...M. Elizabeth Osborn “Soon after the death of Rabbi Moshe, Rabbi Mendel of Kutsk asked one of his disciples, ‘What was most important to your teacher?’ The disciple thought and then replied, ‘Whatever he happened to be doing at the moment.’” What the renowned Canadian director John Hirsch happened...

... after reading this account that profession. Els Joglars utilization of 119 satire, parody, caricature, and self- referentiality has ensured that its au- JOHN HIRSCH...

.... Osborn, M. Elizabeth, JOHN HIRSCH AT Beber, Neena, JOHN STEPPLING’S PLAYWRIGHTS FOR THE NINETIES YALJ3 (essay),Numbers 1 and 2, pp. 120 -122. DRAMA OF THE DREAM COAST (essay), (intemiew),Number 3. pp. 43 - 45. Number 3,pp. 16 - 20...

...: American Plays and the AIDS Crisis in April. She has 1@0American playwrights (in Russian}. been interested in John Hirsch since 1967, and has written Each entry contains photo, contacts, about his works for The Village Voiceand American Theatre. list of all entrants plays and many...

... collaborators included Aya Ogawa, Robert Saietta, Peter Lettre, Deborah Wallace, Patrick McCaff rey, Gina Hirsch, Will O’Hare, Alanna Medlock, Aaron Mostkoff Unger, Magin Schantz, Drae Campbell, Maha Chehlaoui, Sophie Amieva, Jason Qualres, and Ravi Jain. —Tom Sellar Copyright © 2004 by Josh Fox...

... in Los Angeles with Lee Remick for KCEITTt: At the Taper, he worked as dramaturg with playwrights such as Ron Hutchinson, Mark MedojJ, Richard Nelson, ted Tally, Ron Milner, Steve Tesich, Howard Brenton; and Athol Fugard and with directors who in• cluded Gordon Davidson, Luis Valdez, John Hirsch...

... were broad, even sweeping ty will take. For example, I might get an what to do and I’ll do it. Just don’t em- shots that gave a greater sense of the excellent shot of one of the players pour- barass me,” said Judd Hirsch during character of space and time in a produc- ing poison into another’s ear...

... sheet music, and Kurt Weill: A Life in Pictures and Documents, which doubles as a catalog for a travel- ing exhibition. Forthcoming books include Foster Hirsch’s Kurt Weill on Stage: From Berlin to Broadway (Alfred A. Knopf...

... uninformed, overseas spectators a stark picture of postapartheid realities. It blasts away the retro haze that has blinded too many foreigners dabbling in feel-good antiapartheid film nostalgia, from Lee Hirsch’s Amandla — A Revolution in Four-Part Harmony (2002) to Pascale Lamche’s Sophiatown (2004...

... uninformed, overseas spectators a stark picture of postapartheid realities. It blasts away the retro haze that has blinded too many foreigners dabbling in feel-good antiapartheid film nostalgia, from Lee Hirsch’s Amandla — A Revolution in Four-Part Harmony (2002) to Pascale Lamche’s Sophiatown (2004...

... uninformed, overseas spectators a stark picture of postapartheid realities. It blasts away the retro haze that has blinded too many foreigners dabbling in feel-good antiapartheid film nostalgia, from Lee Hirsch’s Amandla — A Revolution in Four-Part Harmony (2002) to Pascale Lamche’s Sophiatown (2004...

... in whichever direction society was going. Among the original performers were Shepherd, Roger Bowen, Andrew Duncan, Robert Coughlan, Sidney Lazard, Michael (Mickie) Le Glaire, Robert 130 Patton, Mo Hirsch, Haym Bernson, Elaine May, and Barbara Harris...

... on the pro• ductions with various directors, the most rewarding work being with John Hirsch in Beggar on Horseback and The Time of Your...

..., 2006. 15. Lee Hirsch, director, Amandla! A Revolution in Four-Part Harmony (Santa Monica, CA: ATO Pictures/Kwela Productions, Artisan Home Entertainment, 2002), video recording. 16. See, for instance, the Web site of the Dimpho di Kopane theater company, www .ddk.org.za/home. Their filmed...

... A play by Sinai Peter, Joan Holden, we disagreed on, and we decided to Emily Shihadeh, Jody Hirsch, Nabil leave many of them unresolved. For Sitti Razali, A Palestinian immigrant Al-Hadithy and Nidal Totah, with example: to most Palestinians, grandmother Harvey Varga...

... of 1967 in which electric cod-pieces, designed by Jim Dine, flashed on to illuminate the sexual forces in the play. John Hirsch's Stratford, Ontario, production of 1968 suggested some dark sexual forces, but jested only lightly with Mendelssohn, using the wedding march...