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melody
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Journal Article
Theater (1978) 9 (2): 147–148.
Published: 01 May 1978
... for the Mkbegotten came, as has
as Con Melody in Eugene O’Neill’s A spare us the near self-lionizing of A Long been much written of, with his emergence
Touch of the Poet has taken on the ap Day’s Journey Into Night. Con Melody is from a personal hell of depression,
pearance of a mighty thing, wreathed...
Journal Article
Theater (1978) 10 (1): 77–83.
Published: 01 February 1978
... of the poetry; ironically, while it still needs better
concepts and overworked metaphors, second act, is already a verbal aria in words than the old melodies ever com•
Buchner's language feels what it pictures, Buchner's play; perhaps this is why Creagh manded, it is also able to convey the effect...
Journal Article
Theater (1991) 22 (3): 4–7.
Published: 01 November 1991
...
respective word.) And the larks they sang melodious,
NARRATOR: (Pointing to picture of naked couple.) And we And the larks they sang melodious,
make children. And the larks they sang melodious,
MEN: Children...
Journal Article
Theater (2000) 30 (3): 5–21.
Published: 01 November 2000
.... It is at once
melodically simple, harmonically uncomplicated, and structurally ingenious. Its chord
changes fit the mechanical capability of a barrel organ; the repetitive rhythmic and
intervallic patterns of the melody shape it memorably; its combination...
Journal Article
Theater (2004) 34 (3): 71–77.
Published: 01 November 2004
..., if you’ve ever touched his work, you can’t
escape him. What does he give you as a director beyond his own plays? He gives you a
special consciousness of language: currently I’m directing a play by Bernard-Marie
Koltès. The play was originally written in French, which has its own melody. As Poles
we...
Journal Article
Theater (1976) 8 (1): 68–71.
Published: 01 February 1976
... exposure of black the melodies are traditional ones, Bertha Egnos is
ghetto life to many whites. k’i72g Kong’s book, lyrics, credited with composing the original music. Some
and direction were by whites, but in recent years of the dances are also traditional, but the program
blacks themselves have...
Journal Article
Theater (2000) 30 (2): 25–33.
Published: 01 May 2000
...—but then, for whatever reason, even he seemed to tire of the eter-
nal disconnect between singing and acting.
In the long run, minimalism didn’t really offer an effective theatrical idiom. Its
clean, objective lines, and avoidance of ornamentation or any melody...
Journal Article
Theater (2004) 34 (2): 37–67.
Published: 01 May 2004
... this melody.
eurydice It can be interesting to see if other
He hums a bar of melody.
people—like dead people who wrote books—
agree or disagree with what you think. eurydice I’m bad at remembering melodies.
Why don’t...
Journal Article
Theater (1988) 19 (3): 69–70.
Published: 01 November 1988
...
took the melodies for her own songs will
black man walks into a bar. The a coca-cola.”Bynum to Jeremy in Seth always be there, just as the blues has
A words “for whites only” do not Holly’s boarding house. “You ought to always been there waiting for the people
hang over the neon...
Journal Article
Theater (1974) 5 (3): 104–108.
Published: 01 November 1974
... for an American musical: first
serious, then vibrating with absurd rhyme patterns, the lyrics even
show an occasional dead-pan self mockery, such as in this recogni-
tion duet set to a pallid, purposely spiritless melody:
note: Copyright 0...
Journal Article
Theater (1973) 4 (3): 82–93.
Published: 01 November 1973
... vitality, if not intellectuality.
There is a good deal less to be said about Irving Berlin, musically,
and yet more to be said for the sheer singability of his melodies and
the nationalism of his notions. It took someone of Berlin's musical
nai'vetd in an immigrant...
Journal Article
Theater (1973) 4 (3): 40–68.
Published: 01 November 1973
... didn't use the melody Thomas A. Arne composed for the
Drury Lane Tempest, 1746). Titania borrowed lines from a song in
Henry Vlll (II I .i), "Orpheus with his lute made trees." Among the
mortal lovers' songs, Lysander sang to Helena six lines of Dumane's
sonnet...
Journal Article
Theater (2000) 30 (2): 105–111.
Published: 01 May 2000
... is a pretense of nobility on kind of country breakdown. He doubles the melody
account of its height; the fourth is a follower with his voice. He stops, puts the guitar aside,
without a will of its own; the pinky finger: stands up, takes off the rubber band, slide...
Journal Article
Theater (2000) 30 (2): 34–43.
Published: 01 May 2000
... in.
tell you, in the audience: Now it’s time for the
lang In this play, I identify with the guy who
beautiful melody that will make you cry. Here’s
disappeared...
Journal Article
Theater (1974) 5 (2): 90–93.
Published: 01 May 1974
... the actors do on stage
before and during the improvisations. There were improvised
ten-minute operas, foursong Broadway musicals, four-scene drama
festivals, foreign film festivals, television shows, pantomimed stories,
a roster that numbered into the hundreds. And no two lines, lyrics
or melodies...
Journal Article
Theater (2003) 33 (2): 3–25.
Published: 01 May 2003
...Jack Zipes © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Thomas Ahrens and
Regine Seidler in
Grips Theatre’s
Melodys Ring , Berlin,
2000. Photo: David
Baltzer
Jack Zipes
Political Children’s Theater
in the Age of Globalization
Thirty years ago I went...
Journal Article
Theater (1973) 4 (3): 123–133.
Published: 01 November 1973
....
The verses of 'ah non credea' in La Sonnambufa, though of
little interest to read, do exactly what they should, suggest to
Bellini one of the most beautiful melodies ever written, and
then leave him free to write it. The verses which the librettist...
Journal Article
Theater (1988) 19 (3): 70–71.
Published: 01 November 1988
...Mei-Ling Cheng Copyright © THEATER 1988 1988 personal freedom is not enough. not really listen to what the words, the very culture generates its own
In Joe nLrner’s Come and Gone rhythms and the melodies of Levee’s myths and superstitions, taboos
Bynum tells...
Journal Article
Theater (2003) 33 (3): 37–39.
Published: 01 November 2003
....
I have a special sensitivity to sound. This is not a
matter of musical education; it depends on the
ability to listen to melody and rhythm. Each...
Journal Article
Theater (1986) 17 (2): 67–68.
Published: 01 May 1986
... that oncc gavc them meaning.
on the table handing down the line verses of a cross between a gymnast and a spider
wartime melodies, beautifully sung a cappella. monkey. His pcrformance was highly
There is no break in the two hours of perfor- energized but controlled, full of subtle
mance...
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