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Journal Article
Theater (1971) 3 (2): 52–58.
Published: 01 May 1971
...Paul Sills; Larry Arrick; Mildred Dunnock; Alvin Epstein Copyright © yale/theater 1971 1971 The Making of Make-believe a collection of views on Story Theatre by directors Paul Sills and Larry Arrick and actors Mildred Dunnock and Alvin Epstein...
Journal Article
Theater (2001) 31 (1): 76–77.
Published: 01 February 2001
... Excerpt from Shut-up! You Make Me Cuckoo! A Revue of Aeronautic News in Fourteen Scenes and a Prologue By Genève, Grandin, and Penn Characters...
Journal Article
Theater (2001) 31 (3): 62–93.
Published: 01 November 2001
... by Yale School of Drama/Yale Repertory Theatre 2001 Theater 31.3-06 Artist State.sh 10/16/01 11:22 AM Page 62 How Do You Make Social Change? Theater asked a number of artists and community activists engaged in theater for social...
Journal Article
Theater (1994) 25 (2): 42–55.
Published: 01 May 1994
... and Making Gender Strange Alisa Solomon 42 Like most social activists who believe in theater as an instrument of change, feminists have both claimed and rejected Bertolt Brecht, joining in the critical tug-of-war that has...
Journal Article
Theater (2001) 31 (2): 35–43.
Published: 01 May 2001
... Shteren. 03-Ezraty 5/21/01 3:20 PM Page 35 S TAGING RECONCILIATION The Arab-Hebrew Theater of Jaffa Makes a Model Igal Ezraty, Interviewed by Alisa Solomon In March 2000, the Arab-Hebrew Theater of Jaffa...
Journal Article
Theater (2019) 49 (2): 62–75.
Published: 01 May 2019
...Faedra Chatard Carpenter In Carpenter’s musings on the dramaturgical discomfort of staging black suffering and subjugation, she takes on the task of identifying ways to make space for the dysfluency of black life in America on stage. Using the model of Tearrance Arvelle Chisholm’s tragicomedy...
Journal Article
Theater (2012) 42 (2): 43–63.
Published: 01 May 2012
...John H. Muse This article surveys the new forms of drama, performance, and spectatorship created by artists making use of the real-time microblogging website Twitter—as either a forum for performance in itself, or way to extend the boundaries of a more conventionally theatrical performance. He goes...
Journal Article
Theater (2019) 49 (2): 48–61.
Published: 01 May 2019
... this innovative piece within the legacy of cruelty and violence on stage, he finds that the tension between history and heart , between making sense of an act of violence historically and culturally while simultaneously doing justice to the emotional experience of the victim, is not only at the center of Im...
Journal Article
Theater (2020) 50 (1): 1–11.
Published: 01 February 2020
... as a student in the 1980s to the political exigencies of the present day and the demands this moment makes on the future of theater and criticism. As Sellar writes, Theater ’s early radical spirit has not left the magazine’s mission: “Part muse, part archive, part mirror, Theater has held tightly to … its...
Journal Article
Theater (2020) 50 (2): 41–45.
Published: 01 May 2020
... disbanded ten years before. The 2019 festival continued as a retrospective exhibition, goat island archive—we have discovered the performance by making it , presented at the Chicago Cultural Center. Jeffery describes how the curatorial team paired nine artists/collectives with each of Goat Island’s past...
Journal Article
Theater (2020) 50 (2): 21–39.
Published: 01 May 2020
...Nicholas Lowe Nicholas Lowe, curator of goat island archive—we have discovered the performance by making it , a retrospective held ten years after the twenty-three-year run of the company Goat Island, explains how his concept of archival performance developed in response to Goat Island’s past...
Journal Article
Theater (2020) 50 (2): 47–61.
Published: 01 May 2020
...Erin Manning Erin Manning, a participant in goat island archive—we have discovered the performance by making it , suggests the concept of “anarchive” as a new approach to understanding the archive. She argues that the anarchival “follow[s] the logic not of originality or wholeness, but of emergent...
Journal Article
Theater (2021) 51 (2): 74–83.
Published: 01 May 2021
... of the theatrical event—instead, Rau seeks to make the representation itself real, blurring the line between fiction and reality to trouble and implicate the audience. Laur ens De Vos A Tal e of Trut h The Use of Brechtian Strategies for Non-­Brechtian Artistic Purposes in Milo Rau s Theater of the Real Before...
Journal Article
Theater (1992) 23 (2): 6–11.
Published: 01 May 1992
..., teacher, and director, she has taken on the role of interviewer as well, so she could assess the process from every angle and make it complete. Copyright © THEATER 1992 1992 THE RAP ON EURIPIDES: CREATING NEW TEXTS...
Journal Article
Theater (2016) 46 (2): 55–67.
Published: 01 May 2016
...Lawrence Switzky Investigating the use of the famous trolley problem in a stage play, virtual reality simulation, and video game, Switzky explores the ways in which the transmediation of this philosophical thought experiment colors the process of moral decision making. Switzky focuses on the ways...
Journal Article
Theater (1994) 25 (2): 24–41.
Published: 01 May 1994
... make any difference in how a director staged a play, or a critic judged a production? Would it change the interpretation of Brecht's theories or his politics? Was any of this new information about the way his plays were created more than biographically and historically interesting? Was it really new...
Journal Article
Theater (1986) 17 (3): 59–62.
Published: 01 November 1986
... choose to make statements about themselves and the intent of their work. This piece is not, then, a review of Actors Theatre's “Classics in Context” festival, and will not comment on its quality. It seeks instead to examine the theoretical constitution of such a festival from the standpoint of dramaturgy...
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
... designed by Mary Gould, make-up and wigs designed by Libby Tucker, lighting designed by Thomas Stocker, properties designed by Mary Gould and Rus Quan, sound design by Terry Hunter, special music by James Livingood; the production stage manager was Katharyn Davies, and the stage manager was Patricia Keaney...
Journal Article
Theater (1985) 17 (1): 16–18.
Published: 01 February 1985
... and puppetry. She studied at the University of Edison. California, Berkeley, and New York University's Did you make a decision not to work with I thought I would hate Edison, but I ended School ofthe Arts. Her earliest works, prepared in autobiographical material? up...
Journal Article
Theater (2005) 35 (3): 52–61.
Published: 01 November 2005
... want to do. I wanted to earn director, artistic director, and teacher. How did you my living in the theater, not make theater on make your way to New York? nights and weekends after other jobs. I wanted to make enough money to live...