...Gitta Honegger Copyright © Theater 1993 1993 Trying to like Salzburg, the Festival Gitta Honegger I Thomas Bernhard, who grew up in and around Salzburg, hated it. Peter Handke, who lived there for ten...

...Allen Kuharski Yale School of Drama/Yale Repertory Theatre 2009 Krystian Lupa's Factory 2 Stary Teatr, Scena Kameralna Kraków, Poland, April 2008 Productions Allen Kuharski I Like to Watch Krystian Lupa’s Factory 2 Stary Teatr, Scena Kameralna Kraków, Poland, April...

...? And at least since the first deus ex machina, the designer has had to be an engineer, machinist, and traffic cop. Someone who figures out how to put a multi-set musical onto a small stage, then pack it up to travel from city to city, starts to sound precisely like the person to create prefabricated housing...

...Annie Dorsen; Alexis Soloski © 2012 by Alexis Soloski 2012 Hello Hi There, directed by Annie Dorsen, Steirischer Herbst Festival, Graz, 2010. Photo: W. Silveri/ Steirischer Herbst “Would You Like to Have a Question?” Annie Dorsen Interviewed and Introduced by Alexis...

... Kathleen Cioffi A Shakespeare Theater Like No Other Opening of the Gdańsk Shakespeare Theatre, September 19, 2014 British Week, September 20 – 26, 2014 Eighteenth Gdańsk Shakespeare Festival, September 27 – October 5, 2014 Gdańsk, Poland, may be best known as the city that gave birth...

...Andrew Rincón Brittany Vasta s set design for Andrew Rincón s I Wanna Fuck like Romeo and Juliet. Courtesy of Brittany Vasta Andrew Rincón Author s Preface to I Wanna Fuck like Romeo and Juliet When I first started writing this play in 2015, all I had was a funny title and a vague idea of Cupid...

...Andrew Rincón Andrew Rincón I Wanna Fuck like Romeo and Juliet Characters The Dental Hygienist The Gods cupid God of Love. Appears as a Latinx woman in her twenties or thirties. Puts on a bitter, hard exterior. Incredibly heartbroken and tired. Fierce and ferocious. valentine Patron Saint...

...JoAnne Akalaitis Copyright © THEATER 1978 1978 Scenes from Dressed Like an Egg A Mabou Mines Presentation Based on the Writings of Colette Notes by JoAnne Akalaitis 110 Dressed Like an Egg with (left to right) William Raymond, JoAnne Akalaitis, David Warrilow, Ruth Maleczech...

...Jennifer Buckley In this article, Jennifer Buckley investigates digital durational performances like Forced Entertainment's 12 a.m.: Awake & Looking Down and questions if and how media can feel like live theater and create community. She also discusses how social media platforms like Twitter...

... that they'd been defunded for political reasons. Never interested in offering simple answers or definitions—especially for a word like “lesbian”—Hughes now found such simplifications both demanded of her and projected onto her. Becoming visible for all the wrong reasons brought daily reminders of her...

... and elsewhere, and among the general reevaluations spurred by the disintegration of the DDR were many that had a feminist point of view; the comments printed below were written before their authors had seen Fuegi's book. I trust this will account for what may seem like a most peculiar reticence. (For the record...

...Alina Nelega Alina Nelega offers a playwright's perspective on the development of playwriting in post-communist Romania. She details the challenges faced by new playwrights in a primarily visual, director-driven theatrical culture, and discusses the history of programs like Dramafest and dramAcum...

... in which Ebenezer Jones, a lapsed '60s activist, receives ghostly visits from Richard Nixon (the Spirit of the Past), Nancy Reagan (the Spirit of the Present) and Jones' own daughter (who shows him what the future will be like with a Reagan-appointed Supreme Court). As usual, Joan Holden had an important...

... that centers queer and trans artists, might look like. [email protected] [email protected] [email protected] © 2024 by Ryan Adelsheim, Rye Gentleman, and Michelle Hayford 2024 queer performance devising cocreated nightlife Chicago Kings Sean Dorsey Dance The Fly Honey...

... overcomes virtuosity, and so full of feelings that his performance might only point to them, like mathematicians indicating proofs just beyond their capacity. Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Robert Wilson Einstein on the Beach archive gesture materialism...

...Laurens De Vos Laurens De Vos examines the ways in which director Milo Rau incorporates the poetic and aesthetic techniques of alienation theorized and pioneered by German director Bertolt Brecht for purposes similar to but distinct from Brecht’s. Like Brecht, De Vos argues, Rau exploits...

... who are beginning writers do not share the social temperament and political worldview of people like Gelman and Shatrov. Young writers are for the most part developing the traditions of their immediate predecessors, the 'new wave' p1aywrights. They are explicitly engaged in an artistic study...

... the theatrical motif to examine three separate issues. The first concerns Stalin's chameleon-like behavior towards all who came into contact with him. He goes on to describe the masterful staging of the Moscow Purge Trials during which virtually all the key actors - the defendants, witnesses, prosecutor, judge...

... to be doing on March 1, 1988 included reading a series of Hasidic stories like this one to a group of student designers and directors at Yale. In previous years Hirsch had come to New Haven to lead - with host Ming Cho Lee's hospitable assistance - three-week explorations of Pericles and King Lear. This time...

... he’s And . . . there was —  dead — she kills herself — he wakes up — and A fight where they’re like — the —  then he kills himself. Romeo killed —  I think it was his...