Search Results for lamo

... Copyright © THEATER 1984 1984 Mark Larnos Interviewed by Kim Powers In 1980 Mark Lamos became...

... of festivity; whatever else Lamos accomplish• text would seeIJ1 to be a hindrance if her pur• The quest for ways to make Shakespeare ed, he threw one hell of a party. From the con• pose is primarily to construct her own out of succeed on the American stage often appears. fetti and decorations in the lobby...

.... Piette, Alain. “Beckett After the Deluge,” (Review) Vol. 15, no. 3, p. 54. Engler, Michael. “American Directors on Directing: Stan Wojewodski, ” Powers, Kim. “American Directors on Directing: Mark Lamos, (Inter- (Interview) Vol. 15, no. 2...

... Hartford Stage's production captured most priorities, but if those are hers, one wants to Joan Robbins pervasively and delightfully the play's spirit ask, why do The Balcony? Anyone else's classic of festivity; whatever else Lamos accomplish• text...

.... 15, no. 3, p. 54. Engler, Michael. “American Directors on Directing: Stan Wojewodski, ” Powers, Kim. “American Directors on Directing: Mark Lamos, (Inter- (Interview) Vol. 15, no. 2, p. 53...

... Sherin is quoted as director Mark Lamos seeing aJohn Conklin calling the Hedda set “one of the most extraor- set model and eerily humming several bars dinary things I’ve seen in many years,” it of Cosifan tutte - unaware that was the very might be nice to get a look. show the model represented...

... and Gone,” (Essay) Vol. 17, no. 3, p. 63. Robbins, Joan. “Revelling American Style: Mark Lamos’ ?tuelfth Night,” Vol. 17, no. 3, p. 100. Schafer, Helmut. “On the Necessary Non- Sense of Production Dramaturgy,” (Essay, translated by Mona Heinze) Vol. 17, no. 3, p. 57. Schechter, Joel...

... Month in the Ralph Schmidt explaining the intentions Countly, and Kellogg‘s Hedda Gabler at the behind the colossal failure of Frankenstein, of Hartman. If director Ed Sherin is quoted as director Mark Lamos seeing aJohn Conklin calling the Hedda set “one of the most extraor- set model...

...Stanley Kauffmann Copyright © THEATER 1986 1986 The Back of the Book Twelfth Night directed by Mark Lamos at the Hartford Stage, 1985. With (from left) Patrick Garner as Aguecheek, Benjamin Stewart as Malvolio, Jerome Kilty as Sir...

... in Canada, Lamos and Peter Michael Goetz, productions are all clear, precise, phy- Langham after twelve years as Artistic started working in the company slowly sically active and intellectually illumin- Director at Stratford. assuming key roles which, in the past, ating without his...

... as ‘7 GARRETT much hn.” And, on a photocopied (hastily prepared?) insert, a last-ditch “Message from Artistic Director Mark Lamos.” This had all the strained optimism (“It is my pleasure as artistic director to welcome you to an altogether unusual and unique theatrical experi...

... interested in that come up when people discuss anyone’s real life, and also completely reactionary. It’s an utterly jobs. One is Tis Pi9 She’s a Whore, which in fact I’ve discussed with conservative moral world that hasn’t changed for twenty-five Mark Lamos. Another is ir;he Screens by Genet. Other...