... Mendacity Poland Terror Japan regime change, or “Fortuna,” Liberty’s Herald The Low Countries The daughters of Liberty Spain...

...Zanthe Taylor Copyright © Theater 1997 1997 S elect B ibliography Brown , Lorraine , ed. Liberty Deferred and Other Living Newspapers of the 1930s Federal Theatre Project . Fairfax: George Mason UP, 1989 . Brown , Lorraine , and John O'Connor, eds. Free, Adult, Uncensored...

... in the liminal social space—at once real material for celebration.” Theatre, Court, and and symbolic, like the Liberties—between the City focuses on two of these spaces in particu- City and the Court. Seeking to build on the lar: first, the “purpose...

..., To the enemies of freedom Knowing the bedrock of liberty On our orders In the city of Tikrit as in other cities Knowing the bedrock of liberty Is a clear and pure picture In the city of Tikrit...

... of the bankruptcy of the doctrine of liberty, equality, and frater- to a conscious acting out of a ritual which is pure symbolism. nity. In addition, if less vociferously and not expressly part of For Duvignaud, this kind of theatricalization cannot result in the “anti-89’’movement, an armload of scholarly...

.... CAT’S - PAW SCENE [rudolf hider] : Meditatively as LINDSAY rolls her eyes. A brilliant, sunny gem of a day at the Statue of All in all I have concluded that the world Liberty. Her torch, where we’re not supposed to go. would be a better place without people JO...

... with a derogatory label for every national origin. Lady Liberty’s stage debut in Act I1 (duringthose weeks when New Yorkers orth from San Diego...

... shiv in the streets . . . EEEAAAH All: All, all, all is going to fall Singer 1: New York to Rome Girls: They’re lickin Lady Liberty’s ice cream cone Singer 2: See the man pee upon a pigeon! Singer 3: Spitting coal dust on the -bell...

... sidered un-American. week or month of rehearsal, or cause the We recipients of the boon of Liberty director to work on a scene until it is David Mamet have always been ready, when faced with jnished...

.... In New unflinching display. York, she chose the unrenovated Liberty The collaboration between director Theater on 42nd Street, a creaking old house, Deborah Warner and actress Fiona Shaw has thick with memories of the Broadway era of long been thrilling London audiences...

... led to the demise and the socially unacceptable, these writers found new power and of the Fringe. By 1973 Pip Simmons had conceded defeat, intensity. The Fringe gloried in new found liberty, teaching disbanded his company, and moved to Holland. In 1974 Trevor Howard Brenton, among others...

... be entirely dif- ty” and cast her in roles without lines. piazzas, and soccer stadiums. In 1974 they ferent from the script that was played before If they did not bother to find out whether adapted the abandoned Palazzina Liberty the first audience. This is because, in she could act, Franca maintains...

... that produced individual equality, and political liberty, as its natural fruit; and this is our true nationality. American patriotism is not of soil; we are not aborigines, nor of ancestry, for we are of all nations; but it is essentially personal enfranchisement, for where liberty dwells, said Franklin...

...” of the Statue in New York harbor, as the collective ing through successive waves of im- 1of Liberty, or so the newsweeklies ritual of self-congratulation threatened migrants, Green Card suggests that re- tell us. The language-- of the to tarnish her newly-restored glory. cent refugees...

... tyrants bent on the subor- it rolls through at the appropriate forms - are detailed and often convin- dination of the northern country to chronological moment, complete with cingly sumptuous. In the plain surroun- Mother England, or as buffoons, such as bare-breasted Liberty. The debate...

..., and the choric Their audiences are mostly the working class people whose con- “Viva!” that followed the cries for freedom, liberty, and human cerns their plays address. It costs these spectators less than a doliar, rights. The spirit displayed on the opening night of the Festival if anything, to see a play...

..., GOVERNMENT OF CLOWNS that’s an important trend in entertainment and idence of the pursuit of dreams and personal in theater, as it is in politics. All over we see liberty are the acts and the images they present. “Food, Not Bombs’’ springing up, and coalitions organizing civil rights...

... when the White House invites photogra- Sontag and John Berger have old visual images of immigrants. Ellis phers to “photo opportunities” featur- greatly enhanced our understand- Island and the Statue of Liberty, in ing a former Hollywood actor, it is dif- ing of photography...

..., hung-up-tight? If the one, will it de- If our text is from Brown, it is because he stroy our privacy; if the other, will it more than anyone else has taken as his ruin us for liberty? Can we do...

... is attempting to impress, selbe Wort repetieren kann. because on the liberties he has taken exclaims “jetzthub’ ich’s satt!” [“I’ve [Yes, I hear that. You’ll have to with the plot. He has, however, stayed have enough of this,” or “I’m full to stop it: I can’t...