...’ bar. They offer me mate, and we embark on a cooperatives, IMPA and Yaguané, in lengthy discussion of politics, economics, art, which workers control their own des- and the birth and raison d’être of La Fábrica. tiny, workers who have concluded...

... American artists (Emerson, Whitman, Thoreau, etc.) who were in search of an American voice as opposed to British, and who were looking for an American art.”4 This led Copper to research the Astor Place theater riot and the violently impas...

... in the midst of it as long as possible, and document the impas- sioned dialogues, awkward tensions, and periodic epiphanies that extended from the time we spent there. (204 – 5) Even Mr. Li found a way across the boundaries of cultural difference, surprising everyone one...

... in Enrzco ZV. Beckett, sonality - sarcastic, slightly affected, impa- tion that it denies the moment any symbolic however, infuses the study with his own tient, sententious - which sometimes sub- value. peculiar brand of paranoia, essentialized, stitutes itself...

... we need will come to us eventually if, as Grandma Moore used to tell me, we would just hold our horses. Hold your horses, she would always say whenever I got impa- tient and wanted direct action and immediate results. But there s something so boring if not entirely oppressive about waiting...

... States more well made melodramas with prolific nent, gesticulations broad and impas- popular than it had ever been. As Peter regularity. As Brooks points out, the sioned - every production value Brooks points out in his brilliant rhetoric of melodrama was the rhetoric calculated to capture...

..., film and stage adaptations of his works, critical responses, etc.) throughout the performances. The relationship between the playwright and artists is explicitly stated in Vinge’s impas- 14 the total radical fiction sioned rant at the close...

... that no stage piece in the world has such a scenic force and directness.23 Peter Stein very clearly set out to establish this Theater in 2000, undaunted by the line quoted in the epigraph above. The context of that line is this: Faust issues an impas- sioned Wagnerian demand to “sound the heights...