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man
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Journal Article
Theater (1995) 25 (3): 19–23.
Published: 01 November 1995
...Mark Gevisser Copyright © Theater 1995 1995 Writing for the Man in the Street
AnInterview with John Ledwaba
Mark Gevisser
In the final scene of John Ledwaba’s Jozi Jozi, which is about to go on international tour, a black...
Journal Article
Theater (2003) 33 (2): 65–91.
Published: 01 May 2003
...Nilo Cruz © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Momó (Nathan
Barlow), his sister
Fefé (Sonja Parks),
and the angel (Gerald
Drake) in A Very Old
Man with Enormous
Wings, CTC, 2002.
Photo: Rob Levine
Nilo Cruz
A Very Old Man with Enormous Wings
Adapted...
Journal Article
Theater (1988) 19 (3): 69–70.
Published: 01 November 1988
... MAN . . . You get up knowing whatever your
troubles is you can get a grip on them
MARGARET E. GLOVER ’causethe blues...
Journal Article
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
...Suzan-Lori Parks Copyright © THEATER 1990 1990
The Death of the Last Black Man THE SECTIONS The black man moves his hands.
in the Whole Entire World is QUEEN-THEN-PHARAOH
scheduled to be staged at BACA...
Journal Article
Theater (1978) 9 (2): 90.
Published: 01 May 1978
...Cindy Lubar Copyright © THEATER 1978 1978 Notes on THE $ VALUE OF MAN
Cindy Lubar
THE $ VALUE OF MAN is a play in nine fifteen-minute sec- area. The space divisions were fashioned by the raising and
tions written and directed by Robert Wilson and Christopher lowering of drops...
Journal Article
Theater (1978) 9 (2): 91–109.
Published: 01 May 1978
...Robert Wilson; Christopher Knowles Copyright © THEATER 1978 1978 THE $ VALUE OF MAN
Robert Wilson and Christopher Knowles
no he never does the badge ones of them it could...
Journal Article
Theater (1993) 24 (1): 116–119.
Published: 01 February 1993
...Lisa Diamond Copyright © Theater 1993 1993 would have written. Robert Auletta’s adaptation is and to play. That Blue Man doesn’t talk is as inte-
a modest condensation of the play but one never gral and unquestionable a part of him as his shiny...
Journal Article
Theater (1987) 18 (2): 34–36.
Published: 01 May 1987
... to by the photographer to face outward, Shakespearean plays and other large-
participation. We share the same mo- rather than to one another, offering cast dramas are portrayed in the man-
ment in space and time, therefore we themselves as figures to be admired. ner of sittings for family portraits...
Journal Article
Theater (1977) 8 (2_and_3): 160–163.
Published: 01 May 1977
...Craig Latrell No Man's Land , Harold Pinter, Directed by Peter Hall, Longacre Theatre, New York Copyright © Yale/Theatre 1977 1977 As It Is
By Craig Latrell
No Man’s Land
Harold Pinter
Directed by Peter Hall
Longacre Theatre, New York
“Truly, though our...
Journal Article
Theater (1969) 2 (1): 139–149.
Published: 01 February 1969
... be better t'disperse the
crowd ." The young man turned around, and for a
moment appeared to be leaving. But then
"No, that'd cause too much trouble." he darted past the captains to the door...
Journal Article
Theater (1969) 2 (2): 91–101.
Published: 01 May 1969
... of Henderson- attack. It lies like Johnson. Think of it,
and that's it. Anyone can follow it, sim- man, we can create a ritual of dissent be-
ple as pie." He popped another Tums and fore six hundred people. It'll be great."
belched...
Journal Article
Theater (1983) 14 (3): 7.
Published: 01 November 1983
...
Light) ,QO down slow!^ and rcIIuu'n dim for thc entire
Toioardr thc cnd of Don Quiwtc, thr befud- niattn o/ riw1okin.e that rnorsible structure in scme. We are in the opm nrea of a body shop. Spare
dlcd knight tncountns *a li@v sort of man, another language than ioming up icith clrcw parts...
Journal Article
Theater (1983) 14 (3): 7–42.
Published: 01 November 1983
...
Light) ,QO down slow!^ and rcIIuu'n dim for thc entire
Toioardr thc cnd of Don Quiwtc, thr befud- niattn o/ riw1okin.e that rnorsible structure in scme. We are in the opm nrea of a body shop. Spare
dlcd knight tncountns *a li@v sort of man, another language than ioming up icith clrcw parts...
Journal Article
Theater (2012) 42 (3): 5–9.
Published: 01 November 2012
Journal Article
Theater (2016) 46 (3): 83–107.
Published: 01 November 2016
..., finger-like, filigreed tentacles that
man on tv Yes, but it’s our trap, pulsate in a relaxing rhythm.
Clytemnestra. It’s ours.
extraterrestrial #2 No worries.
woman on tv How can anything be ours...
Journal Article
Theater (1968) 1 (3): 76–86.
Published: 01 November 1968
... ad equate. Mr. Carter and Sandra Manley,
A The continuity of the ego is a
myth. A man is an atom th at perpetu•
ally breaks up and forms anew. We
have to sho w things as t hey are.
Q.. . . But what th is amounts to is an
inte llect ual confirmation of the con•
fused state...
Journal Article
Theater (1968) 1 (2): 91–101.
Published: 01 May 1968
... is is no such thing as resistance. I tell you,
killed, Starkey must send his son to go Heinrich, this play is just what we want to
out and be killed instead of Henderson• attack. It lies like Johnson. Th ink of it,
and that's it. Anyone can follow it, sim• man, we can create a ritual...
Journal Article
Theater (2020) 50 (2): 47–61.
Published: 01 May 2020
...Erin Manning Erin Manning, a participant in goat island archive—we have discovered the performance by making it , suggests the concept of “anarchive” as a new approach to understanding the archive. She argues that the anarchival “follow[s] the logic not of originality or wholeness, but of emergent...
Journal Article
Theater (2008) 38 (3): 39–65.
Published: 01 November 2008
...-Kahn describes the mujra, where men pay to see women dressed in
traditional Islamic garb dance seductively. If a man pays enough, a dancer may perform
sexual acts. In an interview with Asians in Media magazine, Whittaker-Khan explains
that she was disgusted by such establishments since many...
Journal Article
Theater (2009) 39 (3): 107–109.
Published: 01 November 2009
... to this dilemma as an
ethical imperative. For his Burgtheater adaptation, Schlingensief used kaleidoscopic
imagery including swastikas, grotesque bodies, and a black man playing Jesus. Ameri-
can director Jay Schieb’s 2006 staging played with possibilities of presence and trans-
parency...
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