... (Spring 1988): 6 – 20; reprinted in his Theatre and the World: Essays on Performance and Politics of Culture (1990). 102 productions Marina Kotzamani Artist Citizens in the Age of the Web The Lysistrata Project (2003–present...

... group ofindividualistic, strong-minded artists Part y O n: Lysistrata at the can form into a uniŽ ed company working American Repertory Theatre towards a common goal— later joined by that larger collective called...

... (Spring 1988): 6 – 20; reprinted in his Theatre and the World: Essays on Performance and Politics of Culture (1990). 102 productions Marina Kotzamani Artist Citizens in the Age of the Web The Lysistrata Project (2003–present...

... group ofindividualistic, strong-minded artists Part y O n: Lysistrata at the can form into a uniŽ ed company working American Repertory Theatre towards a common goal— later joined by that larger collective called...

... group ofindividualistic, strong-minded artists Part y O n: Lysistrata at the can form into a uniŽ ed company working American Repertory Theatre towards a common goal— later joined by that larger collective called...

... (Congreve), Los Angeles City College, Adapted and directed by Jerry Blunt. 3. Lysistrata (Aristophanes), University of Oklahoma, directed by Bernard Hepton, restaged by Charles Suggs. 4. An Enemy of the People (Ibsen-Miller), University of Texas, directed by Arnold Kendall. 5. The Criminals...

.... 38 Princess Plays:  Photo:   Snow White  Marina Kotzamani on the Christian Brachwitz Sleeping Beauty  Lysistrata Project...

..., the playlets are devoid of ticularly comic dances like the kordax and are wispy, irreverent, scatological, pro- the range of characterization of Lysistrata or mothon. It was almost nearly always fane, and, at times, wonderfully funny. In The Birds; and yet their humor and charm fugitive, the mime...

... what was probably “outrageous” Lysistrata precisely because they felt so secure the prologue from Sophocles’ lost ereus.) in the permanence of the values attacked. And, they could fur- ther flatter themselves with the knowledge that they were In contrast to the public splendor...

... to the study or in the theatre, can have the support it; and, although theatre boards result of neutralizing their power. Cer- and paying audiences are still demanding tain works that used to have a lot of the more conventional forms of entertain• meaning for me-say, Lysistrata, or Romeo ment, artistic...

... it in their own personal terms. We re producing Lysistrata in May. We haven t had a substantive conversation about it, but people are excited and conflicted about the possibilities. We re resis- tant at this point to put any specific context around it. However, Larry Gelbart is doing the adaptation, and every...