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Journal Article
Theater (1982) 13 (3): 4–34.
Published: 01 November 1982
... Pxhibition on the history and a large enough basement, you can build bottle and can opener. peacejul uses of nuclenr power. ‘Iiicre is a the BASEMENT CONCRETE BLOCK Other important items to have avaii- %lorking” model of Enriko Fmi’s$rst nuclear SHELTER. Third is the UNDER- able are matches...
Journal Article
Theater (1982) 14 (1): 27–31.
Published: 01 February 1982
...Alisa Solomon “Look at History”: An Interview with Zakes Mokae big man like you and all you do is play?” But that’s because the Alisa Solomon...
Journal Article
Theater (2003) 33 (1): 77–78.
Published: 01 February 2003
... threatened with invasion by the neighboring The Weight of History: “Blacks” (Blackshirts, in Feingold’s translation), Max Frisch’s Andorra and the shadow of war has raised tensions within the Andorran town. The town’s...
Journal Article
Theater (2004) 34 (3): 18–29.
Published: 01 November 2004
...Allen J. Kuharski © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Allen J. Kuharski Witold Gombrowicz A Visual Production History Looking at photographs of Gombrowicz’s plays in production...
Journal Article
Theater (1972) 3 (3): 8–34.
Published: 01 November 1972
...Richard Gilman Copyright © by yale/theater 1972 1972 Georg Bochner History Redeemed Richard Gilman ‘A genius may be a century ahead of his time and therefore appear to be a paradox, but ultimately the race will assimilate what was once a paradox in such a way...
Journal Article
Theater (2014) 44 (1): 25–35.
Published: 01 February 2014
...Peter Sellars; Faustin Linyekula © 2014 French Institute Alliance Française (FIAF) 2014 Peter Sellars and Faustin Linyekula at the Crossing the Line Festival, New York, 2012. Photo: Courtesy of French Institute Alliance Française (fiaf) With My Blood on Fire and My History...
Journal Article
Theater (1988) 19 (3): 70–71.
Published: 01 November 1988
... mold their own and other characters’ WRESTLING AGAINST consciousness as Seth Holly molds the I metal sheets into pots and pans. HISTORY...
Journal Article
Theater (1968) 1 (2): 17–19.
Published: 01 May 1968
... spectators. The the headlines? Can live theatre intervene theatre, in other words, tells its own kind in politics and history by affecting peo• of truth; a truth which can be different, ple's feelings and opinions? Should it try? more arresting, than the statements of Can it attempt...
Journal Article
Theater (1989) 20 (2): 85–90.
Published: 01 May 1989
...Cindy Lutenbacher Copyright © THEATER 1989 1989 THEATER X’S A HISTORY OF SEXUALITY CINDY LUTENBACHER rench philosopher and cultural...
Journal Article
Theater (1991) 22 (3): 63–66.
Published: 01 November 1991
...Kristin Johnsen-Neshati Copyright © THEATER 1991 1991 MYTH AND HISTORY IN EDUARD RADZINSKY'S DON JUAN'S SEQUEL KRISTI N JOHN SE N -NESHATI n a recent...
Journal Article
Theater (1973) 4 (3): 40–68.
Published: 01 November 1973
...Gary Jay Williams Copyright © by yale/theatre 1973 1973 "The Concord of this Discord " : Music in the Stage History of A Midsummer Night's Dream Gary Jay Williams 40 Few plays of Shakespeare invite more reliance upon music to help...
Journal Article
Theater (1974) 5 (2): 128–151.
Published: 01 May 1974
...Lee Gallup Feldman © yale/theater 1974 1974 A Brief History of Irnprovisational Theatre in the United States Lee Gallup Feldman Chicago The Compass Theatre...
Journal Article
Theater (1995) 26 (1_and_2): 12–31.
Published: 01 February 1995
Journal Article
Theater (1998) 28 (2): 102–104.
Published: 01 May 1998
Journal Article
Theater (1998) 28 (3): 108–110.
Published: 01 November 1998
...Jens Giersdorf Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935 by Karl Toepfer 1997: University of California Press Copyright © Theater 1998 1998 s P E N c E R/G I E R s DO R F lesbian relationship between Juliet and the part of German history...
Journal Article
Theater (1999) 29 (3): 100–114.
Published: 01 November 1999
... “The End of History?” and then in its expansion into the book The End of His- tory and the Last Man three years later) that in the wake of the Cold War, no funda- mental societal improvement on capitalist democracies could or need be imagined. For Fukuyama and his many supporters, revolutionary...
Journal Article
Theater (1999) 29 (3): 47–70.
Published: 01 November 1999
...Daniel Gerould Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 DANIELGEROULD THEAPOCALYPTIC MODE AND THE TERROROF HISTORY Turn-of-the- Century Russian and Polish MiZZenarian Drama History has meaning only...
Journal Article
Theater (1999) 29 (2): 34–44.
Published: 01 May 1999
...Thalia Field Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 THALIAFIELD EXPERIMENTALTHEATER Is HISTORY! (The Photo and Infinite Play) What confounds a society is not serious competition, but the lack of seriousness...
Journal Article
Theater (1969) 2 (1): 18–29.
Published: 01 February 1969
... Copyright 1969 by yale/theatre 1969 History now The following discussion was held in the I think the Living Theatre began as an Experimental Theatre of the Yale School avant-garde poets' theatre, if I'm not of Drama on Tuesday afternoon, 24 Sep...
Journal Article
Theater (1969) 2 (2): 17–19.
Published: 01 May 1969
... with major public events of its time - scar, in the minds, and maybe in the sub- deal with them while they are still making sequent actions, of our spectators. The the headlines? Can live theatre intervene theatre, in other words, tells its own kind in politics and history...