...Liz Diamond Copyright © Theater 1993 1993 Perceptible Mutability in the Word Kingdom Liz Diamond 86 The poetic imagination, while not entirely Betting On the Dust Commander, and pho...

...Suzan-Lori Parks Copyright © Theater 1993 1993 Imperceptible Mutabilities in the Third Kingdom Suzan-Lori Parks 88 Imperceptible Mutabilities in the Third Kingdom was jrst performed...

..., the festival had a and vice versa. That’s precisely what’s so exciting about strangely confrontational, if not downright hostile feel to it. this young writer’s work. Imperceptible Mutabilities in the Artists said they felt put on the defensive, and audiences - Third Kingdom, the four-part work from...

.... no. 1,119-120. Diamond, Liz, “Perceptible Mutability in the , Queer and Alone [production review], Word Kingdom,” no. 3,86-87. no. 3,120-121. Ehn, Erik, “Up Front: Towards Big Cheap ,“The Queer as Drama Critic,” no. 2,12-20. Theater,” no. 2,5-9...

... pulse and flow. Her early play Imperceptible Mutabilities in the Third Kingdom (1989) features three playlets connected — or separated —  by two self-contained scenes set on a slave ship. These interludes operate as breaks within the overall structure of the play and suggest an expansive...

.... why some of the most signficant modern playwrights in Austria and southern Germany, such as Odon von Horv5th, Peter Then Titus breaks into a satirical song; the first stanza both Handke, Wolfgang Bauer, and Martin Sperr, have shown a great celebrates and mocks man’s mutability...

... Mutabilities in the Third Kingdom. Her first Guthrie Theater. film, Anemone Me (co-written and directed with Bruce Hainley), will premiere in New York in November. She is a Marguerite Feitlowitz...

... Mutabilities in the Third Kingdom. Her first Guthrie Theater. film, Anemone Me (co-written and directed with Bruce Hainley), will premiere in New York in November. She is a Marguerite Feitlowitz...

... a positive aspect of our participation in surveillance. She says, “we must remember that our individual screened lives are acts of creation and performance. And our usership, like time, like theater, is mutable, intersubjective, and full of loops and leaps Morrison is concerned with redressing...

... by Yale School of Drama/Yale Repertory Theatre 1 felton-dansky­ and gallagher-ross­ 2 up front to name, or too mutable to define, must be termed an affect: an emerging structure of feeling. Not only emotions but also...

.... Antarctica to me suggested done at the ONeill Theater Center, in Waterford, Connecticut. not the literal language of film, but the rough poetry and Granted, this was only a staged reading, with an absolute mutability of the theater. What I couldn’t know was whether or minimum of “production values...

... our recognition that this is a doomed enterprise. Art is permanent, but we remain mutable in the face of our immortal creations. We oscillate perpetually between acting and "acting," playing, which is an attempt to escape mutability by fleeing into forms. But we are thrown back into a reverse...

... the alarming idea that human psychology itself is actually mutable. For the witness, I think, this is a necessary lie; it is the only way of dealing with the extreme and disturbing premises that underlie classicism - that there have been many others of us, quite unlike us, long long long ago...

.... As a woman in a tradi- mutable love, the rider’s words become to explain this love to his father, his tional society, she should be immobile, a caricature of male chauvinism. abstractness reveals the largess of his inflexible, untouchable. But she creates “They’re .fickle, faithless from start...

...) the repeated naming of something only marks its absence. Insecure and fragile, the self has become as insubstantial as cyberspace, as mutable as online identity—a photon cloud of “cookies,” consumer profiles, and target markets. The trickle-down...

... is not itself a waking Paolo Uccello, Brunelleschi and Donatello fraught with too much suffering; it is made dream, as is Paul the Birds; it is rather an im- - and the fourth is Selvaggia, Uccello’s wife. fluid or mutable so that it can transcend the itation of dreamed events, and not an espe- Uccello...

.... prising sobriety. Like Bertram and, to some a2 extent, Helena, his role in the play shifts his palace but at Rossillion. He and the from one moment to the next. Personality is Countess are aligned, with his domination mutable, almost fluid as characters move signalling a restoration...

.... The of Plinth. Sarcastic, like the land of fog and whistles. The land snide world of Elmer, where people of multiple contexts. The land of insult other people by the wearing portable mutability and a bustle of artsy-fartsy hats. of feathers. Still, the eighth...

... loneliness. The verdict is clear and im- One, disguised as an exotic dancer, per- that brought to mind a hospital mortuary, mutable - a deed once done can never be formed a seductive reprise of Anitra’s where long white shroud hung down from called back, the witnesses insist. Yet as Der Dance...

... a department store mannequin. Here again, educate new members (in Brecht and, too often, in basic theater physicalized acting serves Molikre’s comic purposes while it suggests skills) diverts time and energy away from crucial development ac- the inherent mutability Brecht discerned in social...