...” and complicate easy consumerist habits of spectatorship promoted in neoliberal culture and media. © 2016 by Andrew Friedman 2016 Bert Neumann’s set design for Fyodor Dostoyevsky’s The Idiot, directed by Frank Castorf, Volksbühne, Berlin, 2002. Photo: Thomas Aurin Vegard Vinge and Ida Müller...

... in the tradition, Company (published 1980), another Mabou Mines production directed by Frederick Neumann and Honora Fergu...

... journey; destination unknown, purpose naturalistic detail. Neumann's staging of unclear, determination high. "We are not Mercier and Camier in effect appropriated faring for the love of faring, that I know of, Beckett's...

... between them that resembles several aspects then, the recent American premiere of these of Hamm and Clov’s provisional symbiosis. A two short works (about fifteen minutes each), George Bartenieff and Frederick Neumann in and B engage in a series of momentary strug...

... hero, a champion of reunifi cation, and the most important artist of the era, using the debris of GDR ideol- 12 remembering never-ever land Bert Neumann’s...

... Neumann, Lee Breuer, is what the company was created to provide. and I were in Europe. But JoAnne Akalaitis And everyone is assured they’ll have a place and Philip Glass had already returned...

... and Erich Neumann, and the Tibetan Book ofthe Brecht, first pointed out in Kenneth Tynan’s Dead, no less-at one of Ionesco’s simplest 1958 Observer article, “Ionesco, Man of and most limpid plays, Le Roi se meurt. Her Destiny,” which she quotes in extenso. She also effort to make the play...

... notoriety in the season after September 11; the produc- tion makes playful, ironic allusions to John Carpenter’s action fi lm Escape from New York, with portentous movie music accompanying Hollywood’s controlled fantasy of urban destruction. Meanwhile Pollesch’s actors run around Bert Neumann’s environ...

... the Mod- ernist project.” Perhaps this approach stems in part from Ginsberg’s strong engage- ment with contemporary German and Swiss theater and opera, inspired by the work of directors Josi Wieler, Christoph Marthaler, and Frank Castorf, and designers Anna Viebroch and Bert Neumann...

..., Weißnasen mit Rückflugticket ? Entwicklungshilfe als Egotrip bei Lukas Bärfuss und Milo Rau, in (Off) the Beaten Track? Normierungen und Kanonisierungen des Reisens, ed. Uta Schaffers, Stefan Neuhaus, and Hajo Diekmannshenke (Würzburg, Germany: Königshausen und Neumann, 2018), 371 90. 12. Beck...

... as that Peer rhapsodizes about. What is essen- with gusto by Frederick Neumann) is en- “a-socialized” beings deprived of husbands. 69 Their masturbation reflected their ‘economic...

... entire season, sends three actors onto Bert Neumann’s uninspired- and average-looking set, a facade of a middle-class bungalow. Live video feeds of long scenes taking place behind the wall stream over several moni- tors onstage; the performers throw fragments and statements from theoretical...

...? I don’t see it in terms of percentages. I see it in terms of projects. I Mabou Mines’ Dressed Like an Egg, with Ruth Maleczech (foreground), wanted very much to direct Kroetz’s Through he Leaves with Ruth Ellen McEiduff, David Warrilow, JoAnne Akalaitis, 1977. Maleczech and Fred Neumann...

... audience, and Wedekind himself. LULU DAZE November 7, 1980 There is no company read-through. There is no company. Not that both weren’t plan- ned for. But plans met complications: Ac- tors tied up in other ART productions. Flu. Fred Neumann (Louis B. Lebow/Dr. Schon) and Catherine...

... Hegel, Grundlinien der Philosophie des Rechts oder Naturrecht und Staatswissenschaft im Grundrisse (Frankfurt am Main: Suhrkamp, 1970), 28. 24. See, for example, Helmut Fuhrmann, “ Warten auf Geschichte’: Der Dramatiker Heiner Miiller (Wurzburg: Konigshausen und Neumann, 1997), 37; and Jonathan...

...) 33 Karras (Roman Kaminski) Bittner (Harry Pietzsch) Kruger (Horst Weinheimer) Kolbe (Frank Lienert) Geschke (Thomas Neumann) Stettiner (Ulrich Muhe) Zemke (Horst Hiemer...

... Akalaitis, Lee Breuer, L.B. Dallas, Ruth Maleczech, Frederick Neumann, Terry OReilly and Bill Raymond. The play opened at The Public Theatre on November 11, 1980...

... Rueb, and Frank-Patrick Steckel, "Positionen und Probleme am halleschen Ufer," an interview with Oskar Neumann in Kurbiskern, 2 (April, 1973), pp. 335-347. Stein, Peter, "La Schaubuhne am halleschen Ufer: Entreti?? avec Peter Stein," an interview with Bernard Dot? in Travail Theatral...