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Journal Article
Theater (2020) 50 (2): 79–93.
Published: 01 May 2020
... of communication might change not only how we talk to one another but also what long-lost phantoms we might be able to access anew.” 79 Miriam Felton- Dansky From a Weather Report High Winds, Insomnia, and the Theater of Sylvan Oswald 1 . High Winds did not begin as a text for theater. It began, in 2015...
Journal Article
Theater (2018) 48 (2): 125–149.
Published: 01 May 2018
... overcomes virtuosity, and so full of feelings that his performance might only point to them, like mathematicians indicating proofs just beyond their capacity. Robert Wilson Einstein on the Beach archive gesture materialism emotionality mathematics hands performance opera Copyright © 2018...
Journal Article
Theater (2019) 49 (1): 78–95.
Published: 01 February 2019
... in the gaps created by the transformative industrial and aesthetic shifts of American theater in the 1960s.” Herrera then reexamines how dramatists of marginalized identities, by recovering the legacies of Baldwin and Fornés, might move beyond mainstream aesthetics and “diversity’s categorical logics” through...
Journal Article
Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... compromised because he is not comfortable allowing his wife to continue having the family she wants. San Francisco Bay Guardian critic Misha Berson wrote that “despite the Munich setting, Neither Fish Nor Fowl might have been set in Detroit or Cleveland. Edgar talks about how completely different life...
Journal Article
Theater (1986) 17 (3): 59–62.
Published: 01 November 1986
... as a developing force in the American theater. Ironically, as this piece argues, one of the resident dramaturg's tasks might well be the elucidation of a theater's aesthetic mission which, if available, would have made it unnecessary to analyze an advertisement for a statement of purpose. Copyright © THEATER...
Journal Article
Theater (2017) 47 (1): 116–136.
Published: 01 February 2017
... to curation relate to the “knowing-body.” Using artist Lygia Clark's Caminhando (Walking) to problematize the politics of desire, Rolnik explores how curation practices might liberate themselves from capitalist-colonial micropolitics, as well as how curators negotiate the safeguard of artistic practices...
Journal Article
Theater (2017) 47 (1): 3–15.
Published: 01 February 2017
... diversity of creative exercise. This sort of programming lasted all the way to the new millennium —  did it ever stop? — in performance seasons with one black artist or with visual artist lineups that included a white women’s moment among the men. At times, queer white men might be identified as gay...
Journal Article
Theater (2007) 37 (3): 17–25.
Published: 01 November 2007
... behalf. A certain skepticism that structures the spectator’s relation to the stage might somehow be put to the test, or at least approached in a different sort of way. I’ve been thinking about this in relation to a certain sort of spectatorial “going up” in the work of Socìetas Raffaello Sanzio...
Journal Article
Theater (2000) 30 (2): 113–127.
Published: 01 May 2000
... in front of him, Thomas D. is good with numbers he would sit in the stands, amused by the he might have been a good accountant baserunning of the robed men on the green he...
Journal Article
Theater (2018) 48 (1): 79–89.
Published: 01 February 2018
..., there is a moment before the curtain rises when you think things might be different this time, the stage might spill forth phantoms, let loose some antediluvian madness that will carry you off to its terrible, bone-­crested lair, something you fear but desire with each pulse. (C, 12...
Journal Article
Theater (2007) 37 (3): 7–15.
Published: 01 November 2007
... stuffed rabbits, they exhibit no felt relation, nothing of critique or engagement or faith, towards the one relation (the stage-auditorium relation) that constitutes them ‘as’ spectators and thereby grants them whatever little animation they might have. They are, so to speak, here...
Journal Article
Theater (2012) 42 (2): 7–25.
Published: 01 May 2012
..., specify a state of a medium at a particular moment. We might paraphrase: when speaking of the medium of theater, “it is better to specify” court performance in Jacobean London, melodrama in nineteenth-­century New York, cabaret performance in Weimar Germany, or experi- 8...
Journal Article
Theater (2017) 47 (2): 23–33.
Published: 01 May 2017
... been wont to call this output) appeared in print and digital media. And fol- lowing the publication of critical pieces by James McMasters, Lyra D. Monteiro, and Stacy Wolf in February,9 April 2016 also registered a noticeable uptick in commentaries reflecting what we might consider #HamCrit’s...
Journal Article
Theater (1986) 17 (3): 29–32.
Published: 01 November 1986
.... This had not been happen• ing. Theaters were not producing new plays, were not even reading them. So I began to read plays for the OADR. I am a very slow play reader and I stage the play in my head. As I was reading these hun• dreds ofplays, it dawned on me that I might be able to help the play- Arthur...
Journal Article
Theater (1978) 9 (2): 41–44.
Published: 01 May 1978
... and attempted to judge whether or not I might get a wrights, several concentrated playwriting conferences now take theater somewhere, somehow, to produce the work. We sup place. The best of the lot, of course, is the O’Neill Theater ported the playwright (per diem, travel, honorarium) and the Center...
Journal Article
Theater (2016) 46 (3): 15–29.
Published: 01 November 2016
...Tim Etchells © 2016 by Tim Etchells 2016 Forced Entertainment’s First Night, Rotterdam, Netherlands, 2001. Photo: Hugo Glendinning Tim Etchells By Means of the Future Forced Entertainment, Prediction, and the Community of Audience To tell it as one might find it in a book...
Journal Article
Theater (2012) 42 (3): 43–47.
Published: 01 November 2012
... knew nothing of their children’s whereabouts, hundreds of miles might separate them. And, of course, the children might not even know they were Jewish, might not know they were placed into hiding, might not know they were still, for all intents and purposes, hidden. It was safer if the child...
Journal Article
Theater (2007) 37 (2): 1–3.
Published: 01 May 2007
... the understandable effect of reminding even the most civil of libertarians that the poet — allegedly Delmore Schwartz — who once said “even paranoids have enemies” might have been on to something. With a little fine-tuning of fear quotients everywhere, it’s possible to have grudging sympathy for police warnings...
Journal Article
Theater (2007) 37 (2): 4–5.
Published: 01 May 2007
... the understandable effect of reminding even the most civil of libertarians that the poet — allegedly Delmore Schwartz — who once said “even paranoids have enemies” might have been on to something. With a little fine-tuning of fear quotients everywhere, it’s possible to have grudging sympathy for police warnings...
Journal Article
Theater (2005) 35 (1): 109–113.
Published: 01 February 2005
.... Doggedly they trail their (more or less informed) heirs who might harbor forgotten, misplaced, or intentionally hidden boxes or suitcases that might yield some hitherto unknown papers. In the case of Brecht, several such suitcases are still unaccounted for. In view of his odyssey on the run from...