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musical theater

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Journal Article
Theater (2000) 30 (2): 25–33.
Published: 01 May 2000
... Kyle Gann Music-Theater Lite for a Dark Age Who’s interested in music-theater these days? Not I. Nor anyone I know in my milieu, which is basically the downtown Manhat- tan new-music scene. Oh, there are certainly...
Journal Article
Theater (2002) 32 (1): 63–71.
Published: 01 February 2002
...Eric Salzman © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Scene from the Public Theater’s production of The Wild Party by Michael John LaChiusa and George C. Wolfe. Photo: Carol Rosegg Eric Salzman From Stage to Page Music-Theater in Print The New American...
Journal Article
Theater (2000) 30 (2): 9–23.
Published: 01 May 2000
...: White Studios, Yale University Collection of American Literature, Beinecke Library. The30.2-02 Salzman.ak 7/6/2000 3:43 PM Page 9 Eric Salzman Some Notes on the Origins of New Music-Theater Dramma...
Journal Article
Theater (2000) 30 (2): 3–7.
Published: 01 May 2000
... Page 3 Up Front Our title is New Music-Theater, and that’s how we first thought of this issue. But really the hyphen should be moved: The focus turned out to be on New-Music Theatermusic theater that isn’t just...
Journal Article
Theater (1975) 6 (2): 4–8.
Published: 01 May 1975
...Walter Felsenstein Copyright © by yale/theatre 1975 1975 FELSENSTEIN Walter Felsenstein is the foremost living director of opera and musical theater. The company he founded in East Berlin, the Komische Oper, has become since its inception...
Journal Article
Theater (1973) 4 (3): 82–93.
Published: 01 November 1973
...Martin Gottfried Copyright © by yale/theatre 1973 1973 Why is Broadway Music So Bad? Martin Gottfried 82 It has become commonplace to say that musicals are America's greatest contribution to the theater and yet musicologists persist...
Journal Article
Theater (2005) 35 (2): 73–82.
Published: 01 May 2005
..., white table. Goebbels’s compositions resist easy categorization. He is perhaps best known for his music- theater pieces, hybrids of spoken text and original music. Among them are Die Wiederholung (The Repetition, 1995), Schwarz auf Weiss (Black on White, 1996), Landscape with Man Being Killed...
Journal Article
Theater (2009) 39 (3): 1–9.
Published: 01 November 2009
... and authenticity. Modern art — in particular, the abstract arts (visual art, classical music, and modern dance) — is said to be about identifiable style and voice. Issues of content are left to the verbal or popular arts (novels, theater, song lyrics, and the movies). We have the idea that our notion...
Journal Article
Theater (2000) 30 (3): 1–3.
Published: 01 November 2000
... preceded the one on New Music-Theater, instead of coming right after. Weill’s work is crucial to under- standing how a serious composer can collaborate with equally serious playwrights, with- out compromising the forms or ideas of either the music...
Journal Article
Theater (2002) 32 (2): 45–55.
Published: 01 May 2002
... the audience’s longing to stay in the moment with self-referential nostalgia, in a new and improved attempt to immortal- ize the ephemeral theater experience. Nostalgia is the prime dramaturgical mode of musical theater. It steers not only the course of audience response and show structure but also...
Journal Article
Theater (1973) 4 (3): 69–81.
Published: 01 November 1973
... their careers in the theater. In the program of a current Broadway musical show, there is a note that its musical supervisor was the first black conductor on Broadway. When we mentioned this to Noble Sissle, he laughingly told us that it was probably correct...
Journal Article
Theater (1975) 6 (2): 9–17.
Published: 01 May 1975
... of journalists asked me to explain what we were trying to accomplish at the Berlin Komische Oper, which at that time was only four years old. This was my answer: “The heart of music theater is to turn music-making and singing on the stage into a communication that is convincing, truthful...
Journal Article
Theater (2020) 50 (3): 49–61.
Published: 01 November 2020
... not Paderewski, who was not only the first prime minister of inde- pendent Poland but also an international musical superstar of the fin de siècle and early twentieth century? However, she didn t want to commission a Polish theater to produce Theater 50:3 doi 10.1215/01610775-8651193 © 2020 by Kathleen Cioffi...
Journal Article
Theater (1994) 25 (1): 72–77.
Published: 01 February 1994
... Monteverdi’s favola con embodiment of “dead theater.” In the best musica as a subtle artistic mechanism. In case: great music emanating from the orches- Hamburg and Paris, Bob Wilson can explore tra pit and great singers delivering a dreadful his fantasies...
Journal Article
Theater (1981) 12 (3): 65–68.
Published: 01 November 1981
.... In contrast, Wilson’s staging of Me&a for the Musical Theater Lab at the Kennedy Center earlier this year is ostensibly...
Journal Article
Theater (2024) 54 (2): 89–99.
Published: 01 May 2024
... doing at 11:30 at night because we don t actually have an infrastructure around our show. freeman I noticed that in marketing blurbs about Du ka s book it says gig theater is theater that incorporates live music and performance, which is very generalized! But what she actually writes is that gig...
Journal Article
Theater (2003) 33 (1): 92–96.
Published: 01 February 2003
... 91 salzman of artists as different (and as yet little known Eric Salzman in theater circles) as Johanna Went, Oguri and Renzoku, and the group osseus labyrint. Reading Musicals Equally cogent (and potentially freestanding) is the chapter on what Cheng provocatively Reading Stephen...
Journal Article
Theater (2003) 33 (1): 84–88.
Published: 01 February 2003
... 91 salzman of artists as different (and as yet little known Eric Salzman in theater circles) as Johanna Went, Oguri and Renzoku, and the group osseus labyrint. Reading Musicals Equally cogent (and potentially freestanding) is the chapter on what Cheng provocatively Reading Stephen...
Journal Article
Theater (2003) 33 (1): 96–98.
Published: 01 February 2003
... Yiddish schools, sweetly resonant, seductive even, as he tries to presses, newspapers, and theaters, all in an trick Golda into accepting their daughter effort to spread the revolutionary gospel to the Hodl’s marriage to a revolutionary. Music...
Journal Article
Theater (2003) 33 (1): 89–92.
Published: 01 February 2003
... Yiddish schools, sweetly resonant, seductive even, as he tries to presses, newspapers, and theaters, all in an trick Golda into accepting their daughter effort to spread the revolutionary gospel to the Hodl’s marriage to a revolutionary. Music...