...John O'Neal; Ron Castine; Glenda Lindsay Copyright © THEATER 1992 1992 DON’T START ME TO TALKING OR I’LL TELL EVERYTHING I KNOW SAYINGS FROM THE LIFE AND WRITINGS OF JUNEBUG JABBO JONES by John O’Neal...

...Stephen Haff Copyright © THEATER 1992 1992 "IT'S FUN TO HAVE YOUR HANDS FULL OF GREEN SLIME AND NOT KNOW WHAT...

...Thomas F. DeFrantz © 2017 by Thomas F. DeFrantz 2017 American Realness, Abrons Arts Center, New York, 2016. Photo: Ian Douglas Thomas F. DeFrantz I Am Black (you have to be willing to not know) The discourse of race in contemporary performance falls apart when whites try...

...Fred Rue Jacobs Copyright © by yale/theatre 1970 1970 DON'T KNOW SIC'EM FROM SOOEY A Drama in One Scene by Fred Rue Jacobs (for Robert Graves) Cast see it now. . . the burning. . . it looks American...

...James Hatch Copyright © by yale/theatre 1976 1976 Speak to Me in Those Old Words, You Know, Those La=LaWords, Those Tung-Tung Sounds (Some African Influences on the Afro American Theatre) James Hatch BZk Love Song #I by Kalmu Ya Salaam begins with a Black woman intoning...

...Evan Hill Performance Documentation: The Context and Process of Digital Curating and Archiving , edited by Sant Toni , London : Bloomsbury Academic , 2017 © 2020 by Evan Hill 2020 Books Evan Hill Documentary Pragmatism; Or, How to Know How a Document Works Reactivations...

... to curation relate to the “knowing-body.” Using artist Lygia Clark's Caminhando (Walking) to problematize the politics of desire, Rolnik explores how curation practices might liberate themselves from capitalist-colonial micropolitics, as well as how curators negotiate the safeguard of artistic practices...

... 1 Ya you know what I mean (loud) Ya YO you know what I’m talking about 1234 we might run into each other again...

... to take control of the narrative and to make work that speaks directly to the current moment. As seductive as the story is of artists emerging out of necessity during particularly tumultuous times, it helps the next generation know that their work will leave a mark and that meaning within performance...

...? lori I know what you’re saying. John has a How funny would that be? You’d be driving new car. 755? He’s serious about it. He really underwater sometimes. But I know how some...

...) A young woman is sitting on a low wall, smoking and crying. (So what? I cry all the time, too.) I dog lady think she’s smoking a joint. No one knows how...

....) The —  And they were — ? But then —  Families? I know Romeo killed —  That were feuding? The best...

... at the Hartman Conservatory in Stamford and at her own studio in New York, interviews Mr. Meisner. 38 Shepherd: Why didyou become an actor? Meisner: I don’t know why I became an actor. When I was in 1 A the teacher asked everybody in the class what they wanted to be -doctors...

..., To the enemies of freedom Knowing the bedrock of liberty On our orders In the city of Tikrit as in other cities Knowing the bedrock of liberty Is a clear and pure picture In the city of Tikrit...

...?! Now, tell me who an amusement theme park - Six Flags Over Poundstone or Aristophanes is. And I’m ashamed that I don’t know. PaulaWorld - where the various “lands“ abut each other without immediately discernable rhyme or reason. One Aristophanes was the big gag writer of Ancient...

... MEMPHIS: Don’t bring up that might take me a little while. Her Chops $2.50. Beans and mu.s 65$. woman to me. I ain’t heard from her. I wants might be too big for my pocket The lights come up and MEMPHIS, the know where she at. She up her but I work it out and come up...

... don't have skin. MARGARET: Of course dogs have skin. I had one once. That‘s how much you know. I can feel the skin under her hair. BERTHA: Humans have hair. Whatever you feel, it’s under her soft fur, not under her hair. MARGARET: I better go get some oatmeal. Don‘t go away...

... You know, my parents raised me in an airport, and by the tiny silhouettes of tiny America that believed that strike-busting, the figures inside, diminutive shadows handling use of scab labor, and harsh, punitive...