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Journal Article
Theater (2005) 35 (2): 83–85.
Published: 01 May 2005
.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...
Journal Article
Theater (2005) 35 (2): 86–92.
Published: 01 May 2005
.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...
Journal Article
Theater (2005) 35 (2): 93–96.
Published: 01 May 2005
.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...
Journal Article
Theater (2005) 35 (2): 97–102.
Published: 01 May 2005
.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...
Journal Article
Theater (2001) 31 (1): 128–133.
Published: 01 February 2001
...- to a female character. The Lithuanian director ily bottles moonshine while singing a spirited Oskaras Korsunovas turned a prostitute/client folk song. At the end, votive candles induce a scene into a brutally compelling movement...
Journal Article
Theater (2005) 35 (2): iii–np.
Published: 01 May 2005
... Monica Achen on Oskaras Richard Foreman, Korsunovas’s Romeo and Juliet Interviewed by Tom Sellar Katherine Profeta on Anne Teresa 26 Elizabethan Romance and and Jolente De...
Journal Article
Theater (2021) 51 (3): 135–141.
Published: 01 November 2021
... Korsunovas, and (my personal favorite) Yuri Butusov is given due space. Their genetic connection to Stanislavsky, direct or indirect, partial or whole, is made clear. Maria Knebel and Analysis through Action, based on her participation in Stanislavsky s last studio the Opera and Dramatic Studio play...
Journal Article
Theater (2005) 35 (3): 146–167.
Published: 01 November 2005
... Korsunovas’s Romeo and Juliet], no. 2, 93–96. Feldman, Susan. See Lecat, Jean-Guy. Boratko, Amy, “Selected Documents from the Findlay, Jim. See CiNE. Judson Poets’ Theater Archives,” no. 3, 20–39. Foreman, Richard. See Sellar, Tom. Chambliss, Wayne...
Journal Article
Theater (2006) 36 (1): 27–43.
Published: 01 February 2006
... also been great explorations for directed by Oskaras Koršunovas, Vilnius, directors and actors. If anything, the effort will push them to continue to experiment. Lithuania, 2000. But it is striking how swiftly the British Council’s influence has sunk in, recalling Photo: Dmitrii...
Journal Article
Theater (2008) 38 (2): 9–29.
Published: 01 May 2008
... Jarzyna, and Lithuanian director Oskaras Koršunovas. All seemed to be Treplevs, straight out of Chekhov’s The Seagull, insisting “but we must have it under a new form.” New forms also mean new creative processes. Only then can stage artists discover a new means to depict and discuss...
Journal Article
Theater (2006) 36 (1): 5–25.
Published: 01 February 2006
...:48 Psychosis Koršunovas, and Caryl Churchill’s A Number, it acknowledges the debt that the new Russian drama Moscow, 2005. owes to the Royal Court and Britain in general. By taking its title from the play...
Journal Article
Theater (2006) 36 (1): 131–149.
Published: 01 February 2006
... something to say Rimas Tuminas, Jonas Vaitkus, and Oskaras and there is an audience who wants to hear Koršunovas. They are directors who always them, then we have a theater...