...Heather Henderson Copyright © THEATER 1985 1985 Building Fences: An Interview with Alice and James Earl Jones Heather Henderson When August Wilson's Fences opened...

..., the performer be- Sayings from the LiJe and Writings of comes less and less able to perform. Junebug Jabbo Jones. Everything is Each workshop or question-and-answer well planned out and proper...

...John O'Neal; Ron Castine; Glenda Lindsay Copyright © THEATER 1992 1992 DON’T START ME TO TALKING OR I’LL TELL EVERYTHING I KNOW SAYINGS FROM THE LIFE AND WRITINGS OF JUNEBUG JABBO JONES by John O’Neal...

...Joel Schechter Copyright © THEATER 1984 1984 James Earl Jones on Fugard Joel Schechter Note: This is the second in a series of interviews with actors whfiequently per- My direct association with Athol did not begin until he...

...Donald Oenslager Copyright © by yale/theatre 1970 1970 Robert Edmond Jones by Donald Oenslager After graduating from Harvard in 1923, John Mason Brown and I planned a wander- jahr together in Europe observing and studying the theatre from Stockholm to Con- stant inople...

... in which Ebenezer Jones, a lapsed '60s activist, receives ghostly visits from Richard Nixon (the Spirit of the Past), Nancy Reagan (the Spirit of the Present) and Jones' own daughter (who shows him what the future will be like with a Reagan-appointed Supreme Court). As usual, Joan Holden had an important...

...Jean Graham-Jones This introduction to the author’s translation of Rafael Spregelburd’s play situates both text and production within the Argentine artist’s oeuvre and poetics and analyzes them as critiques of contemporary globalized society. The article argues that Spam proposes language as a tool...

...Mac Wellman; Jeffrey M. Jones Copyright © THEATER 1990 1990 NEW WRITING AND THE CLASSICS: AN EXCHANGE MAC WELLMAN...

...Pamela Jones Copyright © by yale/theatre 1969 1969 THE SCHOOLHOUSE IS BURNING by Pamela Jones A suggestion: the fire might be people You‘ll change! You’ll change into a big who represent those blind, unalterable, fat blob! deadweight...

...Jamil Jude; Sheila Kay Davis; Ty Jones; Guinea Bennett-Price; Ron Himes; Margo Hall; Rebecca Flemister © 2021 by David Geffen School of Drama at Yale/Yale Repertory Theatre 2021 Macbeth, Classical Theatre of Harlem, Harlem, ny, 2016. Photo: Richard Termine Interviews Mor e Than a Spac e...

...Daniel Alexander Jones © 2021 by Daniel Alexander Jones 2021 Aten music video collaborators film in Los Angeles, 2021. Courtesy of Daniel Alexander Jones Daniel Alexander Jones The Heal ing R o om Walk together children Don t you get weary Walk together children Don t you get weary Oh, talk...

... Allan Knee Don't be insane. Cynthia . . . . . . . . . . . . . . . . . . . Ruth Wallman (Listens.) Celia Meral Taygun She's in the bedroom. Mr. Jones Michael Lombard (Listens.) (Annoyed...

...Richard Olson Copyright 1968 by yale/theatre 1968 Myth and Modern Theatre: Colloquy in a Car by Richard A. Olson It had been a most pleasant weekend, the "Before you reply to that, Jones, let epitome of fall in New England. Saturday us give Smith a chance...

... musical idols. Overjoyed, he pounded the walls of the booth in exhilaration, while Armstrong gave him a private concert. “That guy came out like he had won the lottery,” observed set designer Christine Jones, who conceived and created the booth, officially entitled the “Theatre for One.” Jones...

... musical idols. Overjoyed, he pounded the walls of the booth in exhilaration, while Armstrong gave him a private concert. “That guy came out like he had won the lottery,” observed set designer Christine Jones, who conceived and created the booth, officially entitled the “Theatre for One.” Jones...

... musical idols. Overjoyed, he pounded the walls of the booth in exhilaration, while Armstrong gave him a private concert. “That guy came out like he had won the lottery,” observed set designer Christine Jones, who conceived and created the booth, officially entitled the “Theatre for One.” Jones...

..., Nonetheless, each character does make a cold-weather, urban sensibility of dancer- supreme effort to find the right word, point to choreographer Bill T. Jones. some thing, jump up and down if necessary, to The benefits of such an intervention are get a message through. And since they do strive several...

...-030 © 2011 by Matt Cornish Canonical Improvisations: The Case of T h e m Christopher Grobe The recent revival of Ishmael Houston-­Jones’s Them, a multidisciplinary dance event from the mideighties, joins a host of similar attempts (across all the temporal arts...

...-030 © 2011 by Matt Cornish Canonical Improvisations: The Case of T h e m Christopher Grobe The recent revival of Ishmael Houston-­Jones’s Them, a multidisciplinary dance event from the mideighties, joins a host of similar attempts (across all the temporal arts...

...-030 © 2011 by Matt Cornish Canonical Improvisations: The Case of T h e m Christopher Grobe The recent revival of Ishmael Houston-­Jones’s Them, a multidisciplinary dance event from the mideighties, joins a host of similar attempts (across all the temporal arts...