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Journal Article
Theater (1 February 1978) 10 (1): 15–30.
Published: 01 February 1978
... producing new work, and the studio The Folger Theatre Group devotes itself exclusively to work we have already done on a limited basis, has been very Shakespeare and new plays, in equal measure. In my several rewarding. seasons as literary manager/advisor at the Folger, I have found that my...
Journal Article
Theater (1 November 2010) 40 (3): 69–89.
Published: 01 November 2010
...New York City Players © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Conceived and directed by Richard Maxwell Texts by Christian Nuñez, Rosalie Ann Kaplan, Kate Valk, Ariana Smart Truman, Bob Feldman, Farooq Muhammad, Philip Moore, Nicole, Lou Kuhlmann, Keith Connolly, Rosie...
Journal Article
Theater (1 February 1979) 11 (1): 65–72.
Published: 01 February 1979
...Laurence Shyer Copyright © THEATER 1979 1979 Theater in New York: The New York Shakespeare Festival’s disintegration of Joseph K. In Music-Hall workshop production of New Jerusalem, Sidelights (1978), a “theatrical scrapbook...
Journal Article
Theater (1 May 2001) 31 (2): 45–53.
Published: 01 May 2001
...Shawn-Marie Garrett © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 04-Garrett 5/21/01 3:20 PM Page 44 04-Garrett 5/21/01 3:20 PM Page 45 Shawn-Marie Garrett The Awkward Age New York’s New Experimental Theater...
Journal Article
Theater (1 May 2008) 38 (2): 9–29.
Published: 01 May 2008
... identity. Yale School of Drama/Yale Repertory Theatre 2008 BLACKland, directed by Árpád Schilling, Krétakör, Budapest, 2004. Photo: Mátyás Erdély Andrea Tompa Hungarian and Independent New Artists Bring New Forms of Existence At the turn of the millennium, Hungarian independent...
Journal Article
Theater (1 February 1995) 26 (1_and_2): 126–137.
Published: 01 February 1995
Journal Article
Theater (1 November 1985) 16 (3): 11–17.
Published: 01 November 1985
... ” 0 American theater, things happen and then appear to add up and then appear to recede into nothing. Lives change in the process and then exchange with absence after the inrush of other lives. Traditions are The New Theatre of Brooklyn built to make some sense of all this change...
Journal Article
Theater (1 February 1988) 20 (1): 4–5.
Published: 01 February 1988
...Joel Schechter Copyright © THEATER 1988 1988 P of the new versions. Limits of space prohibit inclusion of more than fragments from the texts under discussion; but we hope ABRAMOV full versions of each work will become available in a new series of...
Journal Article
Theater (1 November 1995) 25 (3): 46–54.
Published: 01 November 1995
...Loren Kruger Copyright © Theater 1995 1995 So What’s New? Women and Theater in the ‘‘New South Africa” Loren Kruger The new South African constitution condemns discrimination on the grounds of gender and sex- ual orientation as well as race. The...
Journal Article
Theater (1 May 1969) 2 (2): 167–169.
Published: 01 May 1969
... Copyright © by yale/theatre 1969 1969 New Playwrights: A Selected Bibliography The following is a selection of the most inter- BUSH, Josef. French Gray, in NAP2. esting new plays from the sum total of new work available in print. Dates of forthcoming DEY, James Paul...
Journal Article
Theater (1 May 1969) 2 (2): 4–7.
Published: 01 May 1969
...Michael Feingold Copyright © by yale/theatre 1969 1969 EMPHASIS New Playwrights It would seem logical for the editorial meets twice a week, and reading plays is a introduction to a New Playwrights issue mickey mouse, and besides, all the girls to discuss the contents-that is...
Journal Article
Theater (1 February 1968) 1 (1): 106–111.
Published: 01 February 1968
...Bret Lyon Copyright 1968 by yale/theatre 1968 Joseph Heller's WE BOMBED IN NEW HAVEN A Collection of Thoughts There is a feeling that you're not doing the destruction of flesh and blood what you're really doing. When I used (Starkey's Son) ; from...
Journal Article
Theater (1 November 1988) 19 (3): 83–86.
Published: 01 November 1988
Journal Article
Theater (1 May 1979) 10 (2): 137–141.
Published: 01 May 1979
...Laurence Shyer Copyright © THEATER 1979 1979 Opera in New York Billy Budd at the Met Laurence Shyer In the opening week of its ninety-fourth the artistic policy at the Met. Dexter's pur• and are soon lost as the work moves in and...
Journal Article
Theater (1 May 2009) 39 (2): 71–77.
Published: 01 May 2009
...Alina Nelega Alina Nelega offers a playwright's perspective on the development of playwriting in post-communist Romania. She details the challenges faced by new playwrights in a primarily visual, director-driven theatrical culture, and discusses the history of programs like Dramafest and dramAcum...
Journal Article
Theater (1 February 2010) 40 (1): 1–3.
Published: 01 February 2010
... 38 the Cave Theatre Studio 39 Festival of International Dance, New Haven, 2008...
Journal Article
Theater (1 November 2010) 40 (3): 43–53.
Published: 01 November 2010
... 43 1 2 Miriam Felton-Dansky­ 3 4 5 6 7 Watching the Watchers 8 9 New Studies of Spectators and Spectatorship 10 11 12 13 14 The Spectator and the Spectacle 15 by Dennis Kennedy 16 2009: Cambridge University Press 17 18 The Citizen Audience: Crowds, Publics, and...
Journal Article
Theater (1 May 2012) 42 (2): 7–25.
Published: 01 May 2012
...Martin Harries Harries looks back at Samuel Beckett’s complex intermedial experiments to historicize the question of theater’s relationship to “new” media, and argue for a more nuanced theorization of theater’s exchanges with other media, and theater’s status as a medium in itself. © 2012 by Martin...
Journal Article
Theater (1 May 2012) 42 (2): 99–117.
Published: 01 May 2012
...Nick Salvato Nick Salvato examines the collision between “old” and “new” media staged by the actorless performance piece Bonanza , produced by German multimedia collective Berlin. © 2012 by Nick Salvato 2012 Berlin’s Bonanza, Marseille, 2010. Courtesy of Berlin Nick Salvato The New Old...
Journal Article
Theater (1 May 2012) 42 (2): 139–146.
Published: 01 May 2012
...Christopher Grobe © 2012 by Christopher Grobe 2012 City of Abstracts, created by William Forsythe, Athens Hellenic Festival, 2007. Photo: Philip Bussmann Christopher Grobe Refined Mechanicals; or, How I Learned to Stop Worrying and Share the Stage New Scholarship on Theater and...