...Dario Fo; Stuart Hood, translated by Copyright © THEATER 1987 1987 TOTO: THE VIOLENCE OF THE MARIONETTE AND THE MASK DARIO FO TRANSLATED...

...Suzanne Cowan Copyright © THEATER 1980 1980 Peter Arnott's Marionettes and The Bacchae Suzanne Cowan Peter Arnott was born in Ipswich, England in 1931. He received throughout the country, as well as at the Shakespeare festivals...

...’ Electm performed dealing with that hole in the paper sky can be found in the in a marionette theater: “What would happen,” he asks, theories and theater practice of Bertolt Brecht and Antonin Ar- taud. Consider these alternative approaches...

...Jean-Pierre Ryngaert; Sandra Boynton Copyright © THEATER 1977 1977 Festival du Nancy '77; The Actor in Search of Doubles Jean-Pierre Ryngaert I have no idea whether it was a coinci- like the name 'Uber-marionette' until it doubles. These refer to the actual...

...- shishimai dance of possession, and already junction with the XI11 Congress of 1’Union World Puppetry we sense the alien presence, the deity that Internationale de la Marionette (UNIMA), hovers behind her and dissolves into her June 8...

... three, and either no consciousness or an infinite one, that is, in a some need only one. Each movement of the puppet or in a god. puppet, from a smirk to a leap, seems to —Heinrich von Kleist, “On the Marionette emanate entirely from the manipulation by the Theater...

.... In speculation and fantasy. Heinrich von Kleist this climate, the totally synthetic body of the argued for the supremacy of nonhuman per- robot may come to seem more constant and formers such as puppets in the 1810 essay “On reassuring than the varieties of human ones. the Marionette Theater”13 (which...

..., it was an image of man that intrigued the chief German dramatists of the early 19th century. Goethe had used it, and Kleist wrote an essay on the metaphysics of the marionette theatre. And it was a central image for Buchner; throughout his work he speaks of man as a puppet incapable...

..., Krakow Teatr Kalambur, Wroclaw United Arab Republic Marionnette Theatre of Cairo Roumania Marionette Theatre of Constant Venezuela Groupe...

... Figure 3. “The laws figure (Kunstfigur): the automaton and the marionette” (28). In a peculiar twist of of motion of logic, the body’s liberation comes in the form of the body’s elimination, or more pre- the human body in space” cisely in its replacement by the puppet-machine...

... — with actors play- There are, in my opinion, three kinds of ing marionette roles, as well as handlers — to important successes. The greatest is, no doubt surpass such an accomplishment with a totally about...

... to the precedents set by their con- structed wooden or leather counterparts: Burmese dancers with arms and legs akimbo model themselves on the flopping dances of Burmese marionettes, often competing against them in a common performance event that pits human dancers against wooden ones; the Javanese dancers...

... on the flopping dances of Burmese marionettes, often competing against them in a common performance event that pits human dancers against wooden ones; the Javanese dancers’ angular arm positions and elaborate headdresses mimic those of their shadow-puppet counterparts. In the U.S. and Europe, however, until...

... keys in figuring out the level apprenticed at this marionette theater, The Lovelace Marionettes on which drama is lyrical and has musicality as its center. You in Pittsburgh, Pennsylvania. And I learned how to play Jack and learn that words only connect in a certain way, and that beyond...

..., no. 2, Spring Cowan, Suzanne. 'Peter Amott's Marionettes and 77u &IccAac" (Interview), Vol. 1980, p 55. 11, no. 3, Summer 1980, p. 49. Eggers, Ingrid. 'Theater in Berkely: Heiner Miiller's Ccmenr" (Review), Vol. 11, no: 1, Fall 1979, p. 80. Fugard, Athol. A Lasonfrom Ahs (Play), Vol. 11...

.... To this “investigative report” by the psychiatrist in became instead a fatal choice. Prefigurations harsh father figure and the inhumanity he From the L$e of the Marionettes). The human of death overshadowed the precariously comic represented and imposed the statue was being is far too complex, his dreams...

..., the Sicilian actor: . . . He sets upon the stage of his little theatre (no bigger than a marionette theatre) his small screens, and, while you look on, with a rapid movement of the hand ar- ranges them in a certain way; a ray of electric light comes to strike between those simple rectangles...

... and Russell Vandenbroucke is a D.F.A. candi- tales of woe had some meaning or importance. date in Dramatic Literature and Criticism Instead, Tesich’s marionettes exhi bit a sim- at the Yale School of Drama. plistic and romantic attitude toward...

... of “the grand mech- anism”—with Shakespeare Always. Not surprisingly, the same ideas are borrowed with- out fail: The respective leading characters are reduced to marionettes from a predeter- mined history play, cut off from all their strings and submerged in eminently futile footlights. The audience...

... to The Three-Tiered Carousel, a comic allegory satirizing Hitler, which Skupa wrote with Frank Wenig and presented in 1937). Tinka showed puppeteers variously resisting or collaborating with an unnamed repressive regime and included satiric stand-up marionettes somewhat in the manner of Skupa’s Spejbl...