...Amy S. Holzapfel Theatre and the State in Twentieth-Century Ireland: Cultivating the People By Lionel Pilkington 2001: Routledge; A Century of Irish Drama: Widening the Stage Edited by Stephen Watt, Eileen Morgan, and Shakir Mustafa 2000: Indiana University Press © 2002 by Yale School...

... years of violence and prejudice, and describes a younger generation whose work ventures beyond the confines of Northern Irish struggle. She also explores a growing community of theater companies creating site-specific work in locations that were significant during the Troubles, to commemorate the events...

... of the National Theater’s founders regarding the “role and outcome of a minority Recharting Irish Theater within the context of majority self-government” (55). As he sees it, the Irish National Theater...

... of the National Theater’s founders regarding the “role and outcome of a minority Recharting Irish Theater within the context of majority self-government” (55). As he sees it, the Irish National Theater...

... rubbed Countless Cathleen is nothing short of an outrage. directly against the grain of Irish theater - and, in many ways, still does. Supporters of this article would clearly have been in no In the early nineteen hundreds, the Irish national...

... truth. 1 don’t say that my truth will be valuable for all, because the colonization of others always begins in the name of truth.” Later, in the Irish project, he...

... it (the play, not the town) to close a few days later. The play stayed on Broadway for five years, during which time Benchley's constant opposition to the trite ethnic love story seemed to 62 For five years AbieS Irish Rose was denounced continuously by Benchley, but apparently...

... to O’Toole’s relentless desire at the dan’s popularity as a playwright to weigh in on opening of the work to hammer home his sub- the issue of Irish independence. ject’s worthiness. The quotation above comes...

... to O’Toole’s relentless desire at the dan’s popularity as a playwright to weigh in on opening of the work to hammer home his sub- the issue of Irish independence. ject’s worthiness. The quotation above comes...

... to hammer home his sub- the issue of Irish independence. ject’s worthiness. The quotation above comes from the “Preface to the American Edition,” It would have been better left...

... to O’Toole’s relentless desire at the dan’s popularity as a playwright to weigh in on opening of the work to hammer home his sub- the issue of Irish independence. ject’s worthiness. The quotation above comes...

... to O’Toole’s relentless desire at the dan’s popularity as a playwright to weigh in on opening of the work to hammer home his sub- the issue of Irish independence. ject’s worthiness. The quotation above comes...

... that is not Neruda turns his verse political; Sean self-evidentlysocially effective. Add to that O’Casey returns again and again to the the eternal questioning that art presents, subject of Irish nationalism...

... of Belfast were rosie A name’s important, or maybe it’s just 6 you from? getting older but I like my Irish name, sort of 7 rosie Oh, the Falls Road. Well, just off the roots or something. 8 Falls...

... in an increasingly virtue among Beckett biographies of thorough- BOOKS going accuracy - a virtue that was lost on reviewers for the New York Times, the Wall Street Journal, and several British newspapers, who praised Cronin s breezy, talk-show style at Knowlson s expense. In fact, Cronin, an Irish comic novelist...

... MacGowran. The words we have come to hear are Samuel Beckett's. MacGowran is an Irish actor who works more in London than in Dublin. Along with Patrick Magee in England and Roger Blin and Jean Martin in France, he is known as one of Beckett's favorites. He has been involved in his fellow Dublin...

...Elizabeth Bennett Contemporary Irish Drama: From Beckett to McGuinness Anthony Roche 1994: Gill & McMillan Copyright © Theater 1996 1996 ...

... positions at every point in his life, from a schoolboy debate defending women s emancipation to a 1929 article attachng Irish censorship to his Resistance activity to a ban on productions of his plays in apartheid South Africa to an appeal against martial law in Poland. As to masturbation, Cronin s repeated...

...." Estragon finds refuge in Vladimir's arms. Beckett had spoken to him of the latent Irish theater greatly attracted him • despair in the play - absolute, global Synge, Gregory, Dunsany, Yeats. He found despair - but, inside that despair, inside himself...

... Fellowship. Her other books in progress editor of Theater and former general manager include “Elfriede Jelinek: How to Get the of Irish Theatre Magazine, she most recently Nobel Prize without Really Trying...