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Journal Article
Theater (2006) 36 (1): 162–165.
Published: 01 February 2006
...Renate Klett © 2006 by Yale School of Drama/Yale Repertory Theatre 2006 Translated by Douglas Langworthy klett
P roductions
Renate Klett
Translated by Douglas Langworthy
Nothing Happens,
and Yet Everything Does
The Theater of Alain Platel...
Journal Article
Theater (2009) 39 (1): 29–39.
Published: 01 February 2009
... , Faust I , Faust II , and Lulu . Yale School of Drama/Yale Repertory Theatre 2009 Interviewed and translated by Jonathan Kalb
Nothing to Do with Patience
Michael Thalheimer
Interviewed and translated by Jonathan Kalb
Michael Thalheimer’s rise to the top ranks of the show...
Journal Article
Theater (1993) 24 (1): 93–105.
Published: 01 February 1993
...Peter Handke; Gitta Honegger, translated by Copyright © Theater 1993 1993 The Hour We Knew
Nothing of Each Other
Peter Handke
Translated by Gitta Honegger...
Journal Article
Theater (2018) 48 (3): 81–99.
Published: 01 November 2018
Journal Article
Theater (2023) 53 (1): 30–41.
Published: 01 February 2023
...) is a game of questions and answers in which the characters, Julia and Peter, detail increasing levels of political despair and personal hopelessness. The pair impassively recite the creed of a cult inspired by Julia s ennui: Do nothing. Die young. End the world. 1 The duo makes comedies that explore what...
Journal Article
Theater (1989) 20 (2): 91–94.
Published: 01 May 1989
... and the ant escaped! Then the partridge saw how foolish she had been. So it is with man, for he will regret his laughter with bitter tears. Yet I will have nothing to regret, for I have no cause to laugh. Copyright © THEATER 1989 1989 THE INSANITY OF PASSION...
Journal Article
Theater (2021) 51 (1): 9–21.
Published: 01 February 2021
...Tania El Khoury Live artist Tania el Khoury reflects on the impact borders have had on her art practice since 2005. She references her own As Far as My Fingertips Take Me (2016, with Basel Zaraa) and Nothing to Declare (2013, with Dictaphone Group) and examines in greater depth her work Cultural...
Journal Article
Theater (2001) 31 (1): 76–77.
Published: 01 February 2001
...,
“To pick some violette-es.”
When Little-Red-Riding-Hood-Colinette, a There’s nothing wrong with that, Colinette
cross-dressed soldier, goes out for a walk in the Nothing wrong, Colinette...
Journal Article
Theater (1989) 20 (2): 58–84.
Published: 01 May 1989
... Scene 4 4: Nothing
2: And what’s he doing with that deer Phaedra and the Nurse. They are roll- CHORUS You said she must have been
3: ‘Mking ing bandages. desperate
2 and 4: Oh...
Journal Article
Theater (1985) 16 (3): 36–67.
Published: 01 November 1985
...
SEITING wood. Thy soM the use of thr much and their TROY: Ain’t said nothing. Figure if the nig-
The setting is the yard which fronts the only bodies. Thcy cleaned howes and washui clothes, ger too dumb to know he carrying a
entrance to the MAXSON household, an thq, shined...
Journal Article
Theater (2002) 32 (2): 63–69.
Published: 01 May 2002
... / that is merely
beat something with nothing. human. / / Let us invoke the pause before the
silence before all of this; / for earth, hollow
Creon watches her. I wonder what she is. earth, / / (hollow, hollow, hollow) / / is the
Doing in her...
Journal Article
Theater (1988) 19 (3): 35–68.
Published: 01 November 1988
... and Lymon selling she broke down. We got it going and got BOY WILLIE Hell, I ain’t done nothing
watermelons. We got a truck out there. all the way to West Virginia before she but come in and say hi. I ain’t got in the
Got a whole truckload of watermelons. broke down again...
Journal Article
Theater (1971) 3 (2): 84–89.
Published: 01 May 1971
...?
VLADIMIR: Never heard of it.
POZZO: What's it like?
VLADIMIR: It's indescribable. It's like nothing. There's nothing.
There's a tree.
POZZO: Then it's not the Board.
84
The place is like nothing. Maybe it is the Boards - yes...
Journal Article
Theater (1986) 17 (3): 63–88.
Published: 01 November 1986
... into BERTHA: You don't say nothing when he
Margaret Adair thecity. Isolated, cutoJ!from memory) havingforgot• bless the house.
The play opened at the Yale Rep on ten the names of thegods and only guessing at their SETH: I just go along with that cause of you.
May 2, 1986...
Journal Article
Theater (2005) 35 (1): 17–31.
Published: 01 February 2005
... there isn’t
A tape recorder is stopped and rewound, we hear
the direct hit in the quick rewind—also the text —there’s nothing, absolutely nothing,
being rewound back to “a direct hit.” nothing, everything’s dark
—a direct hit —caves deserts ice dust a bit of dust, do...
Journal Article
Theater (1991) 22 (1): 40–72.
Published: 01 February 1991
... don’t see it like
about a year ago. Milt hit for five even shake my hand. that. She had to leave for something.
dollars both times. Got mad cause he WOLF: I know how that go. That’s MEMPHIS: I ain’t done nothing but
didn’t have twenty dollars on it. why I don’t...
Journal Article
Theater (1978) 9 (2): 63–65.
Published: 01 May 1978
..., was commissioned by Lincoln Center in the 1960’s, but it has yet to where nothing runs with its old grandeur.
be staged. (Aeschylus had an easier time than his translator; the Athen-
ian poet was able to stage his own trilogy soon after writing it.) The I must say my futile, nightly prayer:
translation...
Journal Article
Theater (2006) 36 (2): 52–65.
Published: 01 May 2006
... his skull together like the whole family. light that makes all the difference. You,
There was no more. Nothing. All dead, all Marilyn, are nothing but light, the greatest
dead, that’s my world now, death. Others have uncertainty, sheer nothingness, worse than
their culture, which I have too...
Journal Article
Theater (2003) 33 (3): 57–85.
Published: 01 November 2003
...
And I look at the world
Far far away from your world
And there is nothing that I can do
His world
I can only look
Iason’s world
And think
That world ofmoney...
Journal Article
Theater (1990) 21 (1_and_2): 106–110.
Published: 01 February 1990
... “the playwright perfectly as a social and historical wit- merely platonic.
himself ends up being surprisingly ness to troubled times. Fathers and Because Walker - in his play adap-
bound by the world he creates. . . . He Sons reappears today as Nothing tation - is bent on maintaining the pro...
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