Search Results for ibsen

...Colette Brooks Copyright © THEATER 1978 1978 Artaud and Ibsen Colette Brooks There can be theater onlyfrom the moment when the impossi- Artauds aesthetic, as its critics have noted, resists distillation into ble really begins...

...Walter Bilderback Copyright © THEATER 1985 1985 Beyond Teacups and Wallpaper: The American Ibsen Theater Walter Bilderback an increasingly rich theater environment here...

...Jacob Gallagher-Ross Yale School of Drama/Yale Repertory Theatre 2007 Henrik Ibsen, circa 1860. Courtesy of Steven F. Sage Jacob Gallagher-Ross Ibsen the Oracle Ibsen and Hitler: The Playwright, the Plagiarist, and the Plot for the Third Reich by Steven F. Sage 2006: Carroll...

... Yale School of Drama/Yale Repertory Theatre 2007 Compiled and Introduced by Jacob Gallagher-Ross Ibsen Our Contemporary Contemporary Directors on the Playwright’s Centenary Compiled and Introduced by Jacob Gallagher-Ross The year 2006 was the hundredth anniversary...

...Andrew Friedman © 2012 by Andrew Friedman 2012 Andrew Friedman The Total Radical Fiction Vegard Vinge and Ida Müller’s Ibsen Saga As Vegard Vinge and Ida Müller’s October 2011 production of Henrik Ibsen’s John Gabriel Borkman entered its ninth continuous hour of performance...

...Michael Evenden Copyright © THEATER 1984 1984 sense becomes a metaphor for the process I tried to describe. THEATER IN PITTSBURGH “Is destruction creation?” Paz asked and he continued: “I do not know, but I do know Ibsen’s Liberation...

...Jan Kott Copyright © THEATER 1980 1980 Ibsen's Deconstruction Jan Kott Ibsen caricature from 1898. 35 Ibsen's...

...). Those familiar with Ibsen’s play will note that, while Ladyfrom the Sea follows the outline of the story and uses six out of its eight principal characters, more than half the text is new, the characters have been sharply modified, essential elements of the story (such as the past history...

... Mines at St. Ann’s Warehouse Brooklyn November 2003 I In Ibsen’s Et Dukkehjem (A Doll House) lies are currency, and the demand for prevari- cations, obfuscations, and self-delusions far exceeds the supply. But no additional Krogstads stand waiting to grant secret loans of deception...

... Mabou Mines at St. Ann’s Warehouse Brooklyn November 2003 I In Ibsen’s Et Dukkehjem (A Doll House) lies are currency, and the demand for prevari- cations, obfuscations, and self-delusions far exceeds the supply. But no additional Krogstads stand waiting to grant secret loans of deception...

... as Europe’s most (June 3, 1985). “That these hopes could be Frederick J. Marker exciting and thought-provoking Ibsen direc- pipe-dreams - destructive, oppressive (or tor. His concise, fast-paced version ofJohn comic) illusions - is something...

... idea of been his favorite dramatist - he has singlehandedly directing a simultaneous directed fifteen of his plays to date - and a A Conversation with production of Henrik Ibsen’s A Doll’s House, production ofMissJulie has long been...

... interview with the three actors called “Ibsenism” in the play - have become a who played the main characters, and the director, fad. The title character is Leonard Charteris, a David Hammond, was taped in December...

...Robert Brustein Copyright © THEATER 1978 1978 The Crack in the Chimnev: J Reflections on Contemporary American Playwriting Robert Brustein Ifi the second act of Ibsen’s The Master Builder...

...Charles McNulty Ibsen: The Dramaturgy of Fear by Michael Goldman 1999: Columbia University Press © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 THE30.1-09books@AK 2/8/00 6:14 PM Page 128 Books Catherine Sheehy...

... was merci- lessly caught by the "frugal charm" of Henrik lbsen and the "hard compulsion of his strangely inscrutable art." In the public rage over the controversial Ibsen, James found a barometer for English culture. Privately, James learned to anticipate a sense of inward strife...

.... Or, just as likely, the Goldman verges near to the source of what performance had fled from his mind. Unexam- Henry James once called “Ibsen’s peculiar ined history is out of its mind, too, which may blessedness to actors.” be one reason why we’re...

.... Or, just as likely, the Goldman verges near to the source of what performance had fled from his mind. Unexam- Henry James once called “Ibsen’s peculiar ined history is out of its mind, too, which may blessedness to actors.” be one reason why we’re...

.... Or, just as likely, the Goldman verges near to the source of what performance had fled from his mind. Unexam- Henry James once called “Ibsen’s peculiar ined history is out of its mind, too, which may blessedness to actors.” be one reason why we’re...