...Susan Leigh Foster © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Sankofa, choreographed by d. Sabela grimes, B-Fest, James Armstrong Theater, Torrance, ca, 2006. Photo: Jorge Vismara Susan Leigh Foster Dancing Bodies An Addendum, 2009 In writing Dancing...

...Allison Leigh Holt Allison Leigh Holt s Stitching the Future with Clues, Indisposable: Structures of Support after the ada, Ford Foundation Gallery online, 2021. Courtesy of the artist Silhouetted gure of a person with short hair leaning over a control board. In front of them are multiple round...

...Tom Sellar Simone Leigh, Last Garment, 2022. Bronze, 54 × 58 × 27 in. (137.2 × 147.3 × 68.6 cm). Photo by Timothy Schenck. Copyright Simone Leigh. Courtesy of the artist and Matthew Marks Gallery Up Front Milk of Dreams Tom Sellar Venice Curator Cecilia Alemani titled the 2022 Venice Biennale...

... that it probably felt more like a Dolby 5.1. Setting herself apart from the so-­what chorus of regional disaster snobs, however, Susan Leigh Foster chimes in with an exception. The UCLA dance studies professor and author of Choreographing Empathy: Kinesthesia in Performance respects even the most subtle...

.... Play: The always being taken care of by women.” The Improvised Work of Mike Leigh by Paul Clements, Methuen, New York, 1983 (paper) $7.95. That’s Chopin, part of him. I see...

... bodyminds where we are, as opposed to expecting us to conform to a set convention of what theater is supposed to be. There might have been a time when filmmakers like Allison Leigh Holt or curators like Ann Fox and Jessica Cooley would not have found a place in a theater journal. But these works represent...

... Louis Stevenson, Sandra Day O'Connor, Flannery O'Connor, Carol O'Con Harvey, Herve Villechaise, Riccardo Montalban, Ricky Riccardo, Lucy, Richard B. O'Hara, Vivien Leigh, Margaret Mitchell, J.R. Haldeman, J.R. Ewing, Harry Con Patty Duke...

... © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Contributors david barreda, originally from Peru, is a susan leigh foster, choreographer and Brooklyn-based documentary photographer. scholar, is professor in the Department of This is his first photo essay for Theater...

... critical cat studies is tethered to affects that cats engender in relation to histories of patriarchy and racial capitalism. Critical cat studies newest addition Leigh Claire La Berge s Marx for Cats: A Radical Bestiary tells the history of capitalism through the feline, aiming to reveal...

... Press, Cambridge, MA, 1983 (cloth) $20.00. Play: The always being taken care of by women.” The Improvised Work of Mike Leigh by Paul Clements...

... at the genders. She was then confronted by the clergy, the law, every- Painted Bride Art Center and Bristol Riverside Theater before body. And the doctors agreed she should be a man. It made beginning, with another woman called Leigh Dunlap...

... shortly thereafter. I could go on, not only with Olivier but also with his fellow stage animals, such as Ralph Richardson, John Gielgud, Paul Scofield, Michael Redgrave, the barely remem- bered Michael Hordern, Edith Evans, Peggy Ashcroft, and why not? Olivier s once- upon- a- time wife Vivien Leigh...

...-skating rink). The film runs right up to the moment at which a fleeing Janet Leigh is woken from her sleep in the car by a highway patrolman wearing reflective sunglasses. The audience disperses and finally, after perhaps half an hour of the show, the light comes up on the stage inside, where...

...- dlebrowing of radical queer culture — tailoring the styles and stories of those who lived apart from the constraints of their time to something friendlier and more palatable. As I wrote that year for Artforum.com: Once upon a time, Hibiscus dropped acid, Divine ate dog shit, and Leigh Bowery...

... an old man enters the bar, alight with quiet remembrance, and soon reveals that he shot and killed his wife there.) But the show’s theatricality goes beyond these narrative and thematic allu- sions. In fact, it’s neither Cheers nor The Iceman Cometh but Mike Leigh’s 1977 stage play turned...

... of Monstrous Regiment and Joint Stock, two companies from the second 145 cioffi wave, and also considers the work of writer and director Mike Leigh, who “is only rarely and scantly mentioned in histories of devising” because his...

..., other than the fact that my own sen- Susan Sharkey and Phyllis Sommewille in Leigh Curran’s The Lunch GirLr,~ ~~ first sibility, I hope, is changing all the time. I get attracted to things performed at Long Wharf Theatre in 1978. that I might not have been attracted to a couple of years ago and I...

... Dubois, Vivien which new editions of his other books changes should likewise be Leigh worked with such extreme emotion that she ended up being made; now that he was really dying, he corrected the ficitious placed in a sanitorium for mental illness. That doesn’t mean that death that he had...

... work tubes, with stray exceptions like Mike Leigh. I collaboratively. I’m even writing a book about don’t know why, beyond the fact that most col- the process. But to create collectively takes per- lective shows were second-rate, and that the sonal psychological work, real self-examination...

.... — Ryan M. Davis Steven Leigh Morris Theater Editor, LA Weekly The market forces (from the housing market to Wall Street) are clearly rebound- ing. Yet as I write this, California’s “official” unemployment rate just reached 12 per- cent — the highest in seventy years, with no sign yet...