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Journal Article
Theater (1993) 24 (1): 93–105.
Published: 01 February 1993
...Peter Handke; Gitta Honegger, translated by Copyright © Theater 1993 1993 The Hour We Knew Nothing of Each Other Peter Handke Translated by Gitta Honegger...
Journal Article
Theater (1999) 29 (3): 122–124.
Published: 01 November 1999
...Tennessee Williams Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 TEN N E s s E E WIL L I A M s THELINGERING HOUR A Fragment (August 1982) FINALSCENE (Intersperse scene with bizarre and desperate mimes...
Journal Article
Theater (2005) 35 (1): 67–91.
Published: 01 February 2005
...René Pollesch © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 René Pollesch’s 24 Hours Are Not a Day, Volksbühne, Berlin, 2002. Photo: Th omas Aurin René Pollesch 24 Hours Are Not a Day Translated by Anna Kohler, with samples by Stephan Lanz and Jochen Becker...
Journal Article
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
... the focus was to be on Hirsch's own adaptation of the classic Yiddish play The Dybbuk, and the students would find themselves called to a consideration of the spiritual side of human life. For this first two-hour session John Hirsch talked about his life in art; it was one of the things he did best. What...
Journal Article
Theater (1988) 19 (2): 5–20.
Published: 01 May 1988
..., and the driver who has spent eight hours at the wheel. When they reach another village, the maestro is guided to a rest house, which is actually no more than a room. He says, ‘Thank you very much,’ and shuts the door behind him. The Indians are left staring at the door, wondering where they will sleep that night...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
... generate secondary performances and complicate notions of liveness and archival boundaries. The article also engages with Jonathan Kalb's book Great Lengths , Marina Abramović's performance 512 Hours , and Forced Entertainment's durationals Quizoola! and Speak Bitterness . © 2016 by Yale School of Drama...
Journal Article
Theater (2011) 41 (2): 9–29.
Published: 01 May 2011
... than four hours or so — dates back to summer 2000. Sitting on a concrete bench at a world’s fair in Hanover, Germany, eating Asian-­fusion fast food with some remark- ably sociable Germans I had just met during one of the ten intermissions for Peter Stein’s twenty-­one-­hour Faust I + II, I...
Journal Article
Theater (1969) 2 (1): 132–138.
Published: 01 February 1969
..., and then we begin that's what's happening in behavior. Peo- toning exercises and breathing exercises. ple move toward one place in seven dif- This goes on from 1:00 until 2:30.We. ferent directions. This is how their minds break for half an hour and then come back have developed. All of a sudden...
Journal Article
Theater (2009) 39 (1): 29–39.
Published: 01 February 2009
..., porary translation for it might be. And that some critics as a sharp, refreshing antidote to Peter Brooklyn Academy takes a lot of time and great concentration, Stein’s twenty-one-hour marathon of the same...
Journal Article
Theater (1999) 29 (3): 115–121.
Published: 01 November 1999
...Linda Dorff Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 LINDADORFF BABYLONNow Tennessee WiZZiams’sApocalypses In the surviving fragment of The Lingering Hour (August 1982) that follows, one of the last plays Tennessee...
Journal Article
Theater (2012) 42 (3): 11–29.
Published: 01 November 2012
...Andrew Friedman © 2012 by Andrew Friedman 2012 Andrew Friedman The Total Radical Fiction Vegard Vinge and Ida Müller’s Ibsen Saga As Vegard Vinge and Ida Müller’s October 2011 production of Henrik Ibsen’s John Gabriel Borkman entered its ninth continuous hour of performance...
Journal Article
Theater (2016) 46 (2): 69–75.
Published: 01 May 2016
... they really were or, at least, trying to give these “clients” some sense of freedom. A freedom that only dataPurge could provide. dataPurge, a new performance piece I created with my company, 31 Down, would last for twenty-­four hours; I had seven left to go. In the piece, real “clients” offer us...
Journal Article
Theater (2008) 38 (1): 31–51.
Published: 01 February 2008
... in New York. I locked shifts of Equity actors in an L-shaped plywood box and had them perform Broadway two-handers (alluded to in the title), on an endless loop, during gallery hours, for a week. I wanted to know what happened to theater if you shifted it into the viewing conditions of art...
Journal Article
Theater (1993) 24 (1): 87–92.
Published: 01 February 1993
... of themselves, they help one another (me, at least . -Peter Handke: Fantasies of Repetition, 1983 Peter Handke’s most recent work for the theater, The Hour We Knew Nothing of Each Other, is a play without words. It takes place in a square, inspired by the piazza...
Journal Article
Theater (1986) 17 (2): 4.
Published: 01 May 1986
...- man director Claus Peymann said, “In the hour of political extremi- ty you’ll reach for your Brecht like the Bible.” That hour is not far off - in Nicaragua, Lebanon, South...
Journal Article
Theater (1983) 14 (3): 98.
Published: 01 November 1983
... ‘‘a great actor, a great direc- be about twelve hours, Wilson recently agreed to shorten the Los Angeles presentation to nine hours by tor, and a great clown, the last great clown of our time.” Fo is also a cutting down individual scenes. Robert Fitzpatrick...
Journal Article
Theater (1987) 19 (1): 35–44.
Published: 01 February 1987
... and Jerry Whether the televangelists’ motiva- apply to the stage. They apply to the Falwell’s Old Time Gospel Hour draw tions are greed and power, as some peo- oratory. They belong to thepulpit, they especially heavily on theater techniques. ple claim...
Journal Article
Theater (1993) 24 (2): 5–11.
Published: 01 May 1993
..., tions as sets of overlapping circles. In such a shelters, or educational programs. view, AWH places artists at the center. The I like Helen and Scott Nearing’s 4/44divi- board is the first circle out, connecting with sion of daily labor: four hours for private work...
Journal Article
Theater (2017) 47 (3): 5–11.
Published: 01 November 2017
... following the first num- ber of his marathon performance of A 24 - Decade History of Popular Music. For twenty-­ four hours — from noon on Saturday to noon on Sunday — Mac held court at St. Ann’s Warehouse, performing songs made popular between 1776 and the present. “This is my subjective take...
Journal Article
Theater (2014) 44 (3): 31–65.
Published: 01 November 2014
... you value your own life and the life of others. be psychologically realistic again because I think those kinds of questions take time. we have an audience that runs around and When you go to a show that is two and believes they’re part of a company, that sort a half hours, you’re going...