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kantor

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Journal Article
Theater (1986) 17 (2): 56–60.
Published: 01 May 1986
...Gitta Honegger Copyright © THEATER 1986 1986 Form as Torture: Found Meanings Between Bausch and Kantor artist enters Kantor’s stage about two thirds...
Journal Article
Theater (1983) 14 (3): 55–58.
Published: 01 November 1983
...: Kantor and Brook Jan Kott In Tadeusz Kantor’s The Dead Class, the dead return to take their It was at the La Mama Theater in New York that I saw The Dead seats on school benches. Already before the beginning of the perfor- Class...
Journal Article
Theater (1983) 14 (3): 59–62.
Published: 01 November 1983
...Bogdan Gieraczynski Copyright © THEATER 1983 1983 From The Dead Class to Wielopole, WielopoZe: An Interview with Tadeusz Kantor Bogdan Gieraczynski Afier creating The Dead Class with his Polish avant-garde...
Journal Article
Theater (1977) 9 (1): 79–82.
Published: 01 February 1977
...? In the work of Polish director Tadeusz Kantor, it is dummies that are the ac- tors' doubles. Kantor refers explicitly to Craig in the program notes. In The Dead Class, the action takes place al- most entirely in a classroom. The audi- ence is greeted by an astonishing tab- leau...
Journal Article
Theater (2004) 34 (3): 18–29.
Published: 01 November 2004
... after the declaration of martial law in Poland in December 1981. Photo: Franciszek Myszkowski, Union of Polish Theatre Artists (ZASP) Archives, Warsaw Tadeusz Kantor’s illustration of Ivona with her two aunts for the first edition of Ivona, Princess of Burgundia published in Poland after World War...
Journal Article
Theater (2005) 35 (2): 69–71.
Published: 01 May 2005
... love for his You mentioned Kantor. Which theater artists mother. have been most infl uential on your physically In Greek culture, where destiny is the rigorous, visually oriented aesthetic? central problem, Oedipus must be cured...
Journal Article
Theater (1999) 29 (3): 47–70.
Published: 01 November 1999
.... An apocalyptic mood afflicted Kantor’s Lpt thr poets and artists. Poland’s spectacular last-minute victory in its brief war with the Artictc Die. La MaMa E.T.C. Soviet Union (1920-21) could not dispel the ominous warnings emanating from an (r98s). overcivilized, decaying...
Journal Article
Theater (2013) 43 (2): 5–25.
Published: 01 May 2013
... not expect anything to happen that something we will unquestionably believe in can happen. This is the reason the theater, which has been completely sterilized and neutralized by centuries-­old practices, is the least appropriate site for drama to be materialized. — Tadeusz Kantor, A Journey through...
Journal Article
Theater (1983) 15 (1): 93.
Published: 01 February 1983
.... 7. “Popular Culture” (Essay), Vol. 14, no. 3, p. 50. Fugard, Athol. Muster Harold . . . and the boys (Play), Vol. 14, no. 1, p. 5. Gieraczynski, Bogdan. “From The Dead Class to Wielopole, Wielopole: An In- terview with Tadeusz Kantor,” Vol. 14, no. 3, p. 59. Grant, Steve and Tony...
Journal Article
Theater (2018) 48 (1): 113–123.
Published: 01 February 2018
... of the company and the way that I 115 Jan collaborate with technologists, designers, and take Kantor’s lead, and pursue something that performers. was autobiographical for the first time...
Journal Article
Theater (2003) 33 (3): 3–19.
Published: 01 November 2003
... with an ensemble company over time (Grotowski and Kantor, for example) or invested plays deemed innocuous by the censors with far subtler layers and symbolic substruc- tures, in order to say the unsayable. In a way, then, there are two sets of old masters for Polish theater to shed: now the legacy of communism...
Journal Article
Theater (1983) 14 (2): 93–94.
Published: 01 May 1983
... will feature a new play by Dario Fo, an interview with Tadeusz Kantor, and Jan Kott’s essay on Kantor and Brook. The Hudson Review, 684 Park Avenue, New York 10021...
Journal Article
Theater (1995) 25 (3): 80–84.
Published: 01 November 1995
..., Peter Hall, Ariane Mnouchkine, Andrzej Wajda) or wrote about (Jerzy Grotowski, Tadeusz Kantor, Joseph Chaikin). The appeal of Still Alivepresumablywould be that ofthe memoirs ofsuch a well-placed theatrical player: a wealth of backstage gossip and anecdote. The most...
Journal Article
Theater (2002) 32 (3): 19–21.
Published: 01 November 2002
... Kantor’s theater. Translation was a mode of writing Kott highly valued and constantly employed. In fact, he was a translator. His modern prose version of The Misanthrope exemplified his unending preoccupation with “making it contemporary.” Most of all, he depended on translation in all his writing...
Journal Article
Theater (1983) 15 (1): 64–67.
Published: 01 February 1983
..., attracted, and maybe junkyards in search of old pipes, broken- history sweeps the guests out of the carnival even in its own way, shaped the theater and down cars and various kinds of scrap metal. masquerade. In this libretto (that displays imagination of Kantor. In terms of theatrical Krystyna’s...
Journal Article
Theater (2012) 41 (3): 37–67.
Published: 01 November 2012
... to the stage, perhaps it is better not to start anything — since such a hopeless way of beginning inevitably leads to the intricacies of falsehood. These were also the demands, of course, considering all differences, of  Kantor or Grotowski toward their actors. I have never even tried to work...
Journal Article
Theater (2004) 34 (3): 1–3.
Published: 01 November 2004
... play- wrights in Europe, whose work has nourished the aesthetic development of directors as different as Tadeusz Kantor and Ingmar Bergman—has been largely absent from U.S. stages. (Allen Kuharski cites some notable exceptions elsewhere in this issue, most of them successes...
Journal Article
Theater (2004) 34 (3): 5–17.
Published: 01 November 2004
..., and the production of Gombrowicz’s plays at that time took pride of place alongside the most renowned work of Jerzy Grotowski, Tadeusz Kantor, Konrad Swinarski, and others. Young directors such as Jerzy Grzegorzewski or Krystian Lupa owed some of their early successes in this period to Gombrowicz’s plays. During...
Journal Article
Theater (2004) 34 (3): 31–39.
Published: 01 November 2004
... in his native country. It was published separately the following year, also in Warsaw, in an edition illustrated by Tadeusz Kantor. The great Polish director had seen, but not liked, the Teatr Drama- tyczny production. In his single letter to Gombrowicz kept in the archive, Kantor explains...
Journal Article
Theater (1987) 18 (2): 78–79.
Published: 01 May 1987
.... The Slaughter (Play Feminist Theatre by Helene Keyssar,” Found Meanings Between Bausch and Kantor,” (Essay) Vol. 17, no. 2, p. 56. translated by Marc Silberman, Helen (Book Review) Vol. 17, no. 1, p. 89; “The Fehervary...