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Theater (2003) 33 (2): 65–91.
Published: 01 May 2003
...Nilo Cruz © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Momó (Nathan Barlow), his sister Fefé (Sonja Parks), and the angel (Gerald Drake) in A Very Old Man with Enormous Wings, CTC, 2002. Photo: Rob Levine Nilo Cruz A Very Old Man with Enormous Wings Adapted...
Theater (1978) 9 (2): 90.
Published: 01 May 1978
...Cindy Lubar Copyright © THEATER 1978 1978 Notes on THE $ VALUE OF MAN Cindy Lubar THE $ VALUE OF MAN is a play in nine fifteen-minute sec- area. The space divisions were fashioned by the raising and tions written and directed by Robert Wilson and Christopher lowering of drops...
Theater (1978) 9 (2): 91–109.
Published: 01 May 1978
...Robert Wilson; Christopher Knowles Copyright © THEATER 1978 1978 THE $ VALUE OF MAN Robert Wilson and Christopher Knowles no he never does the badge ones of them it could...
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
...Suzan-Lori Parks Copyright © THEATER 1990 1990 The Death of the Last Black Man THE SECTIONS The black man moves his hands. in the Whole Entire World is QUEEN-THEN-PHARAOH scheduled to be staged at BACA...
Theater (1993) 24 (1): 116–119.
Published: 01 February 1993
...Lisa Diamond Copyright © Theater 1993 1993 would have written. Robert Auletta’s adaptation is and to play. That Blue Man doesn’t talk is as inte- a modest condensation of the play but one never gral and unquestionable a part of him as his shiny...
Theater (1987) 18 (2): 34–36.
Published: 01 May 1987
..., Shakespearean plays and other large- participation. We share the same mo- rather than to one another, offering cast dramas are portrayed in the man- ment in space and time, therefore we themselves as figures to be admired. ner of sittings for family portraits. It is are in activity together. While...
Theater (1988) 19 (3): 69–70.
Published: 01 November 1988
... world MARKED MAN . . . You get up knowing whatever your troubles is you can get a grip on them MARGARET E...
Theater (1995) 25 (3): 19–23.
Published: 01 November 1995
...Mark Gevisser Copyright © Theater 1995 1995 Writing for the Man in the Street AnInterview with John Ledwaba Mark Gevisser In the final scene of John Ledwaba’s Jozi Jozi, which is about to go on international tour, a black...
Theater (1977) 8 (2_and_3): 160–163.
Published: 01 May 1977
...Craig Latrell No Man's Land , Harold Pinter, Directed by Peter Hall, Longacre Theatre, New York Copyright © Yale/Theatre 1977 1977 As It Is By Craig Latrell No Man’s Land Harold Pinter Directed by Peter Hall Longacre Theatre, New York “Truly, though our...
Theater (2020) 50 (2): 47–61.
Published: 01 May 2020
...Erin Manning Erin Manning, a participant in goat island archive—we have discovered the performance by making it , suggests the concept of “anarchive” as a new approach to understanding the archive. She argues that the anarchival “follow[s] the logic not of originality or wholeness, but of emergent...
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
... did best. What follows is an edited version of the first hour. The vivid narratives grounded in intensely emotional memory, the catholicity of what drew this artist's observant eye and eager spirit, the affirmation of theatre's high meaning: all characterize the man. John Hirsch died of AIDS on August...
Theater (2018) 48 (2): 125–149.
Published: 01 May 2018
...Marc Robinson “Seventeen photocopies of a man’s hand, each depicting a different highly expressive gesture”: this provocative piece of research from Robert Wilson’s archive at the Columbia University Library draws Marc Robinson back to Wilson’s Einstein on the Beach . From its famously semaphoric...
Theater (1989) 20 (2): 91–94.
Published: 01 May 1989
... ant escaped! Then the partridge saw how foolish she had been. So it is with man, for he will regret his laughter with bitter tears. Yet I will have nothing to regret, for I have no cause to laugh. Copyright © THEATER 1989 1989 THE INSANITY OF PASSION...
Theater (1989) 20 (3): 13–17.
Published: 01 November 1989
... 'private man.' But their plays contain the pulsebeat of a tense social existence, something present in the profound psychological searchings of their protagonists. The young playwrights have not, in my opinion, written their best works yet. But they are already speaking in a language of their own, a...
Theater (2008) 38 (3): 39–65.
Published: 01 November 2008
..., Whittaker-Kahn describes the mujra, where men pay to see women dressed in traditional Islamic garb dance seductively. If a man pays enough, a dancer may perform sexual acts. In an interview with Asians in Media magazine, Whittaker-Khan explains that she was disgusted by such establishments since many...
Theater (2009) 39 (3): 107–109.
Published: 01 November 2009
... responded to this dilemma as an ethical imperative. For his Burgtheater adaptation, Schlingensief used kaleidoscopic imagery including swastikas, grotesque bodies, and a black man playing Jesus. Ameri- can director Jay Schieb’s 2006 staging played with possibilities of presence and trans...
Theater (2010) 40 (2): 41–65.
Published: 01 May 2010
Theater (2012) 42 (3): 5–9.
Published: 01 November 2012
Theater (1969) 2 (1): 139–149.
Published: 01 February 1969
...." "Maybe it'd be better t'disperse the crowd ." The young man turned around, and for a moment appeared to be leaving. But then "No, that'd cause too much trouble." he darted past the captains to the...
Theater (1969) 2 (2): 91–101.
Published: 01 May 1969
... must send his son to go Heinrich, this play is just what we want to out and be killed instead of Henderson- attack. It lies like Johnson. Think of it, and that's it. Anyone can follow it, sim- man, we can create a ritual of dissent be- ple as pie." He popped another Tums and...