...Robert Walter-Jochum Robert Walter-Jochum reflects on the successes and failures of Milo Rau’s stage explorations of hate speech, investigating what Judith Butler terms “restaging and resignifying.” Walter-Jochum references two of Rau’s performances: Breivik’s Statement and Compassion: The History...

...Laurens De Vos Laurens De Vos examines the ways in which director Milo Rau incorporates the poetic and aesthetic techniques of alienation theorized and pioneered by German director Bertolt Brecht for purposes similar to but distinct from Brecht’s. Like Brecht, De Vos argues, Rau exploits...

... Sagnet (courtesy of No Cap); Anton Lukas (photo: Carmen Hornbostel); Rolf Bossart (photo: Marcel Jent); Ursina Lardi (photo: Urban Ruths); and Kay Sara (photo: Dyroa Baya) Forum No Longer Just Fiction Collaborators on the Work of Milo Rau Collaborative structures are key to understanding Milo Rau s...

...Tom Sellar © 2021 by Tom Sellar 2021 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Up Front On Milo Rau Tom Sellar We hope this will be the first in a series of issues of Theater, spread over a few volumes, documenting...

...Peter M. Boenisch; Lise Sofie Houe Peter M. Boenisch and Lise Sofie Houe survey the 2018–20 tenure of Swiss director Milo Rau as artistic director of ntg ent, the city theater of Ghent, Belgium. Contextualizing his role and actions within the European city theater system, the authors also examine...

...Andreas Englhart Andreas Englhart examines the aesthetics of evil, particularly extreme evil, in the work of director Milo Rau, focusing on Five Easy Pieces . Englhart considers the ways in which postmodern aesthetics are beginning to turn once again toward the ethical and how this turn is both...

...Piet Defraeye Piet Defraeye explores Milo Rau’s work in Central Africa, focusing on 2011’s Hate Radio and 2015’s The Congo Tribunal . Defraeye suggests that while Rau’s interest in Central Africa is not based on any personal connection, it began before the founding of his company, the International...

...Helga Kraft Helen Kraft considers director Milo Rau as an influencer. Kraft places Rau within a subcategory of influencer identified by economist and psychologist Robert Cialdini as intellectuals who are “well-connected, create an impact, have active minds, and are trendsetters.” She argues...

...Milo Rau; Lily Climenhaga © 2021 by Milo Rau 2021 Milo Rau s Mitleid: Die Geschichte des Maschinengewehrs, Schaubühne Berlin, 2015. Photo: Daniel Seiffert Milo Rau Edited by Lily Climenhaga from English supertitles provided by the Schaubühne Berlin Compassion: The History of t he Mac hine Gun...

...Milo Rau; Lily Climenhaga © 2009 by Milo Rau. Translation © 2021 by Lily Climenhaga 2021 ntgent, 2020. Photo: Michiel Devijver. Courtesy of ntgent Milo Rau Translated by Lily Climenhaga What Is Unst? What Is Unst was first published on February 20, 2009, as an article in the Swiss daily Die...

...Milo Rau © 2018 by Milo Rau 2018 ntgent, 2018. Photo: Michiel Devijver Milo Rau Ghent Manifesto The Ghent Manifesto was read during a livestreamed conference at ntgent on May 1, 2018, by the children from the second staging of Five Easy Pieces and simultaneously published on the theater s...

...Milo Rau; Karin Barton © 2019 by Milo Rau. Translation © 2021 by Karin Barton 2021 Milo Rau s General Assembly, Schaubühne am Lehniner Platz, Berlin, 2017. Courtesy of iipm Milo Rau Translated by Karin Barton The Histor ic al Feel ing Excerpts In 2017, Milo Rau was a guest lecturer...

...Lily Climenhaga In this critical introduction, Lily Climenhaga offers an overview of the work and career of director Milo Rau. Climenhaga looks at Rau’s work across his career, beginning with early projects as a playwright working with director Simone Eisenring, through the creation of his company...

... to the billfold, as it were, and urge to self-expression, but The Beauty Part was written even marries April, having learned that “there’s an awful lot of before the sixties as we know them had gotten under way. prejudice against money.” His father, Milo Leotard AUardyce His field has only enlarged...

... were combined with movies Radok and Josef Svoboda; to a younger shot on location. generation including Bohumil Svoboda and Milos Forman. Full circle was nearly In the Thirties, the development began to reached: just before his death, Piscator take on a more...

...Robert U. Taylor; Ron Whyte Copyright 1968 by yale/theatre 1968 IF you Ht'Vli EVE~ WATCHgt> A MID-MORNING SOAP SL. TERSE'I-YTrrLEJ:>1 "'MOGaN H YOU HAVE SEEN 'HIH - THE M~ KNOWN ~ THS WORU> AS MILO...

..., not performs an extended bit on what it means to be candy. Yet what Milo O’Shea, in the part of the an Irishman in England. Yet, as an agents’ rep- teacher, makes brilliantly clear in Mike Nichols’ resentative rightly notes in his Act 111 post- recent New York production, is that while this mortem...

... We are also showing a work by direc- is very nostalgic about a society that actually tor Milo Rau, who is in a way maybe the doesn’t seem to exist anymore or maybe it most conventional theater director within the shouldn’t exist anymore. context of Impulse, because he usually...

... Right now what’s really important is changing he’s thirty and completely gray. He doesn’t the cultural model. Everyone cares about Milo- respect any theory, any school. He’s Montene...

...]? known diaries of President Milo˘sevíc’s wife. andrija Economic embargo. On that morning the spruce trees were milena (erupting) Vojin, stop yelling! I can’t covered with frost. The frost remained stub...