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multimedia

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Journal Article
Theater (1 May 2012) 42 (2): 99–117.
Published: 01 May 2012
...Nick Salvato Nick Salvato examines the collision between “old” and “new” media staged by the actorless performance piece Bonanza , produced by German multimedia collective Berlin. © 2012 by Nick Salvato 2012 Berlin’s Bonanza, Marseille, 2010. Courtesy of Berlin Nick Salvato The New...
Journal Article
Theater (1 May 2019) 49 (2): 30–39.
Published: 01 May 2019
... revealed. M. Lamar’s multimedia artworks combine elements of horror, homoeroticism, s/m, Negro spirituals, opera, religious iconography, and ritual to subvert oppressive representations of the black male body. His work evades representations of “capture, containment, and capitalization” by conjuring a...
Journal Article
Theater (1 May 2004) 34 (2): 3.
Published: 01 May 2004
... productions merely mimic television or film. Most theater can’t even boast of its essential live qualities anymore: even if a production doesn’t integrate multimedia components, its soundtracks and lighting design are probably computerized. (How can audiences be persuaded of the value of live...
Journal Article
Theater (1 May 2000) 30 (2): 3–7.
Published: 01 May 2000
... performers; they can extend the range of sound and aural experience in any composition. Québécois multimedia artist Victor Pilon presented videotapes of the virtual- reality operas he has created with Michel Lemieux since 1992. In...
Journal Article
Theater (1 May 2012) 42 (2): 139–146.
Published: 01 May 2012
... theater invoke other forms and media; it can present them as they are, without translating them into its own medium. A painting onstage is still a painting; not so, a stage in a painting. As a site of multimedia exploration and play, the theater might well be the place where new media and cutting...
Journal Article
Theater (1 May 2000) 30 (2): 59–64.
Published: 01 May 2000
... perform in November 2000 as an evening- look Japanese, if you don’t speak Japanese— All photographs are length multimedia performance piece with then you will always be a gaijin. It...
Journal Article
Theater (1 February 2011) 41 (1): 130–135.
Published: 01 February 2011
... of experience. With its nonlinear narrative, multimedia conceits, and hectic movement vocabulary, Bellona works hard to mirror these effects. However, bewilder- ment is perhaps a more desirable commodity in written work, luring the reader deeper into the forest of the text to seek out the bread...
Journal Article
Theater (1 November 1982) 13 (3): 65–69.
Published: 01 November 1982
...-Combination Talky,” an adapta- world and lose his own soul We had so view of O’Neill’s plays frequently leads peo- tion of LamLaughed combining live ac- much and could have gone either way. tors with fdm in a type of multimedia, ple to ignore their very real...
Journal Article
Theater (1 February 2009) 39 (1): 104–111.
Published: 01 February 2009
... play — I could see that the attitude toward text and audience is in the first stages of a confident postmodernism, a theater comfortable with deconstruc- tion, antidramatic acting, and multimedia. Lókal is the creation of managing director Ragnhei∂ur Skúladóttir, head of the theater...
Journal Article
Theater (1 February 2009) 39 (1): 112–119.
Published: 01 February 2009
... play — I could see that the attitude toward text and audience is in the first stages of a confident postmodernism, a theater comfortable with deconstruc- tion, antidramatic acting, and multimedia. Lókal is the creation of managing director Ragnhei∂ur Skúladóttir, head of the theater...
Journal Article
Theater (1 May 2012) 42 (2): 65–77.
Published: 01 May 2012
... Theatre Hamlet (1908) to Josef Svoboda’s multimedia works at Laterna Magika (1958), the creation of a dynamic, three-­dimensional, modular stage has been one of the defining passions of modern sce- nography. Set against this lineage, Lepage’s...
Journal Article
Theater (1 November 2005) 35 (3): 62–73.
Published: 01 November 2005
... buildings), and for sellar What about the application of new two nights, after the show ended, we had this media to unlock the classics? Richard, some wonderful band, Bravo Silva, come and per- of your work has incorporated multimedia, form. People were walking in and out with and there are people...
Journal Article
Theater (1 May 2000) 30 (2): 9–23.
Published: 01 May 2000
... of music-and-theater mixes: antioperas, nonmusicals, performance art, multimedia, extended-voice extravaganzas, and the like. As theater has moved towards nonlinear and even nonverbal forms, as perfor- mance art has crystallized out of dance...
Journal Article
Theater (1 February 1992) 23 (1): 35–40.
Published: 01 February 1992
... multimedia theatrical discourse holds together contemplation (observation) than through conceptual Thalia Theater, through the strength of internal references and cross- analysis. This shimmering, visual meaning is always Hamburg, 1990. re fe re II c e s b e twe en the vari o u s p e r f...
Journal Article
Theater (1 February 2012) 42 (1): 11–19.
Published: 01 February 2012
....” Stung by his words, I retreat to the periphery. This scene is just one example of the many “insider” versus “outsider,” “me” versus “other” dichotomies that Nameless forest — a work of dance theater directed by American choreographer and multimedia artist Dean Moss, created in spring 2011 in...
Journal Article
Theater (1 February 2012) 42 (1): 33–43.
Published: 01 February 2012
... to meet him. Two years of communication and collaboration between the two artists followed.3 Moss recalls: “Upon seeing Chun’s 2007 and 2008 solo exhibitions in Seoul — both titled Swallow- ing the Shadow — I felt a resonance with his strategies from my own work: multimedia movement...
Journal Article
Theater (1 May 2014) 44 (2): 21–29.
Published: 01 May 2014
..., some choosing to call themselves curators and others not. As the 1960s and 1970s interdisci- plinary experiments in multimedia and activism inspired a...
Journal Article
Theater (1 February 2015) 45 (1): 1–3.
Published: 01 February 2015
... representation of the African diaspora in the Biennial. The group went on to present its piece in May at Brooklyn’s Freecandy Creative Space, alongside a gallery of multimedia art and a caba- ret performance. Meanwhile, other artists withdrew to protest objectionable complicities on the part of...
Journal Article
Theater (1 February 2015) 45 (1): 3–5.
Published: 01 February 2015
... representation of the African diaspora in the Biennial. The group went on to present its piece in May at Brooklyn’s Freecandy Creative Space, alongside a gallery of multimedia art and a caba- ret performance. Meanwhile, other artists withdrew to protest objectionable complicities on the part of...
Journal Article
Theater (1 February 2015) 45 (1): 6–9.
Published: 01 February 2015
... race-­ based role-­playing so problematic that they felt it negated their representation of the African diaspora in the Biennial. The group went on to present its piece in May at Brooklyn’s Freecandy Creative Space, alongside a gallery of multimedia art and a caba- ret performance...