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Journal Article
Theater (1991) 22 (3): 91.
Published: 01 November 1991
... a nation- on new translations, especially those BOOK REVIEW Spaces, Gestures, objects, Light 1989) after his untimely death, and produce widely evocative effects from and Wotds: The Hags of Bernard- that thanks only to the arrival of an the most basic elements of voice and Marie Kolth...
Journal Article
Theater (1985) 17 (1): 45–50.
Published: 01 February 1985
...Jane Ann Crum Copyright © THEATER 1985 1985 Three Generations of Lighting Design: An Interview with Peggy Clark Kelley, Jennifer Tipton, and Danianne Mizzy Jane Ann Crurn percent...
Journal Article
Theater (1995) 26 (1_and_2): 50–52.
Published: 01 February 1995
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
... designed by Mary Gould, make-up and wigs designed by Libby Tucker, lighting designed by Thomas Stocker, properties designed by Mary Gould and Rus Quan, sound design by Terry Hunter, special music by James Livingood; the production stage manager was Katharyn Davies, and the stage manager was Patricia Keaney...
Journal Article
Theater (2019) 49 (2): 30–39.
Published: 01 May 2019
... materials: light, shadow, and voice. M. Lamar multimedia opera Negrogothic sadomasochism Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...
Journal Article
Theater (2016) 46 (2): 87–115.
Published: 01 May 2016
... and the rehearsal room surrounded by books, computers, lights, and microphones. Instead of writing down dialogue, I record the dialogue ideas in shorts bits, fits and starts. Instead of transcribing an idea from a book or a YouTube video, I record my voice reading or mimicking the source. Instead...
Journal Article
Theater (1975) 6 (3): 4–19.
Published: 01 November 1975
... upward US. to become the screen. If not, the screen used for the film projection should be very large in comparison with the size of the stage and should serve as a backdrop as well. 1 Reflection Man: Don’t say that. With lights still up in the house...
Journal Article
Theater (1999) 29 (2): 130–137.
Published: 01 May 1999
.... (1993). pretty well known at this point for not making I worked with a woman who had a B.A. and Mac Wehan’s actor-friendly sets. I never put an actor in any had spent six years learning lighting. But I had En Garde danger, but my way clashes with what they’re dealt with it from the equipment end...
Journal Article
Theater (1979) 10 (2): 137–141.
Published: 01 May 1979
..., is the product of a vigorous I Vespri Siciliani, with vast flights of steps burg) and lighting designer, Gil Wechsler operatic style which reflects the contem• and harsh contra-lighting by Josef arrest the senses and memory with uncom• porary theater's predilection for unor• Svoboda; a static...
Journal Article
Theater (1970) 3 (1_Design): 11–18.
Published: 01 November 1970
... apptiqu6d onto the surface of old plays. Both Kandinsky and Kokoxhka were striving to create a theatre in which all the elements-movement, dialogue, scenery and lighting-were fused together not on the surface but at the deepest level of artistic coherence. Both artists were thinking...
Journal Article
Theater (2023) 53 (3): 74–87.
Published: 01 November 2023
..., curated by Tavia Nyong o and lighting designer Jane Cox, coconceived by playwright Branden Jacobs-J­ enkins, and cohosted by set designer Mimi Lien and sound designer and composer Mikaal Sulaiman. Participants included Cox, Lien, and Sulaiman. Moderated by Jacobs-­Jenkins. The conversation has been edited...
Journal Article
Theater (1998) 28 (3): 61–63.
Published: 01 November 1998
... on trial for getting us into Vietnam, but that was just a desperate idea. This battle for the soul of the American people was beyond satire. Then I read “The Blue Light” in the Grimm Brothers collec- tion and saw the story happening in stage space just as it was told. I had long been looking...
Journal Article
Theater (2021) 51 (1): 81–97.
Published: 01 February 2021
...Rudi Goblen © 2021 by Rudi Goblen 2021 Rudi Goblen s Fito, lab Biennial Where No Wall Remains, The Fisher Center at Bard, Annandale- on- Hudson, ny, 2019. Directed by Michael Yawney. Lighting design by Elayne Bryan. Featuring musicians Andrews Nonms Mujica and Daniel Felix Garcia. Photo...
Journal Article
Theater (2007) 37 (3): 49–71.
Published: 01 November 2007
..., thin beam of light desecrates the space, ever more numerous. A weak, iridescent illuminating a half-naked figure in black light rises against a black gauze at the that seems to be standing upright and edge of the proscenium. Suddenly, a fire...
Journal Article
Theater (1982) 13 (3): 4–34.
Published: 01 November 1982
... Assistant Set Designer: JIM SHERMAN Lighting Design: BEVERLY EMMONS Costume Design: SALLY ROSEN Costume Consultants : MARY BRECHT...
Journal Article
Theater (1979) 11 (1): 65–72.
Published: 01 February 1979
... the scenery and lighting for K and and complicated technical effects. Music-Hall Sidelights; and actor James The other force behind New McLure appeared in both of those produc...
Journal Article
Theater (1984) 16 (1): 61–67.
Published: 01 February 1984
.... At the which the light creates its own effects and Romanticism. The words, at the same time, center of the performance, then, there ism designs. are spoken withidagainst the colossal emp- absence, a strange lifelessness, which one can The performance is double-edged from...
Journal Article
Theater (2018) 48 (1): 113–123.
Published: 01 February 2018
... cues, all unto themselves — particularly of HOLO- these data visualizations, all the audio cues, SCENES. When we present HOLOSCENES and, in certain versions, the lighting cues, in public, I’m taking photographs and filming as well. That’s markedly different than the the entire time...
Journal Article
Theater (1993) 24 (3): 49–60.
Published: 01 November 1993
... of lights, and drifts off into the dark sky. This show has been on the road for a long time, and the facade reveals the wear and tear. A scroll above the Angel reads: >.DOCTORDIVI[TVE...
Journal Article
Theater (2022) 52 (1): 57–106.
Published: 01 February 2022
... sound. Silence for a beat. I m bad at this. I mean part of my whole job, for lack of a better word, is not talking about myself. Let s start over. Backspace, backspace, backspace. It might help to give you something to look at . . . On stage, lights glow. They look like the Northern Lights. A silent...