Yale School of Drama/Yale Repertory Theatre 2017 Carrie Mae Weems Grace Notes: Reflections for Now A Work in Progress Characters to read, to do the accounting, to show slide...
Theater (2018) 48 (3): 39–79.
Published: 01 November 2018
Theater (1969) 2 (1): 128–130.
Published: 01 February 1969
...Judith Malina Copyright 1969 by yale/theatre 1969 Paradise Now: Notebook (Extracts): by Judith Malina May 23 1968 Avignon Co. with Rufus rehearses for rite 6 (Liberation) an improvisa- tion on a work/machine in the courtyard. It looks good...
Theater (2014) 44 (1): 96–102.
Published: 01 February 2014
... for tourists. Jérôme does not emphasize that these traditions are no longer living forms, that the audience lost interest in them, that the theatrical language is not understandable to the audience anymore. Instead, to reach a dialogue between East and West, Thai and French, the French choreographer now...
Theater (2016) 46 (3): 31–45.
Published: 01 November 2016
... Entertainment Production Photography 1986 – Now Working with Forced Entertainment has been a constant of my professional life as a photographer. They were the first theater company I ever worked with, and their work and vision run through my life and work, informing and illuminating everything I do...
Theater (1993) 24 (1): 119–120.
Published: 01 February 1993
... programmatic now, and his indignation overloaded areas, the places where things- seems to have diffused. Though the epidemic objects, emotions-collide without being defined. rages unabated-Kramer himself has fallen ill- He attempts to find the humor in the situation, the tenor of the crisis has...
Theater (1969) 2 (1): 18–29.
Published: 01 February 1969
... Copyright 1969 by yale/theatre 1969 History now The following discussion was held in the I think the Living Theatre began as an Experimental Theatre of the Yale School avant-garde poets' theatre, if I'm not of Drama on Tuesday afternoon, 24 Sep...
Theater (1980) 11 (3): 18–22.
Published: 01 November 1980
...Joel Schechter Copyright © THEATER 1980 1980 Where are Ajax and Philoctetes now that we need them? An Interview with Jan Kott Joel Schechter About ten years ago...
Theater (1999) 29 (3): 115–121.
Published: 01 November 1999
... Williams’s increasingly cynical view of the world. “Babylon is Now, the contemporary world,” he told an interviewer in 1972, while con- tinuing to insist that the writer must mount a prophetic “humanoutcry!”7 The hell-on-earth vision that ultimately leads Williams to apocalypse may be found...
Theater (2011) 41 (1): 121–129.
Published: 01 February 2011
... coauthored a manifesto for “Art Vital,” proclaiming, among other things, “no rehearsal, no predicted end, no repetition” (Westcott, 109; Abramović, 90). Twelve years later, here they were, rehearsing and repeating the now-so-predictable end of their time in Lov- ers — and here Abramović was, larding...
Theater (2012) 42 (3): 31–41.
Published: 01 November 2012
...Michael Shane Boyle © 2012 by Michael Shane Boyle 2012 Gob Squad’s Revolution Now!, Volksbühne am Rosa-Luxemburg-Platz, Berlin, 2010. Photo: David Baltzer Revolution, Then and Now Gob Squad’s Sean Patten and Bastian Trost Interviewed and Introduced by Michael Shane Boyle...
Theater (2002) 32 (2): 82–84.
Published: 01 May 2002
... and tortured under a failure of such camaraderie has much to do with microscope of scholarly exegesis. what you’re looking for in the relationship. However much Fisk and company assure Now I like variety of conversation, ready us that “restoration theater need no longer wit, ironic detachment...
Theater (2001) 31 (3): 139–151.
Published: 01 November 2001
....” Photo: Tamiment Library, New York University. Theater 31.3-11 Oren.sh 10/16/01 11:47 AM Page 139 Claudia Orenstein Agitational Performance, Now and Then At the protests against the World Trade Organization (WTO) in Seattle...
Theater (1993) 24 (2): 67–75.
Published: 01 May 1993
...C. Carr Holly Hughes began her career at New York's wow Cafe, that “home for wayward girls” featuring work by lesbians. There she developed her first play, The Well of Horniness (1983)—now a classic in certain circles. Hughes moved very quickly from that playful soap opera parody to experimental...
Theater (1993) 24 (3): 71–79.
Published: 01 November 1993
... 1990 when he became, for three years, the Artistic Director of French Theater at the National Arts Centre in Ottawa. His major projects with Repère have included The Dragons' Trilogy (1985), Polygraph (1988), Tectonic Plates (1990), and now The Shakespeare Cycle, consisting of Michel Garneau's...
Theater (1978) 10 (1): 31–36.
Published: 01 February 1978
...William Kleb Founded by William Ball in 1965, the American Conservatory Theatre settled permanently in San Francisco in 1967; it is now one of the largest and most successful regional repertory companies in the nation, presenting a season of nine classical and modern plays in nightly rotation over...
Theater (1975) 6 (3): 3–11.
Published: 01 November 1975
....) Mrs. Pismire: (Opens the CLOSET) It’s frothier than ever. (She slams the door. (Now Mrs. Pismire hurtles out of the Insane laughter.) LADIES. She is middle aged and very eccentrically dressed.) (Now Patsy...
Theater (2017) 47 (3): 47–75.
Published: 01 November 2017
... had to be am in! Oh, he’ll think of something! No, he torn down before, but that’s not visible now, of won’t buy the other country, he concentrates course not, because people are driven to gold, on his homeland. I hold my hand in front of until they cling to it like tinsel to a Christmas his...
Theater (1973) 5 (1): 39–65.
Published: 01 February 1973
... former position of prosperity-yes, but what can I do now when an unknown force drives me to her window? What can I do when...
Theater (2006) 36 (2): 46–51.
Published: 01 May 2006
... not talking in my sleep, from which I given the task to pull death into myself until wake up occasionally. Apparently, I really I almost burst; he is the consultant of and am awake now. Mrs. F. and her predictions Copyright © 2005 by Elfriede Jelinek. English translation copyright © 2005 by Gitta...