... Sagnet (courtesy of No Cap); Anton Lukas (photo: Carmen Hornbostel); Rolf Bossart (photo: Marcel Jent); Ursina Lardi (photo: Urban Ruths); and Kay Sara (photo: Dyroa Baya) Forum No Longer Just Fiction Collaborators on the Work of Milo Rau Collaborative structures are key to understanding Milo Rau s...

... “Notes on ‘Camp’.” In Against Interpretation . New York: Dell, 1966 . Not Just a Passing Fancy: Notes on Butch Alisa Solomon I didn’t realize, when I decided to talk about butchness, that I was creating a serious conun- 3.5 drum for myself, one...

...Madison Moore Madison Moore examines nightlife as a staged experience and club culture as a source of artistic innovation. Tracing its development from 1920s Harlem to its current manifestations around the globe, Moore explores how nightlife leverages darkness, the “just-beginning-to-stir...

... overcomes virtuosity, and so full of feelings that his performance might only point to them, like mathematicians indicating proofs just beyond their capacity. Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Robert Wilson Einstein on the Beach archive gesture materialism...

... Glendinning Tomorrow’s Parties Forced Entertainment Conceived and devised by Tim Etchells with the company: Robin Arthur, Richard Lowdon, Claire Marshall, Cathy Naden, and Terry O’Connor Tomorrow’s Parties is performed by one pair- r: Or actually there’ll just be a kind of univer...

..., No plays what you have is action and watching a play that you’ve written Mercy (co-winnerof the Actors Z‘heater finding a way to make inner life, or as with other people is just really nice. I of Louisville’s 1985 Great Plays Paul Klee says, “to make the invisible had played the guitar...

... kinda scary here! Fuck, I should’ve just stuck Scene I around. It was all stupid — score, shoot up, climb to the top. I mean, if it was Moscow Pitch black. Sound of a heart monitor comes then, yeah, at least they’ve got...

...Elfriede Jelinek Elfriede Jelinek Translated by Lilian Friedberg bambiland (I don’t know I don’t know. Just stick a knit stocking cap on it, the kind with a tassel on top like my dad used to wear with his old overalls while building our little single-family home. Never seen...

...: were topical, he had actors addressing the audience here the star attraction is the Haunted Fuselage, a sort of directly, and things occasionally got out of control. fun house ride over the course of which you encounter See, and everybody thinks it was just Gary Shandling. I demonic...

... though. This is my I’m your guide for today. I’m taking you on first time back. a small tour of the west of the city. It’s just under three miles long and takes just over an bill A different place from then. hour but it’s a very historic part and also very rosie Oh, I know. You’d wouldn’t...

... production we re going to talk about: To You, the Birdie!, a 2001 piece which springs from Racine s Phèdre. Liz, what were the origins of this piece? Liz LeCompte I would like to say that I just realized I didn t decenter Racine I centered him. So, I have to reinterpret your decenter. I recall...

...: Everything that Teller and I do friends would be talking. And they’d be And these are the people who cannot in this show comes from a love that we saying stuff like, “Oh, I know how he accept mystery. share of the American sideshow, the does that, Penn, he just coats his mouth Now I want to make...

... on a façade of ridiculousness and fabulousness. Lover to Alejandro. Mortal. alejandro diaz Mid-thirties Latinx Queer Man. Runs from anything that can hurt him. Sedate and steady like water, and just as stubborn. Lover to Benny. Mortal. A Note on Spanish, Magic, and The Poe t When a character speaks...

... Will your thoughts be heard, will you be seen? ashley Who wants this? chris Who knows? alex This is a total Eclipse chris Just the beginning. ashley Death and loneliness to follow alex The Sun clocks back in The light comes back to the room, slowly, like morning. chris The Moon has done its job alex open...

... discrimination not only surrounds you but breeds among your own people? P r o d u c t i o n N o t e This piece is performed in the round and works best inside intimate/alternative per- formance spaces. The circle it is performed in is not a holy space or a barricade it is just a circle. There s a lot of music...

... premiere in 1989 seven German playwrights, all born his death, he was a member of its board at the New York Theater Workshop.) during or just after World War lbo, of directors and president of the Federa- Among the German playwrights of “Why Play? Why write for theater?” tion of West German...

... revisions right Comfortable laughter now. Is that right, galley / revisions? joyce So Bob just wanted to sit in if that’s joyce Yeah that’s / right. okay, he wanted to meet you. bob Hey is Pam still there? At Simon’s? bob I’m invisible...

... shoes and grow hair, but I don't have any spe- BOY'S VOICE: Yes, yes, yes, Mom, I can cial abilities. I speak English, I can dance hear you, I can hear you fine, I can hear as long as I don't have to touch anybody, everything you say, I just don't...

... to dress up in boy’s clothes 15) since when can y you don’t have to dress up in boy’s clothes 16) I just like big girls Original cast list...

.... And, of course, I had just the Platform, I had an inkling of what that come from working with my group, where Theater 44:2 doi 10.1215/01610775-2409565 © 2014 by Judy Hussie-Taylor 99 lemon we were working with the inebriated body, It surprised...