...: MARGARET WOLFSON’S MAJNOUN LAYLA RACHEL SHTEIR Once upon a time, apartridge went hunting in afield, and spied an ant, which she seized in her beak...

...Margaret Gray Copyright © Theater 1994 1994 Productions Uncle Vanya Mysteries and Smaller Pieces Barking at Chekhov spoke...

...Margaret E. Glover Copyright © THEATER 1988 1988 TWO NOTES ON AUGUST WILSON: a name for herself was the blues that THE SONGS...

...Margaret Gray Acting as Reading by David Cole 1992: University of Michigan Press Copyright © Theater 1993 1993 Books Acting as Reading Communists, Cowboys and Queers...

...Margaret Gray Copyright © Theater 1993 1993 Reviews Theater: Peer Gynt Books: Upstaging Big Daddy Theater & Politics...

..., in July, 1968. It was directed by Jeff Bleckner, with the following cast: Margaret, in her ~O'S,talks and walks like a bird .Joan Pape Bertha, in her ~O'S, speaks with a Swedish or German accent and wears a lot of beads Jeanne Hepple Martha, in her ~O'S...

...Christopher Durang Copyright © by yale/theatre 1976 1976 The Marriage of Bette and Boo by Christopher Durang CAST OF CHARACTERS THE MARSHALL FAMILY: BETTE MARSHALL MARGARET MARSHALL, her mother JAMES...

... Holly, Holly Golightly, Truman Capote, A1 Capone, John Gotti, Ma Tr udea u , Marg a ret Trudeau, Margaret Thatcher, Maggie Smith, Palmolive Madge, Oh Pee Wee Reese, Pee Wee Herman, Jimmy Swaggart, Jimmy Carter, Linda Carter, Linda McCartney, Jose Red Skelton, Whitey Ford...

... more or less mid-way; once I knew what I thought, I tried to keep silent until people’s responses werefinished.) -Erika Munk Making a Difference Gay Gibson Cima Current research on Elisabeth Hauptmann, Margarete Stefi, Ruth Berlau, and others in the Brecht Collective has transformed my...

... such as Clyde Fitch, “at the height of his achievement.”7 Quinn was instrumental in making this “branch of our native literature” accessible. He pieced together unpublished works, such as James A. Herne’s Margaret Fleming from the memories of Herne’s actress wife. He sought plays dealing with “native...

... on mother-daughter relation- discusses the work of more than thirty-five Aristotelean recognition scene. This form of ships. In the beginning one actress in- British and American playwrights as well as drama emphasizes the change of persons troduces herself as Margaret Fuller, and says...

... gradually felt a period from 1975 to 1978 when its “pharmaco-medical spirit” that results generation later in radically changed founder, Margaret McGovern, was a from their dramaturgical cooperation is physician-patient relations. As Edward student in the Theater Arts Department so pervasive...

..., Margaret Glover 83 Press. Peter Mayse 43 Mark Bly is on the ,staff of the Arena Stage Literary Department, and is a Royal Shakespeare Company 31 contributor to Theater Journal and Theater. Arnold...

... won the ?bny Award for Best Play (Fences)and the Pulitzer Prize C.B. Coleman is a student in the Dramaturgy and Dramatic in 1987. Criticism Program at the Yale School of Drama. Margaret E. Glover recently completed an MFA in Dramaturgy and Dramatic Criticism at the Yale School...

...- tifiable larva face. In Purcărete’s rendering, Faust longs for a ten-year-old Margaret and gets her. This Margaret — a member of a chorus of little girls  — embodies the contem- porary taboo of pedophilic desire. The audience members are tugged from their seats, as the back wall of the great...

... of the surveillance of black people. the artist There could be little better indication of anxieties around surveillance and the kind of oppression it enables, most evidently of women, than Hulu’s series, the adapta- tion of Margaret Atwood’s The Handmaid’s Tale. Living when our...

..., 6, 415-427. "Georg Buchner: Nineteenth Century Avant-Garde," Southern Quar- terly, I, 98-128. 106 Jacobs, Margaret. Introduction and notes to her edition of Buchner's Dantons Jod and Woyzeck. England : Manchester University Press, 1954. Knight, Arthur Harold...

... at ourselves. Sometimes it’s very bitter laughter, but that just shows we have not gone mad. We are conscious of ourselves, aware both of building “form” and unconsciously playing in that form; in a state of hysteria we struggle inside the form. For example, in Queen Margaret’s night monologue in Ivona...

... Perversity in Viragos” [on Mamet’s Okanna],no. 1,111-113. Gray, Margaret, “The Act of Reading” [book review: David Cole’s Acting as Reading], Munk, Erika, “Notes from a Trip to Sarajevo no. 1,121-122. no. 3,15-30...

... affinities with myth and morality is separated into two rooms, one upstage and Philip Franks (Bertram), Harriet Walter (Helena) and Margaret Tyzack (Rossillion) in play, understating instead of embracing its one downstage...