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Journal Article
Theater (1988) 20 (1): 84–88.
Published: 01 February 1988
...John Rouse Copyright © THEATER 1988 1988 A MONSTER TRAGEDY/ A TRAGEDY OF MONSTERS: PETER ZADEK’S LULU JOHN ROUSE P andora’s Box: A Monster-lfagedy...
Journal Article
Theater (1981) 12 (3): 69–77.
Published: 01 November 1981
...Shelley Berc Copyright © THEATER 1981 1981 THEATER IN BOSTON Lee Breuer’s Lulu Shelley Berc Catherine Slade as Lulu, with Jeremy Geidt as Pittsburgh, American Repertory Theater, 1981...
Journal Article
Theater (2009) 39 (1): 29–39.
Published: 01 February 2009
... , Faust I , Faust II , and Lulu . Yale School of Drama/Yale Repertory Theatre 2009 Interviewed and translated by Jonathan Kalb Nothing to Do with Patience Michael Thalheimer Interviewed and translated by Jonathan Kalb Michael Thalheimer’s rise to the top ranks of the show...
Journal Article
Theater (2008) 38 (3): 111–139.
Published: 01 November 2008
... Galotti , Faust I , Faust II , and Lulu . Yale School of Drama/Yale Repertory Theatre 2008 Not Clown, Off Center, Austin, Texas, 2004. Pictured: Robert Pierson as Doctor (top) and Rommel Sulit as Sam. Photo: Kenneth B. Gall Steve Moore and Carlos Treviño Not Clown Characters...
Journal Article
Theater (1981) 12 (3): 77–80.
Published: 01 November 1981
...- tures from the novel are calculated to matazz and gimmickery.” Most laud the Albee’s facilitate his own theatrical and spiritual actors’ performances. All say that Lulu sensibility. Comparing the play...
Journal Article
Theater (1985) 17 (1): 70–77.
Published: 01 February 1985
..., the caricature of a Freudian analyst, is putting a patient through her paces. Lulu, an analysand “with a verbal obscenity compulsion,” has just been mugged near St. Marks place. The discussion of her hand- bag closely parallels and pastiches Freud’s tactics of calling Dora’s at- tention to her...
Journal Article
Theater (2017) 47 (1): np.
Published: 01 February 2017
... Wedekind’s Lulu for a new American festival (since 1998). production. Boris Charmatz is a dancer and Michael J. Kramer teaches history, choreographer, and the creator of Musée American studies, and civic engagement at de la Danse...
Journal Article
Theater (2017) 47 (1): np.
Published: 01 February 2017
... Wedekind’s Lulu for a new American festival (since 1998). production. Boris Charmatz is a dancer and Michael J. Kramer teaches history, choreographer, and the creator of Musée American studies, and civic engagement at de la Danse...
Journal Article
Theater (1990) 21 (1_and_2): 125–126.
Published: 01 February 1990
... (cloth) $32.95. Lulu by Peter Barnes, London, Methuen, 1989 (paper)$9.95. NOTES ON CONTRIBUTORS Masters of the Stage: menty-sevenBritish Acting Teachers nlkabout Their Craft by Eva Mekler, New York, Grove Press, Eric Bentley’s Kleist Variations (3plays) is coming out in a 1989 (cloth...
Journal Article
Theater (1990) 21 (1_and_2): 126–127.
Published: 01 February 1990
... Gerould, Evanston, IL, Northwestern edited by Julia Miles, New York, Applause, 1989 (paper)$10.95. University Press, 1989 (cloth) $32.95. Lulu by Peter Barnes, London, Methuen, 1989 (paper)$9.95. NOTES ON CONTRIBUTORS Masters of the Stage: menty-sevenBritish Acting Teachers nlkabout...
Journal Article
Theater (1990) 21 (1_and_2): 124–125.
Published: 01 February 1990
..., p. 51. Elizabeth Egloff s Phaedra” (essay),Vol. Rouse, John, “Theater in Hamburg: XX, No. 2, p. 56. Peter Zadek’s Lulu” (review),Vol. XX, Vainer, Victoria, “An Interview with No. 1, p. 84. Liudmila...
Journal Article
Theater (1981) 12 (3): 86–90.
Published: 01 November 1981
... Dispute, Marlowe’s from the dead Siegfried’s hand and sudden- - time frame. His singers, working close Massacre of Paris, Wedekind’s Lulu, Dorst’s ly find that one of the guys carrying the to the front of the stage, comported Tollm and Bond’s Lear. His only operas body off was Patrice dressed...
Journal Article
Theater (2017) 47 (1): 171–176.
Published: 01 February 2017
... among Regisseure, which sometimes turn their productions into fascinating intertextual conversations and prompt roughly simultaneous dueling productions of the same play (e.g., Ostermeier’s and Thalheimer’s versions of Wedekind’s Lulu in 2004). So indifferent is Boenisch to factual background...
Journal Article
Theater (1981) 12 (2): 43–48.
Published: 01 May 1981
... Supper (1970); Lulu (197 1); The Bmitch- ed (1974); 77ze Frontiers of Farce (1977); Laughter (1978); Antonio (1979); Red Noses, BlaGk Death (1980). Barnes is a comic playwright in the most contemporary and dramatic sense. Comedy out of adversity as Durrenmatt indicates in his essay...
Journal Article
Theater (2003) 33 (2): 102–105.
Published: 01 May 2003
... impact ofCharles MacArthur and Edward Sheldon’s blackface Broadway drama Lulu Belle (1926) on Harlem’s drag ball subculture (a fasci- nating piece that nonetheless seems...
Journal Article
Theater (2003) 33 (2): 106–107.
Published: 01 May 2003
... impact ofCharles MacArthur and Edward Sheldon’s blackface Broadway drama Lulu Belle (1926) on Harlem’s drag ball subculture (a fasci- nating piece that nonetheless seems...
Journal Article
Theater (2003) 33 (2): 108–109.
Published: 01 May 2003
... impact ofCharles MacArthur and Edward Sheldon’s blackface Broadway drama Lulu Belle (1926) on Harlem’s drag ball subculture (a fasci- nating piece that nonetheless seems...
Journal Article
Theater (1980) 11 (3): 5–17.
Published: 01 November 1980
...-in-drag. donna about to sing a particularly taxing role.) MNESILOCHOS: EURIPIDES: Say, that's a lulu of a scheme. Shhh. He's getting ready to perform. Downright Euripidean...
Journal Article
Theater (2010) 40 (1): 57–65.
Published: 01 February 2010
... cuts, and moles — but at the same time the lighting created the effect of erasure. The 15 costumes, devised by the fashion designer Lulu Liam, consisted of black shirts and 16 skirts whose silhouettes changed with movement and had much detail that was obvi- 17 ous up close yet...
Journal Article
Theater (2010) 40 (3): 116–127.
Published: 01 November 2010
... each other, why do they clobber each other to death? Why is Ibsen’s Nora so dense? Why is Hamlet always in a bad mood? And what makes [Wedekind’s] Lulu so hot? And why on earth do we all make theater all the time?”1...