... involved in a manner usually relegated to sporting events or talk shows or AOL chat A Molière Museum: rooms. Sitting passively back and observing Long Wharf Theatre’s didn’t thrill them. If they couldn’t be onstage The Bungler...

...Jacob Gallagher-Ross © 2014 by Jacob Gallagher-Ross 2014 Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama Whitney Museum of American Art New York City, October 31, 2013-February 2, 2014 Rituals of Rented Island Edited by Jay Sanders, with J...

... invent an institution. So instead of thinking with the celebrated “Manifesto for a Dancing about projects (and Musée de la Danse is a Museum” in 2009. You called for an “infinitely project) we thought, “What are we going to larger diffusion of dance” and a cooperative, per- do for the next two...

...Isaiah Matthew Wooden © 2014 by Isaiah Matthew Wooden 2014 Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum Houston (2012); Grey Art Gallery, nyu , and the Studio Museum in Harlem, New York (2013) Productions and Events Isaiah Matthew Wooden...

... to ask about your recent space. It stems from a vision, established experience programming performances at the long before my arrival, that in order to cre- Getty Museum: What was your mission for the ate a well-­rounded impression of both Greek program? and Roman...

..., of course, thing we are now: option a, reconstruct the they’re always talking about unity and they villa like it was; or option b, build a museum have such strong political ideas and ever so . . . and all...

...Victoria Fortuna Takahiro Yamamoto s Opacity of Performance, Portland Art Museum, Portland, or, 2022. Photo: Jason Hill Productions and Events Victoria Fortuna Opacity in Motion Opacity of Performance Takahiro Yamamoto Portland Art Museum June 16 26, 2022 Performance and museums are arguably...

... that the large-looming Canadian modernists known as the Group of Seven have had on Canadian culture and identity, illuminating her argument that God of Gods was not “a Canadian play” but “the script for Canadian racism.” Deanna Bowen s God of Gods: A Canadian Play, exhibition view, the Art Museum...

... be producing satiric billboards, as well as videos suitable 40 for television broadcast, and humorously didactic wall posters museums and art critics against women and people of color, that occasionally end up inside an art gallery, after they the Guerrilla Girls began their street...

... of Storycard, Frontera authenticity around his objects is not exactly the one that Walter Benjamin evokes in production. Photo: his meditation on art in the age of mechanical reproduction. In the second part of The Rret Brookshire. FUCHS Convention of Cartography, Hancock‘s “museum” is filled...

... the reconciliation of Our Respective Mother lands afrique and albion In New York, the Kenyan- born artist Wangechi Mutu created four bronze sculp- tures for temporary installation in separate, previously empty niches along the Fifth Avenue facade of the Metropolitan Museum of Art. (The building s 1902 facade...

.... But how is it different from sculpture that one can see in a museum? In a museum, the total aesthetic resides in and is created...

...Evan Hill Reactivations: Performance and Its Documentation , by Auslander Philip , Ann Arbor : University of Michigan Press , 2018 Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices , edited by Giannachi Gabriella Westerman Jonah , New...

... art where we have this feudal situation with money at the core. We make things. Only the wealthiest few can a¢ord these things and they are also the phi- lanthropists who support museums where we show these things to the public. So we in the world of visual art orbit around the wealthiest few, even...

... — and I think this is how it’s really museum spaces hold objects, but they’re some- happening — it’s a layered and complementary times interested in holding the ephemeral, process? That is what will have the greatest effect so I presented this idea to Kathy, who before both for the artists, who...

... behind plays and per- formances to compare her visits to two muse- ums devoted in whole or part to the Holocaust: the U.S. Holocaust Memorial Museum in Washington and the Beit Hashoah Museum...

... counterpublics and dissenting performances. We demanded a Studio Museum in Harlem as a venue to show experimental black work and performance; we supported a Museum of the African Diaspora to demonstrate affinities of black creativ- ity across geography and time. Artists tried to make black work, concerned...

... in the intersection of dance and the visual art world, with particular concern over the placement of the moving body in the museum space. Here Boris Charmatz comes to the fore with his “Manifesto for a Dancing Museum,” a long-­term project and series of presentations, including in New York at the Museum...

.... Courtesy of the Sakharov Center Up Front Caution: Russia! The fragility of Russia’s new-won freedoms, and the implications for artists, were on display at the Andrei Sakharov Museum and Community Center in Moscow in Janu- ary 2003. The museum, named for the Soviet dissident, human...

... to the Hammer Museum in Los Angeles Theater 46:3 doi 10.1215/01610775-3619469­ © 2016 by Tom Sellar 1 sellar Leap before You Look: and the Wexner Center for the Arts in Columbus, Ohio, in 2016 and 2017.) In addi- Black Mountain...