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kantor
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Journal Article
Theater (1986) 17 (2): 56–60.
Published: 01 May 1986
...Gitta Honegger Copyright © THEATER 1986 1986 Form as Torture:
Found Meanings Between
Bausch and Kantor
artist enters Kantor’s stage about two thirds...
Journal Article
Theater (1983) 14 (3): 55–58.
Published: 01 November 1983
...:
Kantor and Brook
Jan Kott
In Tadeusz Kantor’s The Dead Class, the dead return to take their It was at the La Mama Theater in New York that I saw The Dead
seats on school benches. Already before the beginning of the perfor- Class...
Journal Article
Theater (1983) 14 (3): 59–62.
Published: 01 November 1983
...Bogdan Gieraczynski Copyright © THEATER 1983 1983 From The Dead
Class to Wielopole,
WielopoZe:
An Interview with Tadeusz Kantor
Bogdan Gieraczynski
Afier creating The Dead Class with his Polish avant-garde...
Journal Article
Theater (1977) 9 (1): 79–82.
Published: 01 February 1977
...?
In the work of Polish director Tadeusz
Kantor, it is dummies that are the ac-
tors' doubles. Kantor refers explicitly to
Craig in the program notes. In The
Dead Class, the action takes place al-
most entirely in a classroom. The audi-
ence is greeted by an astonishing tab-
leau...
Journal Article
Theater (2004) 34 (3): 18–29.
Published: 01 November 2004
... after
the declaration of martial law in Poland in
December 1981. Photo: Franciszek
Myszkowski, Union of Polish Theatre Artists
(ZASP) Archives, Warsaw
Tadeusz Kantor’s illustration of Ivona with her two aunts for the first edition of Ivona, Princess of
Burgundia published in Poland after World War...
Journal Article
Theater (2005) 35 (2): 69–71.
Published: 01 May 2005
... love for his You mentioned Kantor. Which theater artists
mother. have been most infl uential on your physically
In Greek culture, where destiny is the rigorous, visually oriented aesthetic?
central problem, Oedipus must be cured...
Journal Article
Theater (1999) 29 (3): 47–70.
Published: 01 November 1999
.... An apocalyptic mood afflicted
Kantor’s Lpt thr
poets and artists. Poland’s spectacular last-minute victory in its brief war with the
Artictc Die.
La MaMa E.T.C. Soviet Union (1920-21) could not dispel the ominous warnings emanating from an
(r98s). overcivilized, decaying...
Journal Article
Theater (2013) 43 (2): 5–25.
Published: 01 May 2013
... not expect anything to happen that something we will
unquestionably believe in can happen.
This is the reason the theater, which has been completely sterilized and neutralized by centuries-old
practices, is the least appropriate site for drama to be materialized.
— Tadeusz Kantor, A Journey through...
Journal Article
Theater (1983) 15 (1): 93.
Published: 01 February 1983
.... 7. “Popular Culture” (Essay), Vol. 14,
no. 3, p. 50.
Fugard, Athol. Muster Harold . . . and the boys (Play), Vol. 14, no. 1, p. 5.
Gieraczynski, Bogdan. “From The Dead Class to Wielopole, Wielopole: An In-
terview with Tadeusz Kantor,” Vol. 14, no. 3, p. 59.
Grant, Steve and Tony...
Journal Article
Theater (2018) 48 (1): 113–123.
Published: 01 February 2018
... of the company and the way that I
115
Jan
collaborate with technologists, designers, and take Kantor’s lead, and pursue something that
performers. was autobiographical for the first time...
Journal Article
Theater (2003) 33 (3): 3–19.
Published: 01 November 2003
... with
an ensemble company over time (Grotowski and Kantor, for example) or invested
plays deemed innocuous by the censors with far subtler layers and symbolic substruc-
tures, in order to say the unsayable. In a way, then, there are two sets of old masters for
Polish theater to shed: now the legacy of communism...
Journal Article
Theater (1983) 14 (2): 93–94.
Published: 01 May 1983
...
will feature a new play by
Dario Fo, an interview with
Tadeusz Kantor, and Jan
Kott’s essay on Kantor and
Brook.
The Hudson Review, 684 Park Avenue, New York 10021...
Journal Article
Theater (1995) 25 (3): 80–84.
Published: 01 November 1995
..., Peter Hall, Ariane Mnouchkine, Andrzej Wajda) or wrote about (Jerzy Grotowski, Tadeusz
Kantor, Joseph Chaikin). The appeal of Still Alivepresumablywould be that ofthe memoirs ofsuch
a well-placed theatrical player: a wealth of backstage gossip and anecdote. The most...
Journal Article
Theater (2002) 32 (3): 19–21.
Published: 01 November 2002
... Kantor’s theater.
Translation was a mode of writing Kott highly valued and constantly employed.
In fact, he was a translator. His modern prose version of The Misanthrope exemplified
his unending preoccupation with “making it contemporary.” Most of all, he depended
on translation in all his writing...
Journal Article
Theater (1983) 15 (1): 64–67.
Published: 01 February 1983
..., attracted, and maybe junkyards in search of old pipes, broken-
history sweeps the guests out of the carnival even in its own way, shaped the theater and down cars and various kinds of scrap metal.
masquerade. In this libretto (that displays imagination of Kantor. In terms of theatrical Krystyna’s...
Journal Article
Theater (2012) 41 (3): 37–67.
Published: 01 November 2012
... to the stage, perhaps it is better not to start anything — since
such a hopeless way of beginning inevitably leads to the intricacies of falsehood.
These were also the demands, of course, considering all differences, of Kantor or Grotowski toward
their actors.
I have never even tried to work...
Journal Article
Theater (2004) 34 (3): 1–3.
Published: 01 November 2004
... play-
wrights in Europe, whose work has nourished the aesthetic development of directors as
different as Tadeusz Kantor and Ingmar Bergman—has been largely absent from U.S.
stages. (Allen Kuharski cites some notable exceptions elsewhere in this issue, most of
them successes...
Journal Article
Theater (2004) 34 (3): 5–17.
Published: 01 November 2004
..., and the
production of Gombrowicz’s plays at that time took pride of place alongside the most
renowned work of Jerzy Grotowski, Tadeusz Kantor, Konrad Swinarski, and others.
Young directors such as Jerzy Grzegorzewski or Krystian Lupa owed some of their
early successes in this period to Gombrowicz’s plays. During...
Journal Article
Theater (2004) 34 (3): 31–39.
Published: 01 November 2004
... in his native country. It was
published separately the following year, also in Warsaw, in an edition illustrated by
Tadeusz Kantor. The great Polish director had seen, but not liked, the Teatr Drama-
tyczny production. In his single letter to Gombrowicz kept in the archive, Kantor
explains...
Journal Article
Theater (1987) 18 (2): 78–79.
Published: 01 May 1987
.... The Slaughter (Play
Feminist Theatre by Helene Keyssar,” Found Meanings Between Bausch and
Kantor,” (Essay) Vol. 17, no. 2, p. 56. translated by Marc Silberman, Helen
(Book Review) Vol. 17, no. 1, p. 89; “The Fehervary...
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