Search Results for maggie

..., their own sort of particular Fay and May . . . what you’ll have to say melody. as we get on toward the middle of the day. Maggie: It’s something I never knew. (Whistling resumed, exit Dubufay. Faces Francis: Never...

... together logically. The pas- 10 paragraphs, passages, and pages sages became The Virgin Maggie. I tried isolated pages emphasizing “place” to see if I The author’s window...

.... PHINNEY, JR. can cause an aggression that will pop up at the oddest moments. I used to wake up with MR. PHINNEY, JR. Fostering was Maggie’s call- headaches- and after a while even my saliva ing. Early in our marriage we sponsored chil- tasted like gasoline. Sometimes I wake up dren in South...

...Emily Shooltz British Theatre since the War by Dominic Shellard 1999: Yale University Press British Theatre between the Wars, 1918–1939 edited by Clive Barker and Maggie B. Gale 2000: Cambridge University Press © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Books...

.... . . . . the arms is contrasted to provide max- Everything languishes in the melan- imum picturesque balance. choly man: the head, heavy and feeble, Maggie Mitchell (1832-1918) was reclines on the part of the body near...

... 1930s. After British Theatre between the Wars, 1918–1939 Barker’s essay the volume builds outward to edited by Clive Barker and Maggie B. Gale examine specific genres. John Stokes’s piece on 2000: Cambridge University Press the popularity of violent thrillers in the post...

... 1930s. After British Theatre between the Wars, 1918–1939 Barker’s essay the volume builds outward to edited by Clive Barker and Maggie B. Gale examine specific genres. John Stokes’s piece on 2000: Cambridge University Press the popularity of violent thrillers in the post...

...-seeking 1920s and the increasingly ominous 1930s. After British Theatre between the Wars, 1918–1939 Barker’s essay the volume builds outward to edited by Clive Barker and Maggie B. Gale examine specific genres. John Stokes’s piece on 2000: Cambridge University...

... own uncertainties through the coldest and (for him) most effective means: that's the ilmekican style, or a large part of it, which is what the enclosed, wobbly observations tend toward. Can we leave it, putting aside Olivier, Maggie Smith...

... Holly, Holly Golightly, Truman Capote, A1 Capone, John Gotti, Ma Tr udea u , Marg a ret Trudeau, Margaret Thatcher, Maggie Smith, Palmolive Madge, Oh Pee Wee Reese, Pee Wee Herman, Jimmy Swaggart, Jimmy Carter, Linda Carter, Linda McCartney, Jose Red Skelton, Whitey Ford...

...-seeking 1920s and the increasingly ominous 1930s. After British Theatre between the Wars, 1918–1939 Barker’s essay the volume builds outward to edited by Clive Barker and Maggie B. Gale examine specific genres. John Stokes’s piece on 2000: Cambridge University...

... of literary giants like Claudia Rankine, Cathy Park Hong, bell hooks, and Maggie Nelson. All of those authors use proximity to self as a creative technology: portrayals of self become regenerative soil for growing more complex stories about collective experience, for dialogue with another artist, or even...

... Scott Halvorsen Gilette, Eric Dyer, and Maggie Hoffman in Radiohole’s...

... 0 Maggie Valentine 0 : In this “fascinating” (Suzanne : 0 Stephens, The New York Times Book : Review) book, Valentine examines...

... with parallel figures characters: Amanda from The Glass Menagerie, in other arts or fields of intellectual study. Blanche from A Streetcar Named Desire, and Robinson’s knowledge of the contemporary Maggie from Cat on a Hot Tin Roof: Despite cultural field is wide-ranging, and the illustra- Robinson’s well...

... Kalinowski the theater seemed less performances for the children of Boeing workers, there has dynamic, according to Maggie Hawthorn in Arts Line been some form of children’s theater in Seattle. Seattle was magazine, because there did not seem to be the same also home to a nationally recognized...

... as well: “See that woman - over there? She started it [the union]; she even gives speeches in public People think she’s mad She says to me ‘Ellen we got a right, and a responsibility to speak out.’ I looked at her just like Maggie used to look at me an’ I says, ‘Good job we’re only here...

... appears at the top of the ramp. The other actors flee backstage, as Carrie Nation (Maggie Hoff- man), looking freshly disinterred, stalks portentously to the stage, wearing mourning weeds, her face painted marmoreal white. As the sinister soundscape rumbles toward synaesthetic pitch, she suddenly...

..., the lights dim, and an ominous thrumming shakes the stage. A shadowy shape appears at the top of the ramp. The other actors flee backstage, as Carrie Nation (Maggie Hoff- man), looking freshly disinterred, stalks portentously to the stage, wearing mourning weeds, her face painted marmoreal white...

... international and Asian Canadian cast 103 r o u n d ta b l e Trajal Harrell s Maggie the Cat, Schauspielhaus Zürich, Zurich, Switzerland, 2024. Photo: Orpheas Emirzas and crew; Get That Hope, primarily Caribbean Canadian; and The Diviners, a Métis story. Each of those shows has different needs: in the room...