...Daniel Gerould Copyright © THEATER 1987 1987 IMAGINARY INVALIDS: A THEATER OF SIMULATED PATIENTS DANIEL GEROULD...

.... In Muse’s analysis, Ball’s book “portray[s] spectatorship in theater and in contemporary life as an uneasy, dangerous activity often difficult to distinguish from surveillance.” Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Jonathan Ball Clockfire virtual theater imaginary...

... in a Time of Commemorations Despite a reception subject to the taste of educated elites, posterity has transformed Molière into the tutelary figure of a popular theater that has sometimes been called national. This mutation is the product of a retrospective judgment and a mythology deliberately maintained...

...Una Chaudhuri © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Scene from Mahabharata, directed by Peter Brook, Brooklyn Academy of Music, 1987. Photo: Gilles Abegg Una Chaudhuri Beyond a “Taxonomic Theater”: Interculturalism after Postcolonialism and Globalization...

... magnificently, he offered him the entertainment of French comedy that was performed by his people in a very beautiful theater, which his Excellency had financed. They had chosen The Love-­Tiff (Le Dépit amoureux) and The Imaginary Cuckold (Le Cocu imaginaire), both plays by Molière; both were performed, besides...

...Rustom Bharucha Copyright © THEATER 1982 1982 The Back of the Book Figaro (Robert Dorfman) and Count Almaviva (David Warrilow, right) in 7% Mamige of Figam at the Guthrie Theater, July 1982...

... to tator not participate in the creation of a beautiful images in visual theater are those the trained capacity to respond to a wholly works meaning through active use of its in- that intentionally relate,, sometimes in obli- imaginary conception of that world. While determinacy. To take an example...

...Lenora Champagne Copyright © THEATER 1981 1981 CONTEMPORARY THEATER IN FRANCE Armand Gatti: Toward Spectacle without Spectators Gatti is the exponent...

... in the Imagined Theatre by Alan Filewod 2002: University College of the Cariboo Canada? Theater? Performance? What are they, and to what ends are they interdepen- dent? Canadians are fond—not just in caricature but in real life—of saying “eh?” We live in a culture that is deeply interrogatory about itself...

... and elusive reality. say that they never received the Fall his essay, “Imaginary Invalids,” actors No wonder, then, that actors are elected issue of Theater. The essays collected have portrayed illnesses for centuries, as political leaders, and ministers and here examine the theatricality of events...

... Bont’s adaptation of memory of traumatization and injustice, real or imaginary, even under the well- Molière’s The Imaginary Invalid. intended but inept mediation of the so-called international community. What begins Photo...

.... Misguided directors and miscast actors can sabotage a production before it even reaches an audience. The precarity of the theater gives further cause for concern. Cin- ema, television, and the Internet pose existential threats, as live theater struggles for resources and relevance. It is not difficult...

...David Chambers Copyright © Theater 1998 1998 D A V I DC H A M B E R S T H EM A S T E RO F P R A X I S In 1926, the black marketeering and graft of the New Economic Policy (Lenin s attempt to jump-start the post-civil war economy with modified capitalism) polluted the dreams of bolshevism...

...Laurence Shyer Copyright © THEATER 1979 1979 Theater in New York: The New York Shakespeare Festival’s disintegration of Joseph K. In Music-Hall workshop production of New Jerusalem, Sidelights (1978), a “theatrical...

...James Leverett Copyright © THEATER 1978 1978 Richard Foreman and Some Uses of Cinema James Leverett In his discussion of the influences of cinema on the novel, Andre that much to my surprise, what was happening in percep Bazin points out...

... the prevailing aesthetics and positions of the United Kingdom’s literary theater, drawing influence from cinema, performance art, stand-­up, cabaret, and trash television, as well as forging collabora- tions with other artists working in different areas, from electronic musicians to photog- raphers...

...Tom Sellar © 2015 by Tom Sellar 2015 Katarina Stegnar’s Double Game, the Old Power Station, Ljubljana, Slovenia, 2014. Photo: Olja Grubić Up Front Great Fictions Tom Sellar Is the culture sector — and theater in particular — ready for the impending crisis of cli- mate...

...Kate Attwell © 2015 by Kate Attwell 2015 Katarina Stegnar’s Double Game, the Old Power Station, Ljubljana, Slovenia, 2014. Photo: Olja Grubić Up Front Great Fictions Tom Sellar Is the culture sector — and theater in particular — ready for the impending crisis of cli...

...Ryan M. Davis; Alexandra Ripp © 2015 by Ryan M. Davis and Alexandra Ripp 2015 Katarina Stegnar’s Double Game, the Old Power Station, Ljubljana, Slovenia, 2014. Photo: Olja Grubić Up Front Great Fictions Tom Sellar Is the culture sector — and theater in particular — ready...

... the reporter and five other imaginary characters whose lives intertwine in the aftermath of the accident. He later compiled the messages and published them online as a collated script. 48 140 characters in search of a theater Gable is not alone in devising...