Search Results for need

...Michael Feingold Copyright 1968 by yale/theatre 1968 Do We Need Greek Drama? We have no proof that the ancient Greeks relevant-in Greece-it cannot now be ever existed. (H. G. Wells: IIHow do you freely performed, because of the same know the world was not created just a military...

...Joel Schechter Copyright © THEATER 1980 1980 Where are Ajax and Philoctetes now that we need them? An Interview with Jan Kott Joel Schechter About ten years ago...

... in a serpent’s tooth,” and might well cry, inversions. A cast list was of little itself had some rewards. The Mabou “reason not the need.” help when Edna/Edgar disguised Mines staged a timely confrontation That opening scene, the division...

...”, Journal of Dramatic Theory and Criticism , 2.2 : 37 –51, 1989 . A POSTMODERN CHALLENGE: UNIVERSAL TRUTHS NEED NOT APPLY SHARON GRADY...

..., ImPulsTanz, Vienna, 2013. Photo: Eva Würdinger Lawrence Switzky Transmedia Ethics Why Theater Needs Philosophy Needs Virtual Reality Needs Video Games When people think about transmediation, the translation of the form or content of an artwork from one medium to another, they tend...

... of three years. Each production will be rooted in the indigenous cultural context of the individual city; it will be performed by an actress belonging to the city, who will shape Kroetz's text according to her own needs and tensions, her own sense of history. Totally wordless, Kroetz's monodrama focuses...

... thirty-three weeks. A.C.T. has a staff of over 200 with a yearly budget of $4,000,000.00; only 28% of this figure comes from grants and foundations. The position of “dramaturg” at A.C.T. evolved as the pragmatic “literary” needs of the company made themselves apparent over the years. Dennis Powers has...

...David Bruin David Bruin’s “How to Survive Civilization”—hearkening back to Walter Benjamin’s observation that “modern art teaches us to survive civilization if need be”—searches for the seeds of survival strewn amid scenes of suffering on the contemporary stage. Examining works by Reza Abdoh...

...Sigrid Gareis; Tilmann Broszat In this piece, Gareis and Broszat discuss the need for a cross-cultural exchange regarding the practice of live art curation, a conversation that culminated in the 2015 project Show Me the World and the spielart Festival in Munich. At spielart , six invited curators...

... will is not what we needs want to will. To alter the will. To alter the body, which as we know, doctors, is not doing so well. Who says we are mistreating the body with our drugs our opium our marijuana our lysurgic acid psylocybin heroin cocaine peyote mescaline, mushrooms hasheesh kheef amphetamine...

... offer students, they are not all that 2000: An Education Strategy, this sourcebook, which schools need to offer. A full appreciation of the fine arts Secretary of Education Lamar Alexander called "a bold, and mastery of one or more foreign languages are complex and long-range plan...

... voices that need special care. I have the wonderful luck of getting to work with people like Mu konzi, who come in, get to work, and share their knowledge with artists trying to tell stories from their point of view. yuvviki dioh My name s Yuvviki Yuvvi Dioh. I m from Zurich, where I ve been...

... responding to what stimulates him. Was it Shaw who once said that criticism would always be as bad as it possibly can be? What a stupefying waste of time! I would remind both men that the play’s the thing. The rest is life, and we’ve all got boring problems. I write plays because I feel the need...

... work I mean the logic of Disability Justice, where we understand that access needs and sharing access needs is part of our work all the time. Sustainability is a key component. It s also about understanding care as something not specific to disabled bodyminds. Every body needs care. Every body needs...

... you help our economy function and thrive. Even though we need you. But as a nation, as your neighbors, we have no time or mercy. Not for you. The only important thing to us is “the debate.” We hear it every day from a machine-breeding racism that looks like patriotism. Spilled out every hour...

... this, then that, then he rode on the devil . . . 1 The way kids in a courtyard breathlessly retell a film they saw the day before. Is that possible? It is, yes . . . I don t quite believe in such naive conveying of an impression it s not so much the courtyard kids they need to surprise, but rather their parents. We...

... of progress in European public theater. It succinctly delineated how our panel assesses the current situation and what they hope to see undertaken in the years to come. If there is one unifying thread through the conversation, it would be the panelists urgent appeal for openness and transparency that needs...

... static. It actually barely leaves its place. Its every move is slow: a faster pace would damage the majesty and risk shaking its foundations. They need to remain solid and they need to remain seen as such. The body is quite noisy at the same time. It speaks, constantly speaks, sometimes roars, sometimes...

....) ions at 640 or 1240 on your dial. (Pound- ing on the door.) We need a place. FIRST HOLY MAN: You a fool, little (Unplugs T. V.) mother, a fool. You gottah get you'se'f...

... around, we’re tough, virile.” productions were mounted in the mid-Fifties. The next step? Paris “People seem to feel this need to protect themselves against a kind of offered a home, there are no such firm offers in New York - the Liv- libertinism,” Judith explains. “It’s as if they perceive what...