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Journal Article
Theater (1982) 13 (3): 4–34.
Published: 01 November 1982
... Pxhibition on the history and a large enough basement, you can build bottle and can opener.
peacejul uses of nuclenr power. ‘Iiicre is a the BASEMENT CONCRETE BLOCK Other important items to have avaii-
%lorking” model of Enriko Fmi’s$rst nuclear SHELTER. Third is the UNDER- able are matches...
Journal Article
Theater (1982) 14 (1): 27–31.
Published: 01 February 1982
...Alisa Solomon “Look at History”:
An Interview with Zakes Mokae
big man like you and all you do is play?” But that’s because the
Alisa Solomon...
Journal Article
Theater (2003) 33 (1): 77–78.
Published: 01 February 2003
...
threatened with invasion by the neighboring
The Weight of History: “Blacks” (Blackshirts, in Feingold’s translation),
Max Frisch’s Andorra and the shadow of war has raised tensions
within the Andorran town. The town’s...
Journal Article
Theater (2004) 34 (3): 18–29.
Published: 01 November 2004
...Allen J. Kuharski © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Allen J. Kuharski
Witold Gombrowicz
A Visual Production History
Looking at photographs of Gombrowicz’s plays in production...
Journal Article
Theater (1972) 3 (3): 8–34.
Published: 01 November 1972
...Richard Gilman Copyright © by yale/theater 1972 1972 Georg
Bochner
History Redeemed
Richard Gilman
‘A genius may be a century ahead of his time and therefore appear to be a paradox, but
ultimately the race will assimilate what was once a paradox in such a way...
Journal Article
Theater (2014) 44 (1): 25–35.
Published: 01 February 2014
...Peter Sellars; Faustin Linyekula © 2014 French Institute Alliance Française (FIAF) 2014 Peter Sellars and
Faustin Linyekula at
the Crossing the Line
Festival, New York,
2012. Photo: Courtesy
of French Institute
Alliance Française (fiaf)
With My Blood on Fire
and My History...
Journal Article
Theater (1988) 19 (3): 70–71.
Published: 01 November 1988
...
mold their own and other characters’
WRESTLING AGAINST consciousness as Seth Holly molds the
I metal sheets into pots and pans.
HISTORY...
Journal Article
Theater (1968) 1 (2): 17–19.
Published: 01 May 1968
... spectators. The
the headlines? Can live theatre intervene theatre, in other words, tells its own kind
in politics and history by affecting peo• of truth; a truth which can be different,
ple's feelings and opinions? Should it try? more arresting, than the statements of
Can it attempt...
Journal Article
Theater (1989) 20 (2): 85–90.
Published: 01 May 1989
...Cindy Lutenbacher Copyright © THEATER 1989 1989 THEATER X’S
A HISTORY OF SEXUALITY
CINDY LUTENBACHER
rench philosopher and cultural...
Journal Article
Theater (1991) 22 (3): 63–66.
Published: 01 November 1991
...Kristin Johnsen-Neshati Copyright © THEATER 1991 1991 MYTH AND HISTORY IN EDUARD RADZINSKY'S
DON JUAN'S SEQUEL
KRISTI N JOHN SE N -NESHATI
n a recent...
Journal Article
Theater (1973) 4 (3): 40–68.
Published: 01 November 1973
...Gary Jay Williams Copyright © by yale/theatre 1973 1973 "The Concord of this Discord " :
Music in the Stage History of
A Midsummer Night's Dream
Gary Jay Williams
40 Few plays of Shakespeare invite more reliance upon music to help...
Journal Article
Theater (1974) 5 (2): 128–151.
Published: 01 May 1974
...Lee Gallup Feldman © yale/theater 1974 1974 A Brief History
of Irnprovisational Theatre
in the United States
Lee Gallup Feldman
Chicago The Compass Theatre...
Journal Article
Theater (1995) 26 (1_and_2): 12–31.
Published: 01 February 1995
Journal Article
Theater (1998) 28 (2): 102–104.
Published: 01 May 1998
Journal Article
Theater (1998) 28 (3): 108–110.
Published: 01 November 1998
...Jens Giersdorf Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935 by Karl Toepfer 1997: University of California Press Copyright © Theater 1998 1998 s P E N c E R/G I E R s DO R F
lesbian relationship between Juliet and the part of German history...
Journal Article
Theater (1999) 29 (3): 100–114.
Published: 01 November 1999
... “The End of History?” and then in its expansion into the book The End of His-
tory and the Last Man three years later) that in the wake of the Cold War, no funda-
mental societal improvement on capitalist democracies could or need be imagined. For
Fukuyama and his many supporters, revolutionary...
Journal Article
Theater (1999) 29 (3): 47–70.
Published: 01 November 1999
...Daniel Gerould Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 DANIELGEROULD
THEAPOCALYPTIC MODE AND
THE TERROROF HISTORY
Turn-of-the- Century Russian and Polish MiZZenarian Drama
History has meaning only...
Journal Article
Theater (1999) 29 (2): 34–44.
Published: 01 May 1999
...Thalia Field Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 THALIAFIELD
EXPERIMENTALTHEATER Is HISTORY!
(The Photo and Infinite Play)
What confounds a society is not serious competition, but the lack of seriousness...
Journal Article
Theater (1969) 2 (1): 18–29.
Published: 01 February 1969
... Copyright 1969 by yale/theatre 1969 History now
The following discussion was held in the I think the Living Theatre began as an
Experimental Theatre of the Yale School avant-garde poets' theatre, if I'm not
of Drama on Tuesday afternoon, 24 Sep...
Journal Article
Theater (1969) 2 (2): 17–19.
Published: 01 May 1969
...
with major public events of its time - scar, in the minds, and maybe in the sub-
deal with them while they are still making sequent actions, of our spectators. The
the headlines? Can live theatre intervene theatre, in other words, tells its own kind
in politics and history...